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| | indianwriting: 07/03/2005 - 07/09/2005 (Site not responding. Last check: 2007-10-20) |
 | | The Bombay of two faces, good and evil, where Sartaj Singh, in Vikram Chandra's Love and Longing in Bombay, watches how "the water on the window made the world outside a vague blur of brown and green". |
 | | Everything is Bombay, as Rushdie exclaims in The Moor's Last Sigh: "Bombay was central, had been so from the moment of its creation: the bastard child of a Portuguese-English wedding, and yet the most Indian of Indian cities. |
 | | This is the area in which he grew up among whores and petty criminals, watching the lords of the underworld and their clients indulge in smuggling, drug-trafficking, loan-sharking, gambling, prostitution, and supari murders. |
| indianwriting.blogspot.com /2005_07_03_indianwriting_archive.html (8455 words) |
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