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 | | The idea for a tapestry to be the dominant visual feature of the cathedral came to the cathedral's architect Basil Spence in response to the colourful interiors of European churches, where the aesthetic and spiritual effects result from a combination of stained glass windows and mosaics. |
 | | As realised in Coventry, the impact of the tapestry is due to the unification of the notion of a colourful altar, illuminated through coloured glass, with Spence's main structural concept. |
 | | To the Old Testament visionaries this humanised part of the tetramorph was actually only a quarter of a complex winged cherubim, which had the combined attributes of ox, lion and eagle, and moved on wheels. |
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