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Topic: One Chord to Another

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Twice Removed

Pretty Together

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Astro Lounge

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Sloan (band)

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	jazz chord substitution
		While the theoretical principles of chord substitution are something that we can examine and develop at our leisure, in performance situations, especially in jazz and to a certain extent in the blues, substituting one chord for another or recoloring a chord from it's written version is a spontaneous, real time event.
		These three dominant chord substitutions are found on the b2, major 3rd and b7 pitches of the tonic key, and along with V 7, create the four common dominant motions to the tonic key.
		Dominant chord substitutions are rare in the folk styles, we sometimes hear the b7 sub in the blues and rock styles, although it is usually the written change.
	www.jacmuse.com /improv/harmonicapps/jazz.htm (3621 words)

	Popular chord progressions
		Chord progressions are simply movement from one chord to another in a harmonic framework.
		A diminished chord is composed of a 1st, b3rd (flatted third), and b5th (flatted fifth) tones (notes) of a major scale.
		A half diminished 7th chord is formed by combining the 1st, b3rd (flatted 3rd), b5th (flatted fifth), and b7th (flatted seventh) tones (notes) of a major scale.
	www.free-online-piano-lessons.com /chord-progressions.html (340 words)

	Online Music Dictionary
		Borrowed Chord: Use of a chord in a key in which it is not diatonic, or the substitution of a chord from a different key into a work.
		Chord: A set of notes, usually three or four, played simultaniously--usually containing a root, and other tones which have a tonal relationship to that root.
		Common Chord: A chord composed of a root, third, and fifth.
	www.musicoutfitters.com /dictionary.htm (5498 words)

	Chord progression - Wikipedia, the free encyclopedia
		A chord change is a movement from one chord to another and may be thought of as either the most basic chord progression or as a portion of longer chord progressions which involve more than two chords (see shift of level).
		In the common-practice period, chord progressions are usually associated with a scale and the notes of each chord are usually taken from that scale (or its modally-mixed universe).
		The most common chord progressions, in the common practice period and in popular music, are based on the first, fourth, and fifth scale degrees (tonic, subdominant and dominant); see three chord song, eight bar blues, and twelve bar blues.
	en.wikipedia.org /wiki/Chord_progression (546 words)

	One Chord to Another (Site not responding. Last check: 2007-11-04)
		Another anecdote from that era: The second choice of the...
		One Chord to Another was the third album by Canadian rock band Sloan.
		Like the previous album it was a catchy, Beatles-influenced pop record, and is considered to be one of the greatest Canadian albums of the 1990s, if not of all time.
	publicliterature.org /en/wikipedia/o/on/one_chord_to_another.html (189 words)

	One-A-Chord.Net (Site not responding. Last check: 2007-11-04)
		One-A-Chord Ministry Verse:...to fulfill my joy by being like-minded, having the same love, being of one accord, of one mind.
		We are One-A-Chord Ministries, developed to encourage and educate the body of Christ through contemporary praise and worship music.
		To Encourage one another, as well as the body of Christ, in a deeper relationship with the Lord.
	www.one-a-chord.net /index.html (269 words)

	More Funner Than Total Oblivion
		One Chord is perhaps the ideal outing for the band that once threatened to ruin the "Huge in Canada, nobody in America" cliché, only to have its obituaries all but written on the eve of the disc's release.
		One Chord is a scrappy, character-addled mix of bittersweet, heart-on-the-sleeve pop ditties written by four rock-weary members of a band that originally decided to throw the record together as a posthumous document on the eve of their breakup.
		Another reason is that Sloan enjoyed making the record, free from the harsh glare of the spotlight, so much that they decided to stick it out.
	www.metrotimes.com /arts/stories/17/50/sloan.html (946 words)

	How Music REALLY Works!, Chapter 6: How Chords and Chord Progressions REALLY Work
		• The first and last chords (G major and F major) are in root position (their root notes are furthest to the left) while the middle chord (C major) is a second inversion chord (the note G is in root position).
		Chord movements are named according to the intervals between their roots, even though root movement has no meaning by itself.
		The chord change from C to G has a different name, and a different musical effect, compared with the chord change G to C. As noted, harmonic intervals (chord changes) are named after their roots.
	www.howmusicreallyworks.com /Pages_Chapter_6/6_5.html (2697 words)

	Chord Substitution
		The chord that we substitute may not be diatonic to the C major scale.
		This means that the chord we are substituting for must have at least 1 note that is natural to the chord we replace.
		Recall the notes in the Am chord are, A, C and E. The F chord has the A note, but we can't use two of the same chords together in a progression.
	guitarsecrets.com /chord_substitution.htm (1011 words)

	Guitar Chords Lesson
		This diagram illustrates the first chord we are going to play, a G major chord (often simply called a "G chord").
		The second chord we'll learn, the C major chord (often called a "C chord"), is no more difficult than the first G major chord.
		Test this chord as you did with the G major chord, to make sure all notes are ringing clearly.
	www.guitar-lesson-online.net /guitar-chords-lesson.html (707 words)

	Reharmonization (Part 3)
		It is also common to use a "diminished sound" on a dominant chord, by lowering the 9th by a half-step.
		A similar example may be found with another variation on the dominant chord/scale relationship: the altered dominant scale (also referred to as the "diminished/whole-tone" scale).
		Finally, it is possible to take another chord derived from the modes of the melodic minor scale, and substitute it for the dominant in this progression; it is a different sonority, but it shares the same scale (thus, a common tonality) with the original chord.
	www.malletjazz.com /lessons/reharm3.html (576 words)

	Chord progressions
		The circle of fifths can be used to create chord progressions by starting with any chord on the circle and moving in either direction using as many or as few consecutive chord roots as you like to produce a new chord sequence.
		A secondary dominant is a chord that serves as the “V” of another.
		Similarly, the “A7” is the “V” of the “D7” chord and the “D7” is the “V” of the “G7” chord.
	www.easy-song-writing.com /articles/chordProgressions.asp (2957 words)

	Yet Another One-hand Keyboard
		It produces all the usual characters with relatively few keys which are pressed in groups, i.e., chords.
		I think I had memorized all the chords after a week or so of intermittently playing with my first working unit.
		Another reason is that the fingers are never far from their relaxed positions.
	www.chordite.com (1173 words)

	Beginners Guide to enhancing guitar chords (part 4)
		As the 'F' chord is probably the single most common reason for first time learners giving up in despair, we'll just have a look at the F major chord, without worrying about embellishment just yet, and concentrate mainly on how to get past the barrier.
		If you've had a chance to look at my chord transposition article (www.guitarsongs.info/transpos.htm) you'll know that the F chord is basically the E chord shape, transposed up one fret.
		Guitar playing requirements are: (a) knowing the chord shapes (b) getting a feel for strum patterns, (c) mastering changing from one chord to another quickly, and (d) synchronising your guitar playing with your singing the songs.
	www.guitarsongs.info /chords_4.htm (671 words)

	Guitar Lesson One - Music
		These 8 chords are often referred to as "the cowboy chords".
		These chords are called "cowboy" chords because a billion songs have been written using these few simple chords.
		Once you get the chords down you can experiment with some distortion, but these chords don't always sound so good with a lot of distortion until you learn a few right and left hand techniques.
	www.zentao.com /guitar/lesson1/music.html (573 words)

	Chord Structure in Joyce Carol Oates' "Heat"
		But the last sentence, with its clauses of ascending importance, ties the chord together: their age - no longer old enough to be babies but young enough to be uninhibited; the fact that they are twins, of which we will be reminded often; and perhaps the most important cell, their power.
		This movement closes with three striking chords, one signalling a theme to be taken up later, another related to an earlier theme, and a third to punctuate the closing of the movement.
		With each chord, a little bit more empirical evidence is added, or elaborated on, as in a detective story: the doctors' examination, the bicycles at the foot of his stairway, and the mid-day bath, his habitual cleanliness and, as mentioned previously, his physical endowment.
	www.usfca.edu /~southerr/chord.html (6085 words)

	Learn Basic Guitar Chords E and Em
		Open guitar chords are chords which involve a combination of open strings and strings being played on certain frets.
		For beginners guitar chords can be difficult at first, and making a transition from one chord to another can be difficult too.
		Above you'll see the tab for the E minor chord (Figure 1) and to the right of the tab is the E minor chord chart (Figure 2).
	www.morphis.com /guitar_lessons/lesson_4.asp (535 words)

	All Down The Line - Guitar Noise
		Another chord transition where you can use a simple scale fill is when you switch from a major chord to its relative minor (or vice versa).
		You might remember in the "Solving the Puzzle" column that, in decoding John Lennon's "Jealous Guy," I was able to figure out the chord progression of the last line of the chorus simply from the descending bass line.
		If you have a chance, take another look at "Solving the Puzzle" where we analyze the bridge of Richard Thompson’s "Walking on a Wire." Thompson cleverly uses an ascending scale in the key of A (even though the song is in G) in order to create an intricate and gorgeous chord progression for his bridge.
	www.guitarnoise.com /article.php?id=14 (2124 words)

	Sloan (Site not responding. Last check: 2007-11-04)
		Twice Removed was a natural progression from the indie-sounding guitar rock of Smeared and the polished, catchy, note-perfect AM rock of One Chord to Another.
		Nova Scotia, a beautiful Scott song with great John Lennon/“Mother”-style drumming) “Losing California” (another catchy Pentland single that also has drumming) and “The Marquee and the Moon” (an atypically mid-tempo, pretty ballad from Chris with a rumbling 3/4 tom-tom part on the drums) are the songs most closely linked to the concept.
		The erratic nature of Navy Blues (and to a lesser extent, One Chord to Another) was part of its charm and though Sloan may have finally found their “sound” with this album, there are moments that are dull due to monotone.
	www.angelfire.com /ab/reviews/sloan.html (1661 words)

	[No title]
		On One Chord To Another, the tradition continues, with Murphy penning and singing five tracks, Pentland three (including the first single, "The Good In Everyone") and Ferguson and Scott each two.
		It's obvious that much of what One Chord To Another is arose from the setting in which it was created.
		In the band biography accompanying One Chord To Another, extensive touring in support of Twice Removed is named as one major cause of the band's disenchantment.
	members.tripod.com /~sloanhut/inprint/chart-0796.html (2072 words)

	[No title]
		When you go from one chord to another, you have a one in four chance of guessing right, and since two of the four you're going to are minor, a little ear training can cut your guess down to a 50/50 chance.
		The 1, 4, and 5 chords are major, the 2 and 6 are minor.
		OK, let's give these chords some names and do it in an easy key, like C. Since we're in the key of C, a C chord is the 1 chord.
	www.xanga.com /rcfirstpraise/542056705/i-cant-figure-out-the-right-chord.html (577 words)

	One Chord To Another: Reviews
		Another fine day is more than just another fine record (now how obvious was that).
		Another beautiful treat is The Mutineer, the only song not written my Mr.
		The following Talven jälkeen is another treat and I truly love the lyrics in the end (Mut talvi on vihdoin mennyt / ja suru lumen mukana / sä löydät pian jonkun toisen / Ja suru menee lumen mukana).
	www.onechord.net /reviews.htm (13843 words)

	Glossary of Terms and Chord Definitions
		Blues - A style of music evolved from southern African-American secular songs and usually distinguished by a syncopated 4/4 rhythm, flatted thirds and sevenths, a 12-bar structure, and lyrics in a three-line stanza in which the second line repeats the first: "The blues is an expression of anger against shame and humiliation" B.B. King.
		Chord changes - A chord change is a movement from one chord to another and may be thought of as either the most basic chord progression or as a portion of longer chord progressions which involve more than two chords.
		Generally, successive chords in a chord progression share some notes.
	www.tonyventura.com /help.html (312 words)

	Basic Open Position Chords
		A chord is created by playing more than two notes at a time.
		Open position chords get their name from the fact that they are played in what is commonly called the first or open position on the guitar neck.
		Now that you have learned these chords, we must begin learning how to change from one chord to another.
	www.tonart.com /idg20/Lessons/Beginner/December1998.htm (446 words)

	Advanced Chord Concepts (Site not responding. Last check: 2007-11-04)
		Notice the smooth and effortless transition from one chord to another.
		Below the Tutorial a guide for the chord forms is presented.
		The 3rd of the Dom 7th chord resolves to the root of the Tonic chord.
	guitar-primer.com /Concepts/V-03.html (96 words)

	Suggested Reading Material
		One Chord to Another, due to arrive in stores Wednesday, was released when the four-piece band wanted, packaged the way it wanted and any promotional activity like interviews and touring is done- you guessed it- when the members want.
		And One Chord to Another, not to sound crass, could make more money for the band than an album coming out through a large company.
		Fun was the operative word, however, during the record of One Chord to Another.
	www.fortunecity.com /tinpan/ellington/586/art4.htm (862 words)

	Interview: Chris Murphy of Sloan, August 1996
		They are no longer with DGC and they have released their third CD, One Chord to Another, on their own Halifax-based Murder Records.
		Drummer Andrew Scott has said that One Chord to Another is the first Sloan album that he feels that he can recommend to his friends; and that is noteworthy, because Sloan is a band that is very critical of its records and, as bassist Chris Murphy admits, records are their primary focus.
		Chris admits that doing this promo stuff isn't really that interesting, but One Chord to Another has taken a lot of shots from critics and in a way it has turned into a Defend the Album tour.
	dropd.com /issue/22/Sloan/index.html (970 words)

	Improving Your Chord Changes - Guitar Noise
		You can strum one chord as often as you like (it doesn't matter if you strum it five times or five hundred - it's not important) and you can use whatever strum pattern you prefer.
		Concentrate on that image and "see", in your mind's eye, the movement of your fingers, from the target chord to the "A" chord - and, all the time, continuing to strum the target chord.
		An open B is not the easiest chord to fret, so I usually use a B7.
	www.guitarnoise.com /article.php?id=561 (914 words)

	iBreatheMusic Forums - changing chords
		I might just be weird, but when I used to have trouble changing from one chord to another, what I used to do was play them as arpeggios, using the chord fingering.
		Not fast, as the idea for me was that I didn't have to get all the fingers in the right place at once, just so long as I had each finger where it had to be at the right time.
		Once you can change smoothly from one chord to another and back again, then learn the progression.
	www.ibreathemusic.com /forums/showthread.php?t=9390 (547 words)

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