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Topic: Opera Company of Boston


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In the News (Wed 30 Dec 09)

  
  opera   (Site not responding. Last check: 2007-10-21)
Gothenburg Opera - The Gothenburg Opera, or GöteborgsOperan, is an opera house in Gothenburg, Sweden.
Opera Boston - Opera Boston is an opera company in Boston, Massachusetts.
Louise (opera) - Louise is an opera by Gustave Charpentier, with libretto by the composer.
www.serebella.com /search/topic-opera.html   (587 words)

  
 Opera
Benvenuto Cellini (opera) Benvenuto Cellini is an Hector Berlioz.
Norrland Opera The Norrland Opera, or NorrlandsOperan, is an opera company in Sweden.
Opera Boston Opera Boston is an Boston, Massachusetts.
www.brainyencyclopedia.com /topics/opera.html   (2221 words)

  
 Opera Boston - Wikipedia, the free encyclopedia
Opera Boston is an opera company in Boston, Massachusetts.
It specializes in innovative repertoire and rarely-heard works, along with opera education and outreach programs designed to bring opera education to children in schools and after-school programs throughout the Boston area.
Its home base is the Cutler Majestic Theatre, a 1903 Beaux-Arts opera house designed by architect John Galen Howard.
en.wikipedia.org /wiki/Opera_Boston   (93 words)

  
 KET Electronic Field Trips - Kentucky Opera - About KY Opera   (Site not responding. Last check: 2007-10-21)
Operas were presented in the Columbia Auditorium, which lacked an orchestra pit until the 1963-64 season when they moved to the Brown Theatre.
The company is splendidly housed in two floors of a condominium building with custom-renovated administrative and artistic offices at the corner of Eighth and Main Streets on Louisville's Avenue of the Arts.
Kentucky Opera is financed by ticket sales, corporate and individual sponsors, the Fund for the Arts, a local agency, the Kentucky Arts Council, a state agency, and local fund raisers such as the annual Guild book sale, the annual car raffles, and the fantastically successful wine auction, In Vino Veritas.
www.ket.org /trips/opera/about.htm   (720 words)

  
 Opera Company of Boston - Wikipedia, the free encyclopedia
The Opera Company of Boston was founded by the American conductor Sarah Caldwell in Boston, Massachusetts in 1958.
Under the leadership of Caldwell, the company staged the American premieres of such operas as Arnold Schoenberg's Moses and Aron, Sergei Prokofiev's War and Peace, Hector Berlioz' Les Troyens and Benvenuto Cellini, Luigi Nono's Intolleranza, Alban Berg's Lulu, and Roger Sessions' Montezuma.
Many well-known North American opera singers performed with the company, including Beverly Sills, Shirley Verrett, and John Vickers.
en.wikipedia.org /wiki/Opera_Company_of_Boston   (126 words)

  
 Opera Boston   (Site not responding. Last check: 2007-10-21)
Opera Boston is a unique opera company producing staged opera and special events in Boston.
Opera Boston is committed to providing opera education to children in schools and after-school programs throughout Greater Boston.
In one of the biggest undertakings in its history, in June 2003, the company produced Opera Unlimited, a widely acclaimed one-week festival of contemporary opera in collaboration with the Boston Modern Orchestra Project.
www.operaboston.org /compny01.html   (253 words)

  
 Boston.com / News / Boston Globe / Living / Arts / Opera Boston gets bawdy with 'Vie'
Opera Boston has chosen this relatively unfamiliar work to open its season.
He wrote "La Vie Parisienne" in 1866 for the acting company at the Palais-Royal in Paris; most of the vocal demands are tailored to actors, not full-fledged opera singers.
Opera Boston went another route, choosing a cast of stage-savvy opera singers.
www.boston.com /news/globe/living/articles/2004/10/11/opera_boston_gets_bawdy_with_vie   (422 words)

  
 Boston.com / A&E / Theater/Arts / The magnificent performances sang
The most colorful and artistically adventurous period in the life of the Opera House was the dozen years in which Sarah Caldwell and the Opera Company of Boston held sway there.
But the Opera Company was never really about great stars; Caldwell pursued an ensemble musical and theatrical ideal, and she did create a true ensemble -- orchestra, chorus, and fondly remembered company artists.
Although the acquisition of the theater was hailed as the salvation of the Opera Company in 1978, Caldwell came to believe that buying it was the worst mistake the company ever made because it diverted everyone's attention and resources to real estate and legal issues and away from opera.
www.boston.com /ae/theater_arts/articles/2004/06/27/the_magnificent_performances_sang   (784 words)

  
 Boston Opera House Collection Finding Aid   (Site not responding. Last check: 2007-10-21)
In September 1957, the Boston City Building Department declared the BOH unsafe, and it was sold three weeks later by the Opera Holding Company to the S. and A. Allen Construction Company for $135,000.
There was an opera-less interim from March, 1914 to November 15, 1915, when Max Rubinoff's new Boston Grand Opera Company began with Montemezzi's "The Love of Three Kings." For years the BOH was the local showcase of companies on tour, most notably New York's Metropolitan Opera, the Chicago Opera Company, and the Chicago Civic Opera.
Upon receiving the news, the Opera Holding Company, a subsidiary of the J. Schubert Theater Company in New York, sold the landmark to the S. and A. Allen Construction Company of Charlestown for $135,000.
www.lib.neu.edu /archives/collect/findaids/m33find.htm   (676 words)

  
 Opera Boston, Boston's most innovative opera company
Opera Boston is New England's most innovative opera company, named Best of Boston for seven consecutive years by the Boston Globe.
Opera Boston events are attractions for tourists and Bostonians alike.
Opera Boston "is one of the few professional companies in the United States combining intelligent programming and high artistic standards in an intimate theatre." --Opera Now, London
www.bostonacademy.org   (230 words)

  
 Boston NOW - Current Feature   (Site not responding. Last check: 2007-10-21)
The nearly finished restoration of the Opera House is the result of several years of community-based planning and public input, beginning in 1996 with the Washington Street Theatre District charette, sponsored by the City and the Boston Preservation Alliance.
In the 1980’s, the Boston Redevelopment Authority (BRA) devised an ambitious plan for the entire downtown theatre area, extending east of the Common and from the Orpheum Theatre all the way south to the Tremont Theatre.
Over the next few months, Boston will be heating up in more ways than one, and the Opera House is primed to shine as a cultural beacon for the throngs of tourists that will pour into the City this sizzling summer.
viacomboston.com /bostonnow/cultural_feature.html   (1318 words)

  
 New England Conservatory of Music - Wikipedia, the free encyclopedia
When Boston established its first full-scale opera company in 1908, the manager, conductors, soloists, orchestra, chorus, library, and rehearsal rooms were all provided by the conservatory.
In 1958, Goldovsky's protégé Sarah Caldwell founded the Opera Company of Boston, which gained international acclaim for its innovative programming.
Initially it was located in downtown Boston but in 1902 was moved to the present building on Huntington Avenue.
en.wikipedia.org /wiki/New_England_Conservatory_of_Music   (232 words)

  
 NEA: FY 2002 Opera Grants
In celebration of its 40 years of opera production in the city, a free concert of opera favorites with principal singers, chorus and orchestra will be performed in Garner Park on the west side of Madison in July 2002.
During the summer of 2002 a fully-staged and orchestrated matinee performance of the opera will be performed for youth and adults, and opera scenes will be toured to four different venues reaching youth in 18 school districts, and adults in Vermont and New Hampshire.
The purpose of the workshop is to assist the creative evolution of the opera and to generate public enthusiasm and support for the world premiere in October 2004.
arts.endow.gov /grants/recent/disciplines/Opera/02opera.html   (1318 words)

  
 Boston.com / News / Boston Globe / Obituaries / Herbert Charles Senn, noted Broadway set designer, dead at 78
They designed more than 50 operas for Sarah Caldwell and the Opera Company of Boston, and more than 350 plays for the Cape Playhouse, where their demanding schedule required a new production each week of a 10-week season between 1956 and 1994.
They designed the Boston Ballet's "Nutcracker" with its vast Christmas tree; with one major refurbishment and the collaborators' annual attention, it has held the stage and delighted audiences for 25 seasons.
When we were working on an opera, he would try to figure out a way to do things the way they were conceived.
www.boston.com /news/globe/obituaries/articles/2003/08/15/herbert_charles_senn_noted_broadway_set_designer_dead_at_78   (799 words)

  
 Finding aid for the Boston Opera House Records
A brick from the Boston Opera House, which was rescued from the demolition in 1958, is also included.
The Boston Opera House (BOH) was the local citadel for lyrical drama for nearly 50 years.
For years the BOH was the local showcase of companies on tour, most notably New York's Metropolitan Opera, the Chicago Opera Company, and the Chicago Civic Opera.
www.lib.neu.edu /archives/collect/findaids/m33findprint.htm   (725 words)

  
 Historic Opera -  Singers - I - J
Ivell toured America with the Castle Square Opera Company of Boston and the English Grand Opera Company from 1898 to 1905.
She was one of the unfortunate Metropolitan singers who was on tour in San Francisco during the great earthquake and fire of 1906.
This "jazz" opera was first performed in Leipzig in 1927.
www.historicopera.com /jsingerij_IJ_page.htm   (674 words)

  
 [No title]   (Site not responding. Last check: 2007-10-21)
She founded the Opera Company of Boston in 1957 and served as its artistic director and frequently as its conductor until the company suspended operations in 1991.
She is also known for producing rarely performed operas or alternative versions of familiar works.
She taught at the Berkshire Music Center from 1948 to 1952 and headed the Opera Workshop at Boston University from 1952 to 1960.
www.worldbook.com /wc/features/whm/html/scaldwell.html   (181 words)

  
 Classical   (Site not responding. Last check: 2007-10-21)
The Lyric has also taken over the administration of Opera New England (ONE), which began in 1974 as the educational and touring leg of Sarah Caldwell's Opera Company of Boston, adapting Caldwell productions for travel throughout New England.
Massenet's opera, at any rate, is certainly short on plot, yet it provides ample opportunity for lyrical outpourings.
She too is earnest, but her warm lyric voice isn't as multi-faceted as her coloratura, and in Charlotte's aria, where she has to keep shifting back and forth between her own thoughts and the words in Werther's letters (listen to Maria Callas!), Shigematsu had just the one voice throughout.
www.bostonphoenix.com /archive/music/98/03/12/CLASSICAL.html   (1361 words)

  
 The Durbeck Archive - Gallery - The First Opera in Sound on Film
The San Carlo Opera Company of America was unique in the history of live opera performances in America.
While many opera recordings were available in disparate parts of America, few communities had access to live performances of complete operas, with full sets, costumes and orchestra.
The Metropolitan Opera did begin touring in 1883 with a jaunt to Boston and later increased their touring to other major cities as Philadelphia, Baltimore, Washington, Chicago, St. Louis and Cincinnati; eventually including San Francisco to the West and Atlanta to the South.
www.durbeckarchive.com /sancarlo.htm   (567 words)

  
 Theater | Back in business
The workers and their families were admitted free; the general public bought the remaining tickets for $10, a nod to the 10-cent admission charge for Keith’s first theatrical hit in Boston, back in the 1880s, when he leased the Bijou Theater and ran five performances a day of Gilbert and Sullivan’s operetta The Mikado.
Modeled after the Paris Opera’s Palais Garnier as a vaudeville and film palace by the famous theatrical architect Thomas White Lamb, the B.F. Keith Memorial Theater was erected even as vaudeville was being threatened by the advent of talking films.
The Opera House’s neighbors objected to the closing of Mason Street at the rear of the theater in order to build a larger backstage area, but eventually, the project was allowed to move forward.
www.bostonphoenix.com /boston/arts/theater/documents/03985606.asp   (2139 words)

  
 The Boston Herald: Classical Music; Lyric helps avert opera's tragic end in Boston.(Scene)@ HighBeam Research   (Site not responding. Last check: 2007-10-21)
The Boston Herald; 12/17/1999; Medrek, T.J. The 1990s will be remembered by classical music lovers above all as the decade the opera died - and was reborn - in Boston.
Just as the 1950s ended with the tearing down of the Boston Opera House on Huntington Avenue, the '90s began with the death of Sarah Caldwell's Opera Company of Boston - and the virtual abandonment of its home, the former B.F. Keith Memorial Theatre on Washington Street rechristened the Opera House by owner Caldwell.
Caldwell's persistent mismanagement meant the Opera Company barely survived the '80s.
www.highbeam.com /library/doc0.asp?DOCID=1G1:58291327&refid=ip_encyclopedia_hf   (205 words)

  
 Boston Bel Canto Opera
He was a finalist in the New England regional auditions of the Metropolitan Opera National Council, a first place winner at the National Association of Teachers of Singing in the New England regional auditions and a finalist in the Providence Opera Theater Vocal Competitions.
Jordan was a finalist in the 1998 New England Regional Metropolitan Opera Auditions and won second prize in the 1997 Boston Bel Canto Opera Competition.
Quintiliani won second prize in the 1998 Northeast Regional metropolitan Opera auditions and was a finalist in the 1997 Boston Bel Canto Opera competition.
www.geocities.com /Vienna/3385/artists.html   (1048 words)

  
 Northeastern Centennial Path - Boston Opera House   (Site not responding. Last check: 2007-10-21)
Unfortunately, the Boston Opera Company was never all that successful.
In September 1957, the Boston Globe reported the building failed to pass safety inspections and on September 25 of that same year, Northeastern University purchased the building.
On November 6, 1957 the Central Wrecking Company started its demolition; seven months later, the wrecking ball found the cornerstone and a worker unceremoniously pried back the copper lid.
www.dac.neu.edu /centhome/centpath/opera.html   (156 words)

  
 Boston Attractions and Activities - The Opera House   (Site not responding. Last check: 2007-10-21)
Boston's landmark Opera House re-emerged this summer as an architectural jewel and New England's finest and most historically significant performing arts venue.
The focus on this pivotal event in Boston history, couples with the excitement generated by Disney's THE LION KING as the inaugural production, cannot be underestimated.
It was in 1978, when the theatre was home to The Opera House Company of Boston, that the name was changed to The Opera House.
www.bostonkids.net /boston_attractions/the_opera_house.htm   (194 words)

  
 Boston Opera Company Premieres Composition Based on the Lives of Two Poets   (Site not responding. Last check: 2007-10-21)
Boston, MA (PRWEB) December 18, 2004 -- Intermezzo-The New England Chamber Opera Series, open its 2005 season with the premiere of "Verlaine and Rimbaud," a chamber opera commission by David Paul Gibson.
Intermezzo -The New England Chamber Opera Series was born out of a vision to produce contemporary chamber operas and bring new and exciting works to the musical life of New England.
Chamber opera merges the musical and dramatic flavor of grand opera with the immediacy of art song, performed on a smaller, more intimate scale.
www.prweb.com /releases/2004/12/prweb189676.htm   (608 words)

  
 Caldwell, Sarah on Encyclopedia.com   (Site not responding. Last check: 2007-10-21)
Maryville, Mo. In 1957 she founded the Boston Opera Group, later renamed the Opera Company of Boston, and headed it until its demise in 1991.
Under her direction, the company became noted for its innovative productions of such operas as Moussorgsky's Boris Godunov and Schoenberg's Moses and Aaron.
In 1976 she became the first woman to conduct the Metropolitan Opera.
www.encyclopedia.com /html/c/caldwells1.asp   (239 words)

  
 Caldwell, Sarah
Caldwell graduated from high school at age 14 and was educated at the University of Arkansas and the New England Conservatory of Music, Boston.
She then served as chief assistant to Boris Goldovsky at the New England Opera Company for 11 years, and in the meantime she studied and taught opera at the Berkshire Music Center at Tanglewood, Massachusetts.
She headed the Boston University Opera Workshop from 1953 to 1957, and in 1957 she founded a permanent opera group, which eventually became known as the Opera Company of Boston, for that city.
wwwa.search.eb.com /women/articles/Caldwell_Sarah.html   (259 words)

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