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Topic: Orff Schulwerk


In the News (Wed 8 Oct 08)

  
  Orff Approach
The Orff method, also known as Orff-Schulwerk or Music for Children, is an approach to music education conceived by the German composer Carl Orff (1895-1982).
Orff accomplishes this by means of a carefully planned program, beginning with speech patterns, rhythmic movement, and two-note tunes, then moving logically into pentatonic melody.
Orff designed a special group of instruments, including glockenspiels, xylophones, metallophones, drums, and other percussion instruments to fulfill the requirements of the Schulwerk courses.
www.thecanadianencyclopedia.com /index.cfm?PgNm=TCE&Params=U1ARTU0002658   (176 words)

  
  Carl Orff   (Site not responding. Last check: 2007-10-20)
From 1915 to 1917, Orff was musical director of the Munich Kammerspiele and, on the advice of his friend Curt Sachs engaged in the study of Renaissance and early Baroque composers.
Orff was responsible for the musical training of the students in a curriculum which included dance and gymnastics.
Orff was impressed by their music and dance abilities and so they soon became colleagues and partners in his search for elemental expression in music and dance.
www.citychoir.org.uk /Orff.htm   (621 words)

  
 Orff Schulwerk Training
Orff Schulwerk is “Music for Children”, a way to teach and learn music using poems, rhymes, games, songs, and dances as basic materials.
The Schulwerk was created by composers Carl Orff and Gunild Keetman in Europe.
Orff Schulwerk Teacher Training Level I, II and III (3 separate courses offered concurrently).
www.uky.edu /FineArts/Music/education/orff   (139 words)

  
 Orff Zentrum München
Orff felt that tuition at the Academy of Musical Arts (1912-1914), under A. Beer-Walbrunn for example, was too conservative.
Orff did however overestimate the "potential scope for musical autonomy in an ideological state" (Hans Maier 1995, 9) when, in spite of the racial discrimination of Mendelssohn´s works, he wrote new music to Shakespeare´s A Midsummer Night´s Dream, based however on a draft that had already existed for many years.
Orff considered the musical settings for the three Greek tragedies, Antigonae (Salzburg 1949), Oedipus der Tyrann (Stuttgart 1959) and Prometheus (Stuttgart 1968), to be his main achievements.
www.orff-zentrum.de /carlorff_biographie_uk.asp   (2085 words)

  
 The Greater Cleveland Chapter of the American Orff-Schulwerk Association
Orff Schulwerk happens in a non-competitive atmosphere where one of the rewards is the pleasure of making good music with others.
Orff was well aware that publishing brought with it the danger that the purpose of the books would be misunderstood.
In 1963 the Orff Institute was opened; still a branch of the Mozarteum, it functions today as an international training center as well as the focal point for Orff Schulwerk all over the world.
www.clevelandorff.org /process.htm   (1314 words)

  
 VOICES 3(3)-Melanie Voigt: Orff Music Therapy - An Overview
Orff Music Therapy was developed by Gertrud Orff within the specific clinical setting of social pediatrics in Germany for use with children with developmental problems, delays, and disabilities.
In Orff Music Therapy, then, the general development, the personality development and the family situation of the child are taken into account and procedures are adapted to meet the individual child's needs (Voigt, 2001).
Orff Music Therapy is a developmental approach to music therapy which was developed in Germany within the clinical setting of social pediatrics for the treatment of children and youth with developmental problems, delays and disabilities.
www.voices.no /mainissues/mi40003000129.html   (4126 words)

  
 Carl Orff - Wikipedia, the free encyclopedia
Orff was a personal friend of Kurt Huber, one of the founders of the resistance movement Die Weiße Rose (the White Rose), who was condemned to death by the Volksgerichtshof and executed by the Nazis in 1943.
Orff is buried in the Baroque church of the beer-brewing Benedictine priory of Andechs, south of Munich.
Orff's ideas were developed, together with Gunild Keetman, into a very innovative approach to music education for children, known as the Orff Schulwerk.
en.wikipedia.org /wiki/Carl_Orff   (1031 words)

  
 CARL ORFF | The Langley Schools Music Project
Orff believed that any child -- regardless of talent, cultural milieu, or physical constraint -- could partake of the joys of playing music with little or no traditional training.
The Schulwerk also promotes cooperation and teamwork -- students are encouraged to listen to each other, to hear what their neighbor is playing, and to be conscious of the ensemble sound.
Orff drew on the delicate, enchanting Indonesian gamelan orchestra and early African percussion for his diatonic and chromatic xylophones, glockenspiels, and metallophones.
www.keyofz.com /keyofz/langley/orff.html   (843 words)

  
 Children's Orff Music   (Site not responding. Last check: 2007-10-20)
"Schulwerk" is a German word meaning ‘work for the school.' Today, the Orff-Schulwerk approach is widely used by music educators in private and public schools throughout the United States and the world.
Orff involves many things that children like to do: sing, chant, play games, dance, move, dramatize, improvise, and play the recorder and other unpitched and pitched percussion instruments.
Orff is child-centered and based on the premise that experience precedes conceptual learning.
www.fandc.org /orffmusic.html   (293 words)

  
 MusicStaff Teacher Lounge Article 5
Orff viewed rhythm as the basic element inherent in music, dance, and speech and created 'one language' based on this common element.
Orff Schulwerk is an approach to music education that includes all facets of music expression.
Orff is a tremendous supplement to private lessons for all students of elementary age.
www.musicstaff.com /lounge/article5.asp   (897 words)

  
 Carl Orff Canada Music for Children
Music for Children - Carl Orff Canada - Musique pour enfants is a national organization of over 1000 music educators, dedicated to teaching an exciting and invigorating approach to music education.
Founded in 1974 by Professor Doreen Hall of the University of Toronto, Carl Orff Canada has grown to include regional and local chapters throughout the country, as increasing numbers of music educators and administrators realize the potential of this dynamic approach to music education.
Note to members: If you need the password and user ID to access the members only section of this website, please contact Laureen Schellenberg.
www.orffcanada.ca   (99 words)

  
 Orff Schulwerk - Wikipedia, the free encyclopedia
The Orff Schulwerk or Orffschulwerk (or simply the Orff-Approach) is an approach to Music Education for children.
It was developed by the German composer Carl Orff (1895-1982), while he was music director of a school of dance and music known as the Günther-Schule, in Munich.
Orff considered the percussive rhythm as a primitive and basic form of human expression.
en.wikipedia.org /wiki/Orff_Schulwerk   (422 words)

  
 Orff Society UK
The second was at the Orff Institute in Salzburg taking part in music and movement activities exploring, playing, singing and moving starting with a series of activities linked to the theme of the Sun and ending with the Moon.
Having had a grounding in Orff at college in the sixties from Jean Maughan author of the Oxford course books, 'Pitch In!' I realised as soon as I spotted the information about Orff UK's Richmond weekend in June 1995 that this could be what I needed.
However, probably the most valuable aspects of Orff courses, for me, are the way they renew my energy and enthusiasm for teaching music generally, plus being able to work with incredible and inspiring tutors from all over the world.
orff.org.uk /aboutus.cfm   (1970 words)

  
 Music Education - Classical Music Composer Carl Orff: Educational CyberPlayGround
Orff's ideas were developed, together with two women Gunild Keetman, and Traude Schrattenecker into a very innovative approach to music education for children, known as the Orff Schulwerk.
Orff convinced Jenkins that he had been a cofounder of the White Rose resistance movement and that he had fled for his life into the Bavarian Alps when the "other" founder, the musicologist Kurt Huber, was exposed, arrested and executed in 1943.
Orff's rhythms are uniformly foursquare, his melodies catchy, his moods ingratiating.
www.edu-cyberpg.com /Music/orff.html   (3564 words)

  
 Orff Schulwerk: musical - musical exercises created by the German composer Carl Orff that combine dance and speech ...
He and a group of colleagues designed "Orff instruments"--an ensemble of percussion instruments of xylophones, drums, rattles, gongs, and bells (later adding recorders)--on which children could discover the immediate joys of making music.
Orff also realized that the impulses for music and dance arise simultaneously in children and that song and text come together in their natural play.
The role of language in Orff Schulwerk is central because it embodies symbolic thought.
www.findarticles.com /p/articles/mi_m1083/is_n9_v68/ai_15825422   (735 words)

  
 Graduate Programs in Music Education
The St. Thomas Orff Schulwerk curriculum features education in subjects required for American Orff Schulwerk recognition: technique and improvisation, analysis and arranging, pedagogy, movement, and recorder--all of which are highlighted in individual classes and integrated through literature study.
Orff Schulwerk study at St. Thomas introduces students to music education that emphasizes skill development and musical understanding through creative participation in open-ended activities.
Orff concentration M.A. students are required to take MUS 731, 732, 733, and MUS 735, and are encouraged to take MUS 532 02.
www.stthomas.edu /musiced/Summer_04/Sum_04_orff.htm   (506 words)

  
 Carl Orff
Carl Orff was born on July 10, 1895, in Munich, Germany.
With the founding of the Günther School, a centre for education in gymnastics, rhythm, music and dance, Carl Orff developed a new model for teaching music and movement, the so-called Orff Schulwerk.
In his memories wrote Carl Orff about the discovery of the manuscript in Benediktbeuern Monastery, which would serve as the basis for his best-known work.
www.degoudenbrug.com /Orffschulwerk/Carl-Orff.htm   (203 words)

  
 Orff Method   (Site not responding. Last check: 2007-10-20)
In the early 1920's Orff and his colleagues experimented with his ideas and he also composed musical exercises and orchestrated songs published in five volumes, Musik für Kinder, between 1950 and 1954.
In 1961, the Orff Institute was opened at the Mozarteum in Salzburg which trained new teachers in the Orff approach.
This sequence is not rigidly predetermined but depends on the teachers' judgment as the students progress based on the Orff principles.
www.excel-ability.com /Music/Programs/Orff.html   (245 words)

  
 19th Annual Orff Schulwerk Courses and 8th Annual Kodaly Program: Orff Schulwerk Courses
She is co-vice president of the B.C. Orff Chapter, and has served on the K-7 music integrated learning resources selection committee for the B.C. Ministry of Education for six years.
She is a noted presenter of Orff workshops throughout North America, including both Canadian and six U.S. national Orff conferences.
She is past president of the Evergreen Orff Chapter, and served on the AOSA National Board of Trustees for four years.
www.spu.edu /depts/dcs/summer/orff/orff.html   (1085 words)

  
 VCU School of the Arts – Department of Music   (Site not responding. Last check: 2007-10-20)
Orff Schulwerk focuses on the development of the total child while encouraging the continued development of the teacher.
Orff Schulwerk uses melodic and percussive musical activities that are easily learned by students and have the added benefit of creating good music immediately!
Study of basic Orff techniques include use of the pentatonic scale, the simple bordum, the ostinato and elemental forms; basic body movements and their application to the Schulwerk; soprano recorder; social and rhythmic training; and improvisation.
www.people.vcu.edu /~bhammel/music/degree/orff_workshop.html   (854 words)

  
 General Music Zone: Orff-Schulwerk
Orff Schulwerk relies on rhythmic speech, physical movement, and musical play to actively engage students in musical learning.
The term Schulwerk can be translated “schooling by working” or more informatively “learning by doing.” This describes what has evolved to be the Orff pedagogical approach, in which children learn about music by being active and creative.
Although the Orff Schulwerk approach is primarily used at the elementary school level, it has been adapted to other situations.
www.bsu.edu /web/rhwoody/gmz/orff.html   (447 words)

  
 FSU College of Music . Academic Programs . Music Education
Orff Schulwerk centers around the development of the total child while encouraging continued development of the teacher.
Orff Schulwerk uses melodic and percussive musical activities that are easily learned by the students.
This course will include: studying basic Orff techniques including the use of pentatonic scales, simple bordun, ostinato, and elemental forms; basic body movements including structured and creative movement and their application to the Schulwerk; soprano recorder; vocal and rhythmic training; and improvisation.
www.music.fsu.edu /music-ed-orff.htm   (824 words)

  
 New Page 1
The beginnings of this approach may be traced to the founding of the Guntherschule in 1924 by Dorothee Gunther, for the training of adults and teenagers to assist her at the school.
In the early 1950’s, Carl Orff and Gunild Keetman wrote the five volumes of ‘Music for Children.’ By 1961, the Orff Institute at the Mozarteum Academy for Music and Dramatic Arts in Salzburg, Austria, had been created.
Carl Orff recognized that speech and song must be the natural starting point for children.
www.orffoc.org /what.html   (444 words)

  
 Carl Orff Canada Music for Children
Gunild Keetman's association with the Schulwerk began in 1925 when she was a student at the Güntherschule, a gymnastic and dance school in Munich, of which Carl Orff was the musical director.
Equally talented in music and movement, she soon became his colleague, writing music for the Orff instrumentarium and directing the orchestra of dancers which she formed in collaboration with the brilliant dancer, Maja Lex.
This was followed by a series of Orff-Schulwerk milestones: Schott's publication of Volume I of Das Schulwerk, Musik für Kinder, Columbia/Electrola recordings of Music for Children, and the preparation of children from the Mozarteum for the first of many films to be made throughout the world.
www.orffcanada.ca /scholarships.htm   (618 words)

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