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Topic: Oriole Records

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	SDNHM Focus on Scott's, Bullock's, and Hooded Orioles
		The diversity of places where the Scott's Orioles have been found wintering, especially this past winter, has led me to a hypothesis: Scott's Oriole is not a migrant governed by the calendar in the same way as the Bullock's and Hooded Orioles, which arrive and depart almost like clockwork each year.
		A predilection for prickly pears explains the late Eleanor Beemer's repeated observations of Scott's Oriole in Pauma Valley (E12), among the few pre-1980 winter reports from the coastal slope—thickets of prickly pear are prominent on the steep south-facing slopes at the base of Palomar Mountain.
		While Scott's Oriole is now revealed as a regular winter visitor in the inland regions of San Diego County, it seems to avoid the coast—though this may be an artifact of the elimination of cactus thickets with urbanization.
	www.sdnhm.org /research/birdatlas/focus/orioles.html (1685 words)

	Sacramento Area Bird Records Committee
		Winter records of this species have long been a point of contention locally (although this record is on the borderline of when the first spring migrants are noted in California).
		Record 23-91 is slightly south of the area defined by the Checklist; this species may be rare but regular in that part of Sacramento County.
		Record 8-89 is the first record for Sacramento County, record 9-91 the second (and a bit outside the Checklist area).
	www.cvbirds.org /SABRC/SABRC94.htm (2834 words)

	Golden Oriole, Oriolus oriolus
		Despite brilliant colouring, orioles are often difficult to see slipping through the foliage where sun, shade and trembling leaves create a broken pattern of fl and yellow - perfect for hiding from prying eyes.
		Each pair of orioles needs between 400 and 1000 poplars at least seven years' old within a sq km with the woodland edges as long as possible.
		The oriole families then commence the perilous journey to tropical Africa running the gauntlet of the trappers en route.
	www.birdsofbritain.co.uk /bird-guide/golden-oriole.htm (680 words)

	Texas Bird Records Committee Report for 1996
		The committee reached a final decision on 241 records during 1996: 189 records of 58 species were accepted and 52 records of 40 species were not accepted, an acceptance rate of 78% for this report.
		This number consists of the year the record was originally submitted to the committee followed by a hyphen and a number.
		The non-acceptance of any record simply reflects the opinion of the TBRC that the documentation, as submitted, did not meet the rigorous standards appropriate for adding data to the formal historical record.
	www.texasbirds.org /tbrc/AR1996.htm (6079 words)

	Embassy records: covering the market, marketing the cover Popular Music and Society - Find Articles
		To relate the history of the Woolworths-owned Embassy records label is to simultaneously chart the history of the emergence and development of an authentic popular music in Britain.
		The years in which this change took place coincided exactly with the lifespan of Embassy records; ironically, the demise of one was caused by the ascendancy of the other.
		The first Embassy records were released in November 1954, on the ten-inch 78 rpm format and the initial batch of six singles demonstrated emphatically the intention of the new label to provide duplicates of contemporary hit songs and traditional favourites on both sides of a double A-sided disc.
	www.findarticles.com /p/articles/mi_m2822/is_2_28/ai_n13717160 (866 words)

	A RESUME OF ANTING, WITH PARTICULAR REFERENCE TO A CAPTIVE ORCHARD ORIOLE (Site not responding. Last check: 2007-10-14)
		My oriole commonly anted for 25 minutes; that is, from the time it be- gan to apply ants until the time it quit or the ants were removed.
		The oriole's selectivity also demonstrates that the behavior of birds in the presence of ants cannot be evaluated without determination of the ant species and variability within the colony.
		During the oriole's treatment of the wing tip, when tail was pressing against it, basal parts of rectrices (including undertail coverts) at times received some of the anointment, thus increasing the proportion of applications af- fecting the undertail region.
	elibrary.unm.edu /sora/Wilson/v069n03/p0195-p0262.html (16389 words)

	NPWRC :: Meadowlarks, Blackbirds, and Orioles
		There are two winter records from Wisconsin: three birds that I netted on 16 January 1975 in Pierce County and one bird near Deronda, Polk County, during the 1947-48 winter (Robbins 1948b).
		Many of these records are probably referable to western meadowlark; however, plumages are similar to the eastern meadowlark which, confounds identification.
		However, one record of an individual on the Solon Springs CBC was probably of a late migrant.
	www.npwrc.usgs.gov /resource/birds/stcroix/icterida.htm (2483 words)

	Embassy Records - Wikipedia, the free encyclopedia
		Embassy Records of the UK was wholly owned by Woolworths and was sold exclusively through their stores.
		These were recorded and pressed by Oriole Records who had a long-standing co-operation agreement with Embassy and the discs rushed out into the stores to compete with the real thing.
		This article about a United Kingdom record label is a stub.
	en.wikipedia.org /wiki/Embassy_Records (140 words)

	MAS \| Birds & Beyond \| Oriole Project 2006
		Another piece of good news for orioles that came through loud and clear this year is that kids (and their teachers) love them.
		The orioles may be sipping nectar in a Giant Ceiba tree in Guatemala, but winter is actually one of the best times to find oriole nests here at home.
		This is a great way to add nest records to the data base and to find pairs of orioles that you missed during the spring and summer; make note of the tree and re-check the area after May 15.
	www.massaudubon.org /oriole/index.php?type=2005results (797 words)

	Orchard Oriole
		There are records of as many as 20 nests in a single live oak tree in Arkansas, and as many as 114 nests made up one colony on 7 acres in Louisiana.
		During the breeding season, Orchard Orioles range from the southern parts of the Canadian Prairie provinces, southern Ontario, central New York, and southern New England south to northern Florida, the Gulf coast, Texas and central Mexico.
		Males have a color pattern superficially similar to that of the Baltimore Oriole except that they are deep chestnut (the only icterid that is largely chestnut) rather than orange on the underparts and rump.
	www.birds.cornell.edu /bow/orcori (717 words)

	A Look at Two Rare Icterids in Santa Cruz County, California
		Although both have a similar number of county records, their histories are very different.
		These latter records may pertain to over-wintering birds rather than spring migrants, as wintering birds elsewhere in California have lingered beyond these dates and true spring vagrants have been quite rare.
		Some unidentified female or immature orioles found in the county during the winter (and some of those occasionally identified as Hooded Oriole) may have been Orchard Orioles.
	santacruzbirdclub.org /recicterid.html (627 words)

	[No title] (Site not responding. Last check: 2007-10-14)
		My records, accumulated over eight years canvassing Williamsville Glen, show our oriole arriving as early as April 30 (in 1990 and 1994) and as late as May 11 (in 1995), with an average arrival date of May 6.
		Unlike his darker and rarer congener, the orchard oriole, the male Baltimore oriole also shows a white chevron in each wing.
		Orioles' preferred food is caterpillars, which with other insects makes up five sixths of their diet.
	www.acsu.buffalo.edu /~insrisg/nature/nw97/oriole.html (545 words)

	Spectropop Group Discussion Archives: Digest Number 858 - 16 Apr 2003
		Post-Shames, he recorded a self titled album released here in the States on Atlantic, but was a true presence in the English folk scene and released many albums overseas.
		When CBS bought Oriole, Mike was part of the move and he subsequently engineered literally dozens and dozen of hit records for CBS through the years.
		I think she once felt that way, Justin, but I recently caught a Patty interview on the E! channel, and she said she had since revised her opinion and realised that the show still holds a place in many hearts, which is why she did the "reunion special" TV movie in 1999.
	www.spectropop.com /archive/digest/d858.htm (2911 words)

	CD Baby: MICHAEL ZAPRUDER: This is a Beautiful Town
		Zapruder's track record notwithstanding, none of the tunes here sound as if they were penned with a deadline looming, and that's not just because the tempos tend to creep along.
		This Is a Beautiful Town is a warm, close record that dwells entirely in a hypnotic, mid-tempo universe.
		If you want a record of true beauty, an honest but complex offering of love, rooted in the best aesthetic judgment, a spiritual act of songwriting, then buy This is a Beautiful Town with confidence.
	www.cdbaby.com /cd/mzapruder (1636 words)

	Artists2Events - CHAS McDEVITT (Site not responding. Last check: 2007-10-14)
		The group had already recorded 'Freight Train' for Oriole Records; thanks to the demo discs produced by their new manager, Bill Varley.
		Rollercoaster records released a mini album of the McDevitt group's contribution to this epic show, using tapes that had lain dormant until 1994.
		Gerry Myers a disc jockey in Canada had plugged the record regularly; this was picked up by the nearby New York jocks and in no time it was a hit throughout the U.S.A. It peaked at number 4 in the Variety disc jockey charts but was overtaken by Rusty Draper's version in the Billboard chart.
	www.artists2events.co.uk /artists/CHASMcDEVITT.html (2677 words)

	The Woolworths Virtual Museum - Under the Covers of Embassy Records
		Although the Embassy Records were only about half the price of the original hits (and contained two songs) many people remember the disappointment when it turned out that "sounds like" is no substitute for the real thing.
		This rare photograph shows a recording in progress at the Embassy Recording Studios in New Bond Street, Mayfair, which were shared with the Oriole Label.
		The challenge for Woolies and Oriole bosses was to predict which new release songss would get into the charts (at the time called the "Hit Parade") and have cover versions ready for sale when they did.
	museum.woolworths.co.uk /1950s-embassyrecords.htm (793 words)

	Orchard Oriole status in Ohio (Site not responding. Last check: 2007-10-14)
		The Orchard Oriole is a fairly common summer resident throughout the state.In Lorain county it has increased, during the last ten years, from scarcely more than casual to fairly common.
		The Orchard Oriole reaches our southern border during the last week in April and spends nearly a week in traversing the state, seldom appearing at Oberlin before the first of May.Its departure southward is a little uncertain, but seems to be about the middle of August.
		Hicks 1936: Very local and uncommon to rare, but definitely known to breed in a least 51 scattered counties, three-fourths of which are in the eastern half of the state.Probably almost as numerous as the next species in Muskingum, Morgan, Athens, Hocking, Jackson, Scioto, and Erie counties.
	aves.net /birds-of-ohio/birdoror.htm (256 words)

	The TBRC Annual Reports
		Records of Red-necked Stint, Kelp Gull, Roseate Tern, Ruddy Quail-Dove, Stygian Owl, Orange-billed Nightingale-Thrush, and Flame-colored Tanager were accepted as new additions to the state list while Saltmarsh Sharp-tailed Sparrow was removed from the state list, bringing the total species count at the end of 1997 to 606 species in good standing.
		Records of Black-capped Chickadee and Northern Wheatear were accepted as new additions to the state list bringing the total species count at the end of 1996 to 598 species in good standing.
		The TBRC also reviewed the only previously accepted record of Arctic Tern for the state when the record was questioned by several persons.
	texasbirds.org /tbrc/annuals.htm (1231 words)

	Explorable Oriole Records (via CobWeb/3.1 planetlab2.cs.virginia.edu) (Site not responding. Last check: 2007-10-14)
		our records can be purchased safely and securely via ccnow rightchere.
		if you want more info about our records, including a slew of excellent reviews for this is a beautiful town, check the michael zapruder website.
		triple disc opus, chronicling the 52 weeks of 1999 in which michael wrote, produced, and recorded a song each week all year.
	www.explorableoriole.com.cob-web.org:8888 /info.html (188 words)

	Tamla Motown Records
		In 1966 he recorded "Function At The Junction" which became a chart hit.
		He went on to record four singles and two albums and remains a very under rated talent who died in a boating accident in June 1969.
		records were issued on a variety of labels, as we shall see in the continuing story in
	www.georgwa.demon.co.uk /tamla_motown_records.htm (338 words)

	Realm Jazz -- Savoy series - Jazz Bulletin Board
		Oriole also released some of Motown's first American hits in the UK in the early 1960s, but none charted.
		Oriole handled the label from late 1962 until it was acquired by CBS (CBS wanted the firm's pressing plant because it was pigged off with working through Philips).
		Oriole did very well in moving Motown within about a year from the completely obscure label that only the most dyed-in-the-wool RandB enthusiasts knew about (when its product had been released on the London, then Fontana labels) to one which had attained cult status.
	forums.allaboutjazz.com /showthread.php?t=16976 (1923 words)

	Embassy Records - Vinyl Vulture
		I think Tina Charles also recorded some tracks for the Top of the Pops series (is she the voice on the TOTP version of “When Will I See You Again”?).
		Nevertheless, Lynn Cornell did record for Oriole as Lorna Henderson so it is a plausible that she also recorded for Embassy.
		It is also possible that some artistes mentioned as having recorded for Embassy weren’t involved in any of the material that was released as singles and could have recorded material destined for album release.
	www.vinylvulture.co.uk /forum/showthread.php?t=5692 (3260 words)

	John Rao Jr. Western Entertainers Collection \| Dickinson Research Center
		Rare sound recording discs from Gene Autry's earliest recordings and a multitude of publicity photographs underscore the collection's significance.
		All 45 and 78 rpm record discs sleeves are stored separately from the disc in boxes 3 and 4.
		The 33 1/3 rpm sound recording discs sleeves are stored inside the record disc cover which if found in the same container box as the disc.
	www.nationalcowboymuseum.org /research/r_a_rao.html (846 words)

	The Mersey Motown Sound - Mersey Beat
		In Britain in 1962, Tamla Motown was distributed by a small record label, Oriole, and the largest market for the records by the Detroit groups was on Merseyside.
		Oriole Records began to take half page advertisements due to the interest aroused by the label in Liverpool.
		When, shortly after, he told me that it was his favourite record I told John Schroeder of Oriole who arranged for a complete Tamla Motown collection to be sent to Ringo.
	triumphpc.com /mersey-beat/a-z/mersey-motown.shtml (745 words)

	Stan Wilson Diskography (Cavalier Records; Clef Records; Verve Records; Fantasy Records) (Site not responding. Last check: 2007-10-14)
		Granz however achieved an agreement with Mercury Records for the promotion and the distribution of the JATP and other new records.
		It was in 1956 that Ella Fitzgerald finally joined Granz's "community", after a long contract with [[Decca records], and Granz unified his activities under the common label of Verve records.
		Norman Granz is generally remembered also for his notable anti-racist position and for the battles he consequently fought for his artists (many of whom were fl, perhaps the majority), in times and places where skin color was the cause of open discrimination.
	users2.ev1.net /~smyth/linernotes/personel/stanwilson/diskography.htm (2396 words)

	Robert Farnon Society
		Levy’s Sound Studios was one of very few recording studios outside the major record labels that were established in the thirties, a unique feature being their pressing factories they operated at Aston Clinton and Colnbrook.
		Too little weight and the record would not play, too much and a sapphire cutting needle would grind itself through the lacquer surface into the aluminium base of the blank and be ruined.
		As I recorded the master discs for the factory, the limiter compressed the dynamic range and created a "wall of sound" enabling at least 8db additional level on the disc, and gave the recording a totally different feel.
	www.rfsoc.org.uk /jim17.shtml (3890 words)

	Journey North Oriole
		The birds' measurements and often their weights, their age (if it can be determined) and sex are recorded along with the band number.
		But the difference in the number banded may also be partly due to another reason: Over the years, many more bird banders have lived and worked in the eastern half of North America than the western half, where Bullock's live.
		One reason that orioles don't get recaptured often may be that orioles that DO get tangled in mist nets might start paying closer attention so it doesn't happen again!
	www.learner.org /jnorth/tm/oriole/OrioleBanding.html (553 words)

	Spectropop Group Discussion Archives: Digest Number 857 - 16 Apr 2003
		I long to own the 2 German language 45s that she recorded for Ariola but they're supposedly as rare as the proverbial hens' teeth.
		In the CD era almost nothing from Oriole has been officially re-released, save tracks from Chas McDevitt and the "This Is Merseybeat" LPs - despite Oriole's almost complete lack of chart impact, there are hundreds of instro, beat and Spectro- poppish tracks (e.g.
		A longstanding rumor/fact has been that most/all Oriole/Embassy masters (as is the case with pre- 1967 Philips-Polydor group recordings?) have been wiped and the aforementioned CDs had to be dubbed from disc.
	www.spectropop.com /archive/digest/d857.htm (2228 words)

	Blogcritics.org: Featured Artist: Interview with Al Stewart, Sept. 2005 (Part Two)
		It wasn't the song that matter, it was the intro: The record was "Move It" by Cliff Richard.
		Anyway, in England, there were two big record companies, EMI and Decca, and EMI won the Battle of the Bands because they signed the Beatles while Decca got the Rolling Stones.
		But I would think anyone listening to this record who knows the budget that was spent for it would be strongly advised to race to Laurence Juber's door and demand that he produce them.
	blogcritics.org /archives/2006/04/17/224632.php (4359 words)

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