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	Amazon.com: Orlando Furioso: Part 1 (Penguin Classics): Books: Ludovico Ariosto,Barbara Reynolds
		Dore's Illustrations for Ariosto's "Orlando Furioso" by Gustave Dore
		In its basic content the Orlando Furioso is a combination of material derived from three different origins: Carolingian, Celtic, and Classical.
		Count Orlando, King Charles, King Agramant, King Norandino, Duke Aymon, Duke of Albany, Dame Discord, Siege of Paris, Dame Fortune, King Oberto, Persian Gulf, Fair Isabella, Guidon Selvaggio, Holy City, House of Sleep, Isle of Tears, King Charlemagne
	www.amazon.com /Orlando-Furioso-Part-Penguin-Classics/dp/0140443118 (0 words)

	§11. "Orlando Furioso". XI. The Poetry of Spenser. Vol. 3. Renascence and Reformation. The Cambridge History of ...
		Not only did he transform many characters in Orlando Furioso, such as Atlante, Alcina, Bradamante, into his own Archimago, Duessa and Britomart, but he borrowed whole episodes from Ariosto’s poem for the purposes of his story.
		Orlando Furioso embodies the quintessence of knight errantry.
		In Orlando Furioso, there is no progress from point to point towards a well discerned end; the character of the poem is proclaimed in the two opening lines,
	www.bartleby.com /213/1111.html (617 words)

	Orlando Furioso Index (Site not responding. Last check: )
		The titular Orlando is very loosely based on Roland, a heroic knight in Charlemagne's court, with admixtures from Arthurian and other sources.
		Orlando is driven insane with love for the beautful Angelica, and must be restored to sanity in time to save Paris from the Moslem armies.
		Orlando Furioso was one of several European epic poems written during this era, including the
	www.sacred-texts.com /neu/orl/index.htm (160 words)

	Orlando Furioso Summary
		Orlando Furioso ("Mad Orlando" or "The Madness of Orlando") is an epic poem written by Ludovico Ariosto in 1516.
		In the following selection, Martinez examines Homer's Odyssey as a source for Ariosto's Orlando furioso and compares the journeying and homecoming of the poet-narrator of the Furioso with that of Rinaldo, the character whose journey frames the conclusion of the 1516 version of the poem.
		In the following essay, Marinelli stresses the influence of Neoplatonist writers on the themes and structure of Orlando furioso.
	www.bookrags.com /Orlando_Furioso (169 words)

	VIVALDI: Orlando furioso (San Francisco Opera, 1989) (PAL) recommended cd collection, cd review and cd details.
		Orlando furioso occupies a central and very significant place among Vivaldi's works.
		Not only does the whole score of this opera demonstrate its composer's full, creative maturity, but its outstanding features are also an extraordinary musical beauty, an attractive recitative line, and a balance thus created between the various parts of the dramatic and musical whole.
		This exceptional musical achievement was no doubt partly due to the famous theme of the original story, as well as the literary and dramatic qualities of a first-rate libretto.
	www.naxos.com /catalogue/item.asp?item_code=100210 (307 words)

	Orlando Furioso - Introduction
		Led by King Gradasso of Sericana (whose principal reason for going to war is to obtain Orlando's sword, Durindana) and King Rodomonte of Sarzia, a Holy War between Pagans and Christians ensues.
		Ranaldo and Orlando now begin to fight over her, but King Charlemagne (fearing the consequences if his two best knights kill each other in combat) intervenes and promises Angelica to whichever of the two fights the best against the heathen; he leaves her in the care of Duke Namus.
		Other characters of importance: Astolfo, a Peer and friend of Orlando, who is kidnaped by the evil witch Morgana and her sister Alcina; Mandricardo, a fierce but hot-headed heathen; and a young knight named Brandimarte, who falls in love with (and wins the heart of) the beautiful Fiordelisa ("Flordelice" in Rose).
	www.worldwideschool.com /library/books/lit/epics/OrlandoFurioso/Chap0.html (645 words)

	News \| Gainesville.com \| The Gainesville Sun \| Gainesville, Fla. (Site not responding. Last check: )
		Orlando furioso ("The Frenzy of Orlando" or "The Madness of Roland") is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture.
		Orlando Furioso is a continuation of Matteo Maria Boiardo's unfinished epic Orlando innamorato ("Orlando in Love", published posthumously in 1495).
		Orlando furioso is mentioned among the romances in Don Quixote.
	www.gainesville.com /apps/pbcs.dll/section?category=NEWS&template=wiki&text=Orlando_Furioso (1587 words)

	Avicats Maine Coon Cats Orlando
		Orlando is a son from the second breeding of CFA GRC Avicats Sophrosina Marfisa, DM and CFA GRC, GRP Stormwatch's Tatsumaki.
		Orlando is also a National Color winner- he was the best cameo tabby Maine Coon in all of CFA for the year, and second best of the "Other Tabby" color class (which includes all tabby colors without white except brown).
		Orlando's Grand Championship was also the final one needed to give his mother Sophie the "Distinguished Merit" title in CFA, an honor awarded to top producers in the Maine Coon breed.
	www.geocities.com /avicats/orlando.html (617 words)

	Classical Net Review - Vivaldi - Orlando furioso
		Orlando furioso, based on Ariosto's epic poem - which at one time was extremely popular – is one of those Baroque operas which requires audiences to suspend disbelief completely.
		Orlando, a trouser role, is a paladin in love with Angelica, the daughter of the King of Cathay.
		Orlando's fruitless pursuit of Angelica, encouraged by Alcina, causes him first to be trapped in a cave, and then to go literally insane with jealousy.
	www.classical.net /~music/recs/reviews/c/cpo99740a.html (1069 words)

	[No title]
		Orlando Furioso is a 16th century epic poem dealing with Charlamgne's wars against the "Saracens" who had (if we are to take the poem as historical fact) even reached the point of besieging the city of Paris.
		But Orlando Furioso is not a parody of just chivalric court legends; it also pokes fun at the Illiad, popular tales and even common peasant stories.
		Although "Orlando Furioso" is one of the Great Classics, in terms of household recognition it has not been able to hold its own.
	www.kingsnake.com /books/bookdetail.php?ASIN=0192836773 (963 words)

	Ariosto: Orlando Furioso (Site not responding. Last check: )
		The Orlando Furioso transformed the traditional chivalric theme of the epic by introducing sentimental and ironic elements.
		Orlando Furioso was conceived as a sequel to Boiardo's Orlando Innamorato.
		It was first published in 40 cantos in Ferrara (1516), and later expanded into 46 cantos in the definitive edition prepared by the author and published in 1532.
	www.rarebooks.nd.edu /exhibits/durand/epic/ariosto.html (140 words)

	Orlando Furioso - Definition, explanation
		Orlando Furioso is an epic poem written by Ludovico Ariosto in 1516.
		It was a "gionta", a continuation of Orlando Innamorato, by Matteo Maria Boiardo, but it remains quite distant from the other work, of which it does not preserve the humanistic concepts of knight errantry.
		Hegel would have later considered that the many allegories and metaphors contained, are intended to demonstrate the fallacy of human senses and judgement, rather than simply to put aside the myth of chivalry.
	www.calsky.com /lexikon/en/txt/o/or/orlando_furioso.php (365 words)

	Orlando — Infoplease.com
		At a wrestling match the banished duke's daughter, Rosalind, who took a lively interest in Orlando, gave him a chain, saying, “Gentleman, wear this for me.” Orlando, flying because of his brother's hatred, met Rosalind in the forest of Arden, disguised as a country lad, seeking to join her father.
		When Orlando heard thereof he turned mad, or rather his wits were taken from him for three months by way of punishment, and deposited in the moon.
		Orlando or Roland was buried at Blayes, in the church of St. Raymond; but his body was removed afterwards to Roncesvalles, in Spain.
	www.infoplease.com /dictionary/brewers/orlando.html (400 words)

	Vivaldi als Vokalkomponist (Feuilleton, NZZ Online)
		«Orlando furioso» (1727) markiert exakt die Mitte von Vivaldis Opernkarriere; vierzehn Jahre zuvor war sein Erstling «Ottone in villa» herausgekommen, und vierzehn Jahre später starb er, bevor er seine letzte Oper in Wien aufführen lassen konnte.
		In «Orlando furioso» löst Vivaldi das konventionelle Formenschema des dramma per musica auf, indem er es gänzlich in den Dienst der psychologischen Wahrheit stellt.
		Besonders deutlich wird dies in jenen Szenen, in denen Orlandos zunehmende geistige Umnachtung musikalisch evoziert wird.
	www.nzz.ch /2005/04/07/fe/articleCOQHL.html (700 words)

	Welcome to the Orlando/Orange County Convention and Visitors Bureau, Inc.
		Recognizing the importance of this cross-continental relationship, the City of Orlando and Orange County, Florida governments have deemed the exhibition an International Cultural Trade Mission and sponsored a send-off reception for the artists on May 9, 2002, at the Westin Grand Bohemian in downtown Orlando, inviting the community’s business and arts leaders to attend.
		Sponsored by the D’Ars Foundation, publishers of D’Ars art magazine, "Orlando Furioso" is a rare opportunity for Europeans to view a variety of contemporary styles from a fragment of American society.
		The name "Orlando Furioso" is taken from the most celebrated novel of the Italian high Renaissance, written by Ludovico Ariosto in the early 1500s, and was chosen to embody the aggressive spirit of the exhibition’s work.
	www.orlandoinfo.com /b2b/pr/releases/orlando_furioso_02.cfm (511 words)

	mondo marion: Alcina program essay
		Orlando furioso's vast canvas ranges from the icy, wind-whipped shores of northern Europe to the scorched deserts of Ethiopia, and from the maws of hell to the daffy landscape of the moon.
		Among the keenest readers of Orlando furioso are Jorge Luis Borges and Italo Calvino, whose final meditations—on such themes as "lightness," "quickness," "exactitude," "visibility," and "multiplicity"—might serve as a summa of the poem's most striking qualities.
		In Alcina, as in Orlando furioso, Bradamante's masculine dress leads to some piquant complications, as she draws the amorous interest of another woman—here, the sorceress Morgana.
	www.mondo-marion.com /alcina.html (1157 words)

	Free Furioso Essays
		Ariosto addresses an underlying battle between reason and lust in Orlando Furioso, similar to the clash between duty and desires in Vergil’s Aeneid, yet opposite in interpretation.
		Orlando Furioso Clarifies Vergil’s Ending in The Aeneid - Orlando Furioso Clarifies Vergil’s Ending in The Aeneid .
		Sympathy in Medea, Aeneid, Metamorphoses, Orlando Furioso, and Hamlet - Sympathy in Medea, Aeneid, Metamorphoses, Orlando Furioso, and Hamlet .
	www.123helpme.com /search.asp?text=Furioso (254 words)

	Orlando Furioso for dummies (Site not responding. Last check: )
		Orlando and Rinaldo begin to fight over Angelica and the King promises her to the best warrior (all he cares about is that war).
		Thankfully, Orlando recovers his sanity and ends up killing Rodomont; like almost all European poetry from this period, the Saracens are brutally defeated in the name of God and good king Charlemagne continues to rule the Holy Roman Empire.
		Orlando's lack of fidelity is not even mentioned in passing but we are told he is married), and more than one story of a seriously treacherous woman is told before the end of the poem, albeit sometimes for laughs instead of sincere reproof.
	www.orlandofurioso.net /intro.html (1178 words)

	classical music - andante - antonio vivaldi - orlando furioso
		Orlando discovers Angelica and Medoro together, but his jealousy quickly fades thanks to the wiles of the cunning sorceress.
		Orlando discovers the statue of Merlin, which he mistakes for Angelica and he kisses it.
		Vivaldi Orlando Furioso avec les interprÃ¨tes du disque
	www.andante.com /article/article.cfm?id=24366 (574 words)

	Scuola Normale Superiore di Pisa: Lettura integrale dell’Orlando Furioso - Le dichiarazioni
		Leggere oggi l’Orlando Furioso vuol dire immergersi in un testo che ha saputo affascinare non solo l’Italia, ma l’Europa del Rinascimento, che ha parlato anche a poeti, musicisti, organizzatori di feste di corte.
		Perché Orlando é abbastanza esteso da risultare - anche a chi lo frequenta da alcuni mesi notte e giorno - immemorabile.
		Un Orlando tascabile e spropositato, che dura 46 ore o venti minuti, secondo il tempo lineare e i tempi individuali.
	www.sns.it /it/strumenti/ufficiostampa/attivitaculturali/letture/dichiarazioni (926 words)

	PlaybillArts: Features: Mad Orlando
		Handel's Orlando (1733) is but one of the scores of operas based on the chivalric epic Orlando furioso (Mad Roland, 1532) by Ludovico Ariosto, a poet at the Italian court of Ferrara.
		Fine man of letters that he is, Orlando tries to shield himself from the truth by invoking the conventions of pastoral literature, desperate to believe that "Medoro" is a pseudonym for himself.
		Elsewhere in Orlando furioso, characters invite madness by imagining that their reality corresponds to what they read in books: that the flighty Angelica, for example, resembles the chaste and aloof "angelic lady" of courtly poetry.
	www.playbillarts.com /features/article/1456.html (1344 words)

	«Orlando Furioso» di Ariosto-Sanguineti per Luca Ronconi di Longhi Claudio
		4 luglio 1969: debutta a Spoleto Orlando furioso di Ludovico Ariosto, regia di Luca Ronconi, su "mascheratura" teatrale del poema firmata da Edoardo Sanguineti.
		In capo a pochi giorni di recite è il trionfo, di lì a pochi mesi replicato in tutta Europa.
		Tra polemiche e successi, la storia di Orlando furioso è esplorata fino al suo estremo esito mediatico: il travestimento/tradimento televisivo in cinque puntate dell'Orlando teatrale che Ronconi dirige per la RAI in occasione del quinto centenario della nascita d'Ariosto.
	www.unilibro.it /find_buy/libro/ets/orlando_furioso_di_ariosto_sanguineti_per_luca_ronconi.asp?sku=12188586&idaff=vam897ssp897 (470 words)

	Orlando Furioso in Milton: Heroic flights and true heroines Comparative Literature - Find Articles
		Yet the strategic placement of some oft-cited "ironic" allusions to Orlando Furioso in Milton's epics suggests that Milton was not simply interested in reminding readers of Ariosto's romance epic in order to denigrate it in favor of his own religious poem.2
		What was unattempted before Ariosto was to show the prudent Orlando driven mad by love, and what Milton attempts is the first use of the epic form to make a Christian God's ways appear just to men.
		And of Orlando I will also tell Things unattempted yet in prose or rhyme, Of the mad frenzy that for love befell One who so wise was held in former time.
	www.findarticles.com /p/articles/mi_qa3612/is_199704/ai_n8764809 (603 words)

	Orlando Furioso
		It was a "gionta", a continuation of Matteo Maria Boiardo's Orlando Innamorato, but it remains quite distant from the other work in that it does not preserve the humanistic concepts of knight errantry.
		A work of its time, the Orlando shows more clearly the so-called "culture of the contradiction", which was also in Erasmus and in Franßois Rabelais.
		Orlando Furioso begins with an account of the defeat of Duke Namo in Charlemagne's war.
	www.sfcrowsnest.com /scifinder/a/Orlando_Furioso.php (370 words)

	Amazon.co.uk: furioso: Books (Site not responding. Last check: )
		Orlando Furioso by Ariosto (Unknown Binding - 31 Dec 1998)
		Bombastes furioso; a burlesque tragic opera, in one act.
		Frier Bacon and Frier Bongay The Historie of Orlando Furioso The Scottish Historie of James the Fourth The Comicall Historie of Alphonsus King of Arragon...
	www.amazon.co.uk /s?ie=UTF8&keywords=furioso&tag=545-21&index=books&page=1 (636 words)

	Orlando Furioso by DUSEIGNEUR, Jehan
		Although Romanticism made its appearance in painting from 1820 onwards, there was a gap of ten years before it was expressed in sculpture at the Salon of 1831 by Duseigneur's Orlando Furioso, with its bulging muscles and twisted limbs, and the Tiger and Crocodile by Barye.
		These works were soon followed by Etex's Cain, executed in Rome, as a bravado gesture because he did not win the Grand Prix, and by the creations of Préault.
		The state did not commission the casting of Orlando Furioso until 1867.
	www.wga.hu /html/d/duseigne/orlando.html (102 words)

	Vivaldi: Orlando Furioso (Disc 1 of 3) by Ensemble Matheus / Jean Christophe Spinosi at Audio Lunchbox
		Vivaldi: Orlando Furioso (Disc 1 of 3) by Ensemble Matheus / Jean Christophe Spinosi at Audio Lunchbox
		4: Vivaldi: Orlando Furioso (Disc 1 of 3) - Atto primo: Scena 4 [Bradamante] aria: Ascondero il mio sdegno
		8: Vivaldi: Orlando Furioso (Disc 1 of 3) - Atto primo: Scena 1 [Angelica] aria: Un raggio di speme
	www.audiolunchbox.com /album?a=25313 (362 words)

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