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Topic: Orlando de Lassus

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	CATHOLIC ENCYCLOPEDIA: Orlando de Lassus
		The imperial document conferring the honour is remarkable, not only as showing the esteem in which the master was held by rulers and nations, but particularly as evidence of the lofty conception on the part of this monarch of the function of art in the social economy.
		Lassus was the heir to the centuries of preparation and development of the Netherland school, and was its greatest and also its last representative.
		While with many of his contemporaries, even the most noted, such as Dufay, Okeghem, Obrecht, and Josquin des Prés, contrapuntal skill is often an end in itself, Lassus, being consummate master of every form of the art and possessing a powerful imagination, always aims at a lofty and truthful interpretation of the text before him.
	www.newadvent.org /cathen/09011c.htm (894 words)

	music - Hutchinson encyclopedia article about music (Site not responding. Last check: 2007-10-13)
		In the late Middle Ages the Provençal and French troubadours and court composers, such as Guillaume de Machaut, developed a secular music, developed from church and folk music (see also Minnesingers).
		Other major composers of this era were Giovanni Pierluigi da Palestrina from Italy, Orlande de Lassus from Flanders, Tomás Luis de Victoria from Spain, and Thomas Tallis and William Byrd from England.
		Notable composers of organ music were Antonio de Cabezon in Spain and Andrea Gabrieli in Italy.
	encyclopedia.farlex.com /music (1319 words)

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		Orlando: The Book as Critic - Conference paper which argues that the physical form that Orlando appears in acts as pre-critical commentary on the text within.
	www.ugamedia.com /links/usa_orlando.html (5204 words)

	CBDNA - CBDNA - Sounds & Sources - Program Notes
		Bernard, a French organist and composer, studied at the Paris Conservatory and later in his career was organist of the church of Notre-Dame des Champs in Paris from 1887 to 1895.
		De Lassus composed in a style, which was extremely cosmopolitan for his time, and his vast output (over 2000 known works) exemplifies a high degree of sensitivity to the intertwining of text painting, counterpoint, and harmonic effect.
		William Byrd (1543-1623) was the leading English composer of his generation, and together with continental composers Giovanni Palestrina and Orlando de Lassus, one of the great masters of the late Renaissance.
	www.cbdna.org /cgi-bin/sounds2.pl (9987 words)

	Giovanni Gabrieli - Wikipedia, the free encyclopedia
		While not much is known about Giovanni's early life, he probably studied with his uncle, the composer Andrea Gabrieli; he may indeed have been brought up by him, as is implied in some of his later writing.
		He also went to Munich to study with the renowned Orlando de Lassus at the court of Duke Albrecht V; most likely he stayed there until about 1579.
		By 1584 he had returned to Venice, where he became principal organist at the church of San Marco in 1585, after Claudio Merulo left the post; and following his uncle's death the following year also took the post of principal composer.
	en.wikipedia.org /wiki/Giovanni_Gabrieli (763 words)

	Early Music on the Web ... The Classical Music Beat (Site not responding. Last check: 2007-10-13)
		Hesperus members are as comfortable with a medieval estampie as a 1950s Chicago blues; a haunting Inca flute tune as an early Celtic air; a Renaissance dompe as an Appalachian breakdown.
		Activités de l'association pour le développement de la pratique des musiques du moyen âge.
		Masses, motets and other liturgical music was composed for churches; aristocrats and rich bourgeois sang, played and were entertained by secular songs for many voices or consort music for recorder or viol da gamba.
	music.searchbeat.com /earlymusic.htm (972 words)

	Geometry.Net - Composers: Byrd William (Site not responding. Last check: 2007-10-13)
		Probably in the same year was issued "Parthenia", a collection of virginal music, in which Byrd collaborated with J. Bull and Orlando Gibbons.
		Extractions: William Byrd Byrd was the leading English composer of his generation, and together with his continental colleagues Giovanni Palestrina (c.1525-1594) and Orlando de Lassus (1532-1594), one of the acknowledged great masters of the late Renaissance.
		English music of the period was amazingly rich, dominating the music of the continent in depth and variety, in a way that was not seen before or since.
	www.889.com /composers/byrd_william.php (3001 words)

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