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Otello (1986) (Site not responding. Last check: 2007-10-25) |
 | | Zeffirelli's OTELLO is far better than the usual, but is, if I may say so under IMDb guidelines, still hampered by a curious mixture of unfounded arrogance, cautious reverence and imaginative timidity. |
 | | OTELLO benefits from this concentration because it is such an inexorable, claustrophobic piece, where the confinement of setting mirrors the different prisons characters find themselves in. |
 | | In his first appearance, entering from the storm, and in his first beg scene, halting the drunken brawl, Otello is a figure who emerges from chaos to assert order; his decline into madness, pointed by the profusion of scientific, 'rational', instruments, which become expressions of distortion, is painful to watch, but true. |
| www.imdb.com /title/tt0091699 (1025 words) |
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