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Topic: Othello (1952 film)

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	Othello Film Reviews
		He had an extraordinary character change throughout the film as he went easily from a trusting friend to a wicked and hateful man. His companions see him as an honest and dependable man but like most friendly and trust-worthy characters, he has another side that is revealed in the final scene.
		Othello is remarkably portrayed as a leader and a man of action rather that words.
		Desdomona’s farther joins her hand with Othello’s in the Venecian court, Othello and Desdomona’s hands join in their wedding bed, and again the joining of hands was used when Othello and Iago clasp their bleeding hands together towards the end of the movie.
	www.toorakc.vic.edu.au /vceeng/othello_film_reviews.htm (3269 words)

	Mr Chopin's Film Blog: Orson Welles (Site not responding. Last check: 2007-10-12)
		As a film about deception with its chief focus on masters of deception, Welles deceives the audience into believing several lies, which are only lies in as much as we allow our own perceptions to deceive as to the reality of what is shown.
		The self-reflexive nature of the film is almost a learning tool in that it makes obvious to the audience the "tricks" by which films can convince us of their reality, but only in a manner so subtle that it remains an instructional piece on fakery while subconciously faking the audience.
		As the film closes, the final goodbye to Quinlan is given over the piano in a genuine moment of sincerity, and despite the simplistic plot and almost vacuously cartoonish nature of several characters, Quinlan is one with whom I sympathize.
	mrchopin.blogspot.com /2006/03/orson-welles.html (3164 words)

	Othello (1952) - DVD Movie Central
		Othello is probably William Shakespeare’s most disturbing play, and as such, certainly proved ripe fodder for the filmmaking genius of Orson Welles.
		This film alone was made over a period of three years owing to constant interruptions because of funding.
		There is some inconsistency evident in the source material, as the film sometimes goes from grayscale to sepia tones as it progresses from scene to scene, but often in a restoration, the best materials are spliced from different sources.
	www.dvdmoviecentral.com /ReviewsText/othello_1952.htm (869 words)

	Foster on Film - Shakespeare: Othello (1965)
		Othello has recently married the beautiful, young Desdemona (Irène Jacob), much to the regret of the foolish Roderigo (Michael Maloney), who wanted her for himself.
		While the title implies that Othello is the protagonist, it is Iago who motivates the action of the story.
		He may have filmed the best possible rendition of the standard interpretation of the play, but it is still the standard interpretation.
	www.fosteronfilm.com /shake/othello95.htm (642 words)

	abstract
		The topics that excited classical film theory--realism/formalism, the influence of theatrical modes on film, the close-up as a guarantee of transcendence--are activated by Greenaway’s film, a film that presents as well a rich field for semiotic/structuralist, post-structuralist, and post-modern discourses.
		Meanwhile Othello, confined on the threshold, is to contemplate his wife’adultery from outside the bedchamber through some transparent as much as opaque veil, as dramatized in both Parker’s film and the older Russian version by Sergei Yutkevitch (1955).
		Othello's marital bed only seen by the spectators at the end of Shakespeare's play not as the place of love but as the receptacle of death is some sort of anathema where one glimpses gender and racial prejudices still unresolved in our contemporary societies, including England and Brazil.
	webdeptos.uma.es /filifa/conference/Particip/Abstract/abstract.htm (17178 words)

	L&S 20B: New World Jealousy: Othello in the Americas
		Othello is arguably the most intimate of Shakespearean tragedies.
		Stuart Burge, Othello (1965), with Laurence Olivier and Maggie Smith.
		Oliver Parker, Othello (1995), with Laurence Fishburne and Kenneth Branagh.
	lsdiscovery.berkeley.edu /2006spring/20b.html (294 words)

	Mixed-Race Marriage -- Hollywood's Version (A View from Singapore)
		In this film (based on Stevie Wonder's song title), fl-and white attraction comes about when Flipper has ideas in his head that a white woman is the epitome of beauty and the yardstick everything must be measured against and Angie becomes obsessed with the notion fl men make great studs in bed.
		Nair's film, unlike Lee's, may not be as insightful but she makes up for the lack of depth by her detailed eye for behavioural idiosyncrasies of the prejudiced and ill-informed fl and white communities that dot the Greenwood town.
		Whether such films are a box-office success or not is of less consequence than the fact that there is a new consciousness of younger audiences who desire more sophisticated and balanced treatment of interracial love on the silver screen.
	www.kinema.uwaterloo.ca /toh931.htm (1800 words)

	Amazon.com: Othello: DVD: Suzanne Cloutier,Robert Coote,Micheál MacLiammóir,Abdullah Ben Mohamet,Nicholas Bruce,Fay ... (Site not responding. Last check: 2007-10-12)
		Incredibly, "Othello" was filmed over a three year period from 1949 to 1952, in nine different cities in Morocco and Italy.
		Such criticism is largely unwarranted, for this "Othello" is as much for the eyes as the ears: Welles' bold framing and expressionistic camera angles de-theatricalize the play, undermining the need for stage elocution.
		For students of film, this is a must-see and worthy of five stars in that category.
	www.amazon.com /exec/obidos/tg/detail/-/B00000JN1N?v=glance (2496 words)

	IMDb: Cannes Film Festival: 1952 (Site not responding. Last check: 2007-10-12)
		Encore (1952) - Harold French; Pat Jackson (I); Anthony Pelissier
		Letzte Rezept, Das (1952) - Rolf Hansen (I)
		Unter den tausend Laternen (1952) - Erich Engel
	us.imdb.com /Sections/Awards/Cannes_Film_Festival/1952 (176 words)

	Othello Summary & Essays - William Shakespeare
		Along with Hamlet, King Lear, and Macbeth, Othello is one of Shakespeare's four great tragedies and thus a pillar of what most critics take to be the apex of Shakespeare's dramatic art.
		The play presents us with two remarkable characters, Iago and his victim, with Iago as the dominant force that causes Othello to see the infidelity of his young and beautiful wife, Desdemona, with his favorite lieutenant, Michael Cassio.
		Indeed, not only is "seeing" and the gap between appearance and reality a central theme of the play, it overlaps with other major thematic strands (trust, honor, and reputation) and sheds light on still others, including the theme of patriarchy and the political state.
	www.enotes.com /othello (428 words)

	Movie Info for Othello on MSN Movies
		This process went on for four years; by the time Welles was done, the film was on its third Desdemona, and the director, himself, had to dub several voices, since most of the dialogue was recorded after the fact.
		Remarkably, the finished film not only isn't a disaster, it's a triumph, that rare example of a movie based on a Shakespeare play that's as exciting to look at as it is to listen to.
		Michael MacLiammoir is his equal as the conniving (and lustful) Iago, and had this film been more widely seen, it could well have sparked the successful screen career he so obviously deserved.
	entertainment.msn.com /movies/movie.aspx?m=468300 (500 words)

	Orson Welles' Othello [1952] - Compare prices (Site not responding. Last check: 2007-10-12)
		Filmed as a classical tragedy, Orson Welles' Othello is a tale of passion, jealousy and murder.
		She alone is accused of pretending to be what she is not, and her openness makes her suspect in a world where few appear to be as they are.
		Though Roderigo's death scene was filmed in a Moroccan steam bath because the costumes had not arrived, it is refreshing to see a Shakespeare film in which the cast doesn't look like it's on its way to a Beverly Hills costume party with an Elizabethan theme.
	www.priceclash.co.uk /othello-57 (334 words)

	surviving kane program 1 (Site not responding. Last check: 2007-10-12)
		Welles' sly ability to spin a cobweb of lies, half-truths and speculation into a tale of mythical proportions, is an amusingly suitable self-dedication from a man whose cinema dwelt on the reality masked by a cloak of deception.
		Though butchered by RKO, this film is still considered Welles' true masterpiece and is his own personal favourite.
		Shifting from wry comedy to a far darker and more melancholy mood, Welles' second film is a memory work charting the subtle but substantial changes wrought by industrialisation.
	www.acmi.net.au /DE2766E43248429C8CE0BD3A92C4510B.jsp (157 words)

	Melbourne Cinémathèque 2006 - Films by Alpha
		Watkins’ intense portrayal of the life and work of the pioneer expressionist painter and graphic artist uses an almost documentary approach to the narrative, incorporating numerous meticulous details to place the artist in a social and historical context.
		Ophuls’ rarely screened, first Hollywood film is a sublime portrayal of the exiled King of England, Charles II, in hiding in Holland.
		Making the film whilst he himself was in exile, Ophuls lends his unmistakable cinematic flair to an established genre and the film delivers moments of great daring, comedy and tenderness.
	www.afc.gov.au /cinematheque/melbourne/films_cf.htm (395 words)

	Perth Cinémathèque 2006 - Films by Alpha
		Rumours that the film was Ophuls’ own revenge on the megalomaniac producer who had brought him to Hollywood, Howard Hughes, only enhance the film’s deeply allegorical and psychological qualities.
		In this 3-hour long film, 92 biographies are presented of sufferers whose surnames begin with the letters FALL.
		Over dinner, in interviews with his fellow actors, and in conversation he essays his motivation in making an arduous film that "tried to depict a whole world in collapse" and that took four years to complete.
	www.afc.gov.au /cinematheque/perth/films_cf.htm (402 words)

	Analysis of a Sequence from Welles's Othello
		This one image sets up the entire film, both visually and dramatically: Those four warlords, standing at sharp right angles, will soon pull apart not only each other but their entire world.
		Also, Welles had to shoot the picture piecemeal between 1948 and 1951, often leaving his cast and crew (which saw many desertions over the years) stranded on location, all over the Mediterranean, as he flew off to do a quick acting job to cover his own payroll.
		won the Palme d'Or at the 1952 Cannes Film Festival, it was not seen for three more years in the U.S., where it quickly sank into obscurity until it was painstakingly restored and rereleased, to enormous acclaim, four decades later...
	jclarkmedia.com /film/filmanalysisothello.html (740 words)

	1952 in film - Wikipedia, the free encyclopedia
		February 20 - The film The African Queen opens (Capitol Theater in New York City).
		September 30 - The Cinerama widescreen system, invented by Fred Waller, debuts with the film This Is Cinerama.
		November 27 - Bwana Devil, the first feature-length color 3-D movie, is released.
	en.wikipedia.org /wiki/1952_in_film (203 words)

	Shakespeare on Film & Video: Books in the UC Berkeley Library
		Laurence Olivier's 1948 film adaptation of William Shakespeare's 'Hamlet' was the first to be influenced by Sigmund Freud's concept of the Oedipus complex, as interpreted by Ernest Jones' 1910 article 'Hamlet and Oedipus.' Since Olivier's version, the Oedipal interpretation of Hamlet has become standard on film and in performance.
		Family romance is at core of Franco Zeffirelli's film adaptation of 'Hamlet.' This is evident in his casting of actors Mel Gibson and Glenn Close in the principal roles, his manipulation of space and landscape, his alteration of the text and his approach to editing.
		While the film's correlation with political events is explored, it is posited that its message is ultimately apolitical, as humanity between characters is only expressed within domestic and private settings, rather than in the public domain.
	www.lib.berkeley.edu /MRC/ShakespeareBib.html (13247 words)

	features
		The film was based on Ruthanne Lum McCune's book and received critical acclaim in film and international cultural circles.
		This critically acclaimed feature film chronicles the story of a young Chinese woman sold by her destitute father and brought to America to be a slave.
		The restoration of Orson Welles' Othello is a rarely seen classic that allows film lovers, Welles' Aficionados, and Shakespeare enthusiasts a first look at the Othello which Welles spent four years of his life making.
	www.lionessmedia.com /features.htm (323 words)

	Search Results for Othello -- The Movie (Site not responding. Last check: 2007-10-12)
		..."Othello" is the appetizer for Kenneth Branagh's forthcoming film...
		Filmed in Ireland while Welles was on hiatus during the shooting of 'Othello,' this film was originally titled 'Return to Glennascaul: A Story that is Told in Dublin.' Welles plays a man who...
		Othello (1995) Moor is less in this new adaptation of the "Bill" Shakespeare clas- sic.
	www.websher.net /shakespeare/FILM/oth-m.html (2471 words)

	1952 Othello starring Orson Welles
		The original negatives to this film were believed to be lost somewhere in Paris, but were eventually found (through the hard work and persistence of many involved) in New Jersey.
		It was then digitally remastered, the audio track re-mixed and synchronized with the actors’ lips, and the musical score re-composed note by note by a famous conductor.
		Othello is truly a film to be savored, and watched again and again.
	www.bardolatry.com /othel52.htm (374 words)

	Orson Welles returns (Site not responding. Last check: 2007-10-12)
		According to Film247.net through Cinematical the son of John Huston, Danny Huston, is to play the great Orson Welles...
		...he has a number of great films to his name, sure Kane is the biggest but he still has a number of great movies, particularly his Othello.
		film transfer - video conversion experts can transfer your fragile 8mm film and aging videotape to durable, easy-to-use dvd while restoring it to it's original film clarity or better.
	www.themovieblog.com /archives/2005/08/orson_welles_returns.html (302 words)

	Guardian Unlimited Film \| Now Showing \| Othello (1952 version) (Site not responding. Last check: 2007-10-12)
		Summary: Made in 1952, mostly in Morocco, on a shoestring budget and under every conceivable constraint, the "restored" version looks wonderful and sounds more than adequate despite unorthodox and hardly ideal casting.
		Welles was a master of editing and had an eye any latterday director would envy.
		Send us a review or read other users' reviews.
	film.guardian.co.uk /Film_Page/0,,-78994,00.html (56 words)

	The Tragedy of Othello: The Moor of Venice (1952) (Site not responding. Last check: 2007-10-12)
		The Tragedy of Othello: The Moor of Venice (1952)
		He then starred in the films The Third Man (1949) and Prince of Foxes (1949).
		He took his payment from those films and used them as money for "Othello".
	imdb.com /title/tt0045251 (370 words)

	Eperformer.com Media Store: Plays - O
		Film version of Ernest Thompson's play starring Katharine Hepburn, Henry Fonda, and Jane Fonda.
		Orson Welles starred in and directed this 1952 film version of Shakespeare's classic.
		Laurence Fishburne portrays Othello in his 1995 film of the Shakespeare play.
	www.eperformer.com /media/plays_o.html (320 words)

	Masterpiece Theatre \| The Merchant of Venice \| Resources
		For background on The Merchant of Venice and Othello, previous adaptations of Shakespeare's work, and more ideas for discussion and activities in the classroom, try these selected Web, print, and film resources.
		Among the most notable are the 1952 film directed by and starring Orson Welles as Othello.
		In 1965, Lawrence Olivier took the role in a film directed by Stuart Burge.
	www.pbs.org /wgbh/masterpiece/merchant/tg_resources.html (490 words)

	HighBeam Research (Site not responding. Last check: 2007-10-12)
		Welles's 1952 film of Othello is as much Welles as it is Othello.
		As director, Welles dominates the film with his personality and his style.
		As principal actor, Welles is by far the strongest presence in the film: his prominent body dominates the screen, his voice is the most memorable and often the only understandable part of the flawed soundtrack, and he far...
	highbeam.com /library/doc0.asp?docid=1G1:132842765&refid=ink_tptd_mag (176 words)

	1952 Cannes Film Festival
		On the waterfront; Tomorrow, the film world gathers in the south of France for its most glamorous festival.
		Director envisions next millennium of fest: topper Jacob continues to be surprised by cinema funds.
		As the world's biggest film festival gets underway, Compton Miller assesses the journalists who, from the comfort of a screening room, can make or break a new movie.(News)
	www.infoplease.com /ipa/A0149982.html (153 words)

	Shakespeare on Film (Site not responding. Last check: 2007-10-12)
		Othello's arrest and issue of race in language and image (1.2)
		Race, misce-en-scene and Iago's manipulation of Othello, Iago, and Bianca in Parker (4.1)
		Discuss "O" in terms of its relation to Othello and its handling of race
	web.ics.purdue.edu /~pwhite/276/schedule.html (274 words)

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