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Topic: Ottavio Rinuccini

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	Rinuccini
		Librettist and poet, Ottavio Rinuccini was the author of La Dafne, a work considered the first drama in music.
		Rinuccini was a noble man, member of the Accademia Fiorentina and of the Accademia degli Elevati.
		He was part of the court of the Medici for whom, from 1579, he participated to the creation of the intermedios staged in Florence.
	baroquelibretto.free.fr /rinuccini.htm (450 words)

	Journal of Seventeenth-Century Music \| Vol. 9 No. 1 \| Chiarelli: Before and After: Ottavio Rinuccini's Mascherate and ...
		Ottavio Rinuccini is always associated with early opera, and even if most of his libretti are known and appreciated, little space is given to his literary and theatrical texts.
		Rinuccini’s libretti, and to a certain extent the Ballo delle ingrate, are a balanced mixture of poetry, literary ambitions, and practical requirements.
		Rinuccini’s sacred output, which can be reasonably assumed to have been written during the regency of Christine of Lorraine and Maria Maddalena of Austria, does not show as great a stylistic difference as seems to characterize all his theatrical texts after 1608.
	sscm-jscm.press.uiuc.edu /v9/no1/chiarelli.html (4740 words)

	Goldsmiths College > Aurifex (Site not responding. Last check: )
		During the 1580s and 1590s, Rinuccini was a constant presence in theatrical performances at court,[10] but the closest he got to transferring an action onto the stage was in 1589, with the famous cycle of the intermedi which formed part of the festivities for the wedding of Ferdinando I Medici and Christine of Lorraine.
		Rinuccini, the author of the text, outlined a potential plot, from the opening scene which presents the situation (Python has been terrorizing the inhabitants of Delos and they ask Giove for help) through an anagnorisis (Apollo's appearance and his victorious fight with Python) to the happy catastrophe (the liberation of Delos from the monster).
		Rinuccini's libretti are all devised as a 'chain of madrigals', with plenty of opportunities for lyric effusions by the main characters and the chorus.
	www.goldsmiths.ac.uk /aurifex/issue1/chiarelli.html (4214 words)

	Libretti d'opera italiani: ordine per inserimento nel sito
		Maffei ricava nel 1730 da una sua vecchia favola pastorale un delicato libretto di gusto tardo seicentesco, da rappresentarsi con le scene dipinte da F. Bibbiena: dopo due anni di rinvii di natura politica, lo musica A. Vivaldi, chiamato a Verona per inaugurare finalmente il Teatro Filarmonico con il suo riconosciuto talento musicale.
		Testo del 1597, di O. Rinuccini, e musicato allora da J. Corsi e J. Peri; fu riproposto con la musica composta da M. Da Gagliano nel 1608 per la stessa occasione per cui fu composta l'Arianna di Monteverdi, su un libretto rimaneggiato senza togliere nulla al delizioso uso della lingua italiana.
		Da questa sua opera Rossini si ispirerà nel suo periodo francese per scrivere altri capolavori; trascritto dal libretto originale conservato a Napoli, questo testo di A. Tottola è qui proposto nella versione del 1819 con la preghiera finale.
	www.librettidopera.it /ope_insito.html (4150 words)

	Origin of the Opera
		The first occasion on which this order was reversed was in the year 1594, when Ottavio Rinuccini, a Florentine poet, with little originality, but with a fine musical ear, united his efforts with those of three musicians--Peri, Corsi and Caccini.
		Rinuccini appeared to care less for his reputation as a poet than for displaying the art of his associates to the greatest advantage.
		The poet's object was to produce effect, and to this he readily sacrificed the conduct of the piece, hastening or retarding the course of events as he thought best adapted to musical exhibition, rather than to the natural expression of the passions.
	www.theatrehistory.com /italian/opera.html (791 words)

	Jacopo Peri
		A general feeling that contemporary art was inferior to classical Greek and Roman works led to them attempting to recreate Greek tragedy[?].
		The poet Ottavio Rinuccini[?] was brought in to write a text, and the result, Dafne, though nowadays thought to be a long way from anything the Greeks would have recognised, is seen as the first work in a new form, opera.
		This was first performed on October 6, 1600, and, unlike Dafne, has survived to the present day (though it is hardly ever staged, and then only as an historical curio).
	www.ebroadcast.com.au /lookup/encyclopedia/ja/Jacopo_Peri.html (306 words)

	What was the first opera? (Site not responding. Last check: )
		The first opera was Daphne, first performed in 1598 during Carnival at the home of Jacopo Corsi (d.1604) in Florence, music by Corsi and Jacopo Peri (1561-1633), libretto by Ottavio Rinuccini (1562-1621).
		It is recognized as the first because it was the first of a series of similar pieces which established the form of early 17th century Italian opera, and all subsequent developments were based on that tradition.
		Corsi, Peri, and Rinuccini were members of a group who believed that the dramas of Classical Greek Antiquity were sung rather than spoken.
	www.medieval.org /emfaq/misc/opera.html (291 words)

	The sound of true feeling
		Among the society's guests - or rather, its collaborators - were the musician, composer and musical theorist Vincenzo Galilei (1520-1591, father of the astronomer Galileo), the writers Ottavio Rinuccini (1563-1621) and Gabriello Chiabrera (1552-1638), and the composers Giulio Caccini (1550-1618) and Jacopo Peri (1561-1633).
		The Camerata was at once salon and laboratory, avant-garde and academy, concert hall and research institute.
		This partnership between Rinuccini and Peri continued with Euridice, the first completely preserved opera (performed in October, 1600 at the celebrations for the wedding of Maria de' Medici and King Henri IV of France).
	www.alice-musik.se /017B.html (6369 words)

	Opera History \| History of Opera \| Questia.com Online
		It began in Florence, Italy, fostered by the camerata [society], a group of scholars, philosophers, and amateur musicians that included the librettist Ottavio Rinuccini (1562–1621) and the composers Vincenzo Galilei, Emilio del Cavaliere (c.1550–1602), Jacopo Peri, and Giulio Caccini.
		It was their aim to promote the principle of monodic musical declamation, i.e., a single melodic line with modest accompaniment inspired by the example of ancient Greek drama; accordingly, the earliest operas took their plots from mythology, the legend of Orpheus and Eurydice being one of the most popular.
		Although fragments of Jacopo Peri's Dafne (c.1597) exist, the same composer's Euridice (1600), set to verse by Ottavio Rinuccini, is generally considered the first opera.
	www.questia.com /library/opera-history.jsp (2253 words)

	Oltrarno - Suggestions - Florence - Italy
		Opposite this palace, at the corner of the Via de Serragli, is the Palazzo Rinuccini, now let out in apartments, and its rich gallery and library sold and dispersed.
		The earliest record of the Rinuccini is when they built the Sacresty of Santa Croce for their chapel, in 1294.
		They were frequently employed in embassies abroad; and in 1645 one of the family was sent as Papal Legate to Ireland, to endeavour to ameliorate the condition of the Catholics, who were barbarously persecuted by Cromwell.
	www.florencealthea.it /eng/sspirito2.php (2054 words)

	[ V A N T A G G I O ]
		The first opera of which music has survived was performed in 1600 at the wedding of Henry IV of France and Marie de Medici at the Pitti Palace in Florence.
		The opera, Euridice, from an Italian poem by Ottavio Rinuccini, set to music by Jacobo Peri and Giulio Caccini, recounted the story of Orpheus and Eurydice.
		The style of singing favored by Peri and Caccini was a heightened form of natural speech dramatic recitation supported by instrumental string music.
	www.vantaggio.com /events.html (350 words)

	TIBOR RUDAS PRESENTS THE THREE TENORS - Opera: An Introduction (Site not responding. Last check: )
		In the works created by the Camerata, there were no melodies as such, only carefully charted pitches meant to underline and stress the thoughts of the text.
		The first piece in this style -- indeed, the first opera ever -- was DAFNE, written in 1594 by two young members of the Florentine club, poet Ottavio Rinuccini and composer Jacopo Peri.
		It had its first performance in Florence's Pitti Palace on October 6, 1600, to celebrate the marriage of Henry IV of France to Maria de Medici.
	www.thirteen.org /threetenors/history.html (779 words)

	2L products
		Composers such as Caccini, Monteverdi, Merula and d'India have all written music to the poetry of, among others, Ottavio Rinuccini.
		And Ron Ford's composition Rinuccini connects it with our time.
		Bruno Walter was Gustav Mahler’s earliest, closest and — many would say — most authentic interpreter.
	www.2l.no /2L.htm (0 words)

	Amazon.com: ottavio: Books (Site not responding. Last check: )
		Ottavio Bariolla : Capricci, Overo Canzoni a Quattro...Libro Terzo (Milan, 1594) by James Ladewig (Library Binding - Mar 1, 1995)
		The music of Jacopo Peri, for L'Euridice of Ottavio Rinuccini.
		Ottavio Di Blasi: The Logic of Creativity by L'Arcaedizione (Hardcover - May 2003)
	www.amazon.com /s?ie=UTF8&keywords=ottavio&tag=540-20&index=books&linkCode=ur2&page=1 (541 words)

	Ottavio Rinuccini
		Ottavio Rinuccini is one of the topics in focus at Global Oneness.
		The first opera for which music has survived was performed in 1600 at the wedding of Henry IV of France and Marie de Medici at the Pitti Palace in Florence.
		Romantic opera, which placed emphasis on the imagination and the emotions began to appear in the early 19th century, and because of its arias and music, gave more dimension to the extreme emotions which typified the theater of that era.
	www.experiencefestival.com /ottavio_rinuccini (856 words)

	Annibale Gianuario - The Camerata
		Rinuccini, indeed, lived in the Santa Croce district of Florence, hard by the Bardi and Corsi families, while Caccini lodged near the SS.
		Ottavio had composed, simply to prove what singing could be in our day and age».
		Ottavio Rinuccini had composed Comparsa d'Eroi Celesti, in the course of which, splendidly staged with the help of an ingenious arrangement of moving spheres, Jupiter followed his course surrounded by his four celestial satellites, discovered by Galileo Galilei and christened «Stelle Medicee».
	digilander.libero.it /gianuario/nuova_pagina_7.htm (3593 words)

	Jacopo Peri
		He was an important member of the literary and artistic circle which frequented the house of Giovanni Bardi, conte de Vernio, where the revival of Greek tragedy with its appropriate musical declamation was a favorite subject of discussion.
		With this end in view the poet Ottavio Rinuccini supplied a drama with the title of Dafne, to which Peri composed music, and this first attempt at opera was performed privately in 1597 in the Palazzo Corsi at Florence.
		This work was so much admired that in 1600 Rinuccini and Peri were commissioned to produce an opera on the occasion of the marriage of Henri IV of France with Marie de Medici.
	www.nndb.com /people/694/000097403 (275 words)

	opera. The Columbia Encyclopedia, Sixth Edition. 2001-05
		It began in Florence, Italy, fostered by the camerata [society], a group of scholars, philosophers, and amateur musicians that included the librettist Ottavio Rinuccini (1562–1621) and the composers Vincenzo Galilei, Emilio del Cavaliere (c.1550–1602), Jacopo Peri, and Giulio Caccini.
		It was their aim to promote the principle of monodic musical declamation, i.e., a single melodic line with modest accompaniment inspired by the example of ancient Greek drama; accordingly, the earliest operas took their plots from mythology, the legend of Orpheus and Eurydice being one of the most popular.
		Although fragments of Jacopo Peri’s Dafne (c.1597) exist, the same composer’s Euridice (1600), set to verse by Ottavio Rinuccini, is generally considered the first opera.
	www.bartleby.com /65/op/opera.html (3517 words)

	Ottavio rinuccini - gay passivi co cazzo enorme, trapani calcio, ondulati santerno (Site not responding. Last check: )
		Ottavio rinuccini - gay passivi co cazzo enorme, trapani calcio, ondulati santerno
		Librettist and poet, Ottavio Rinuccini was the author of La Dafne.
		Libretto di Ottavio Rinuccini Tragedia in un atto.
	umts-lg.italiki1.net /ottavio/ottavio-rinuccini.html (214 words)

	Amazon.co.uk: ottavio: Books (Site not responding. Last check: )
		Inedito by Giuseppe Ottavio Pitoni (Unknown Binding - 1890)
		Esplorazioni secentesche (Miscellanea erudita) by Ottavio Besomi (Unknown Binding - 1975)
		Ottavio Bertotti Scamozzi: Studioso di Andrea Palladio by Loredana Olivato Puppi (Unknown Binding - 1975)
	www.amazon.co.uk /s?ie=UTF8&keywords=ottavio&tag=545-21&index=books&pg=3&link_code=qs&page=1 (430 words)

	The Birth of Opera (Site not responding. Last check: )
		The first operas ever put together were the creation of a small set of aristocratic intellectuals in what was then the most intellectual city in Europe - Florence (Dent 1940, 29).
		The group, sometimes called the Florentine Camerata, included Jacopo Peri, Giulio Caccini, Ottavio Rinuccini and Vincenzo Galilei (father of the astronomer).
		The opera, Euridice, was composed by Peri on a libretto by another member of the Camerata, Rinuccini.
	www.edinboro.edu /CWIS/Music/cordell/Op_Birth.html (366 words)

	The Story of Italian Opera (Site not responding. Last check: )
		The first opera of which music has survived was performed in 1600 at the wedding of Henry IV of France and Marie de Medici at the Pitti Palace in Florence.
		The opera, Euridice, from an Italian poem by Ottavio Rinuccini, set to music by Jacobo Peri and Giulio Caccini, recounted the story of Orpheus and Eurydice.
		The style of singing favored by Peri and Caccini was a heightened form of natural speech dramatic recitation supported by instrumental string music.
	www.pirandello.com /opera.html (1046 words)

	The Mystery of the First Opera (Site not responding. Last check: )
		Legitimate arguments actually exist for a few scores to be called "number one." This guide should help clear up some confusion when researching the early history of opera and make sense of one of music history's greatest trick questions.
		The first known opera, Dafne, was a collaboration between the Italian composers Jacopo Corsi and Jacopo Peri with a libretto by Ottavio Rinuccini.
		Circumstantial evidence suggests that Dafne was sung throughout, but some scholars think that the lack of a complete score for Dafne disqualifies the work from the running for the title of "first opera." They maintain that there just isn't enough proof without a full score.
	thecatspajamas.net /charlotte/singersguide/firstopera.html (262 words)

	June 1998 - Classical Music
		The Arianna of Claudio Monteverdi (1567-1643), the father of opera as we know it, is certainly close to the top of the list--particularly since it is not wholly lost.
		The ornate, highly literate libretto of Ottavio Rinuccini survives.
		Goehr has written that his purpose was to rescue the beauty of Rinuccini's original Italian.
	www.theatlantic.com /ae/98jun/98juncl.htm (818 words)

	Theatre Review - Arianna (Site not responding. Last check: )
		This year it's the first American production of Alexander Goehr's 1995 Arianna, a "recomposition" of a 1608 Monteverdi opera for which nearly all the music has been lost (until Goehr's resuscitation, all that was known of it was Arianna's lament and Ottavio Rinuccini's libretto).
		However, Goehr has also decided to use the score and performance directions to undercut the intent of Rinuccini's libretto.
		Teseo is made to appear more weak and shallow, for example, and the gods are clearly in their twilight.
	www.kdhx.org /reviews/arianna.html (542 words)

	Theatre Review - Arianna (Site not responding. Last check: )
		This year it's the first American production of Alexander Goehr's 1995 Arianna, a "recomposition" of a 1608 Monteverdi opera for which nearly all the music has been lost (until Goehr's resuscitation, all that was known of it was Arianna's lament and Ottavio Rinuccini's libretto).
		However, Goehr has also decided to use the score and performance directions to undercut the intent of Rinuccini's libretto.
		Teseo is made to appear more weak and shallow, for example, and the gods are clearly in their twilight.
	kdhx.org /reviews/arianna.html (542 words)

	Dafne (Site not responding. Last check: )
		At that time, there was a general feeling among Florence's intellectuals that the art of their time was inferior to that of the ancient Greeks, so they became obsessed with trying to recreate Greek tragedy.
		So with the support of Jacopo Corsi, a music patron, and the help of poet Ottavio Rinuccini, Jacopo Peri wrote Dafne.
		According to modern scholarship, it was a long way off from what the ancient Greeks would have recognized, but instead it spawned a whole new form that would last for then next 400 years.
	stage.itp.nyu.edu /history/timeline/dafne.html (198 words)

	Early Opera (Site not responding. Last check: )
		Ottavio Rinuccini (1562–621), a poet, and Jacopo Peri (1561–1633), a composer, collaborated on all-sung works.
		Words that would be emphasized in speech were given pitches that were consonant with the bass.
		The librettist, Alessandro Striggio, expanded the Rinuccini play into a five-act drama.
	www.wwnorton.com /concise/ch9_outline1.htm (842 words)

	Claudio Monteverdi Biography - famous Claudio Monteverdi Classical collection and Claudio Monteverdi Music Reviews. (Site not responding. Last check: )
		A second opera of the period, L'Arianna, dealing with the fate of the Cretan princess Ariadne, deserted on the island of Naxos by the Athenian prince she had rescued, Theseus, is lost, although the famous Lament of Arianna survives both as a solo song and in the form of a madrigal.
		The words are by the Florentine nobleman Ottavio Rinuccini, who provided the text for the ballet Il Ballo dell'ingrate.
		Il Combattimento di Tancredi e Clorinda (The Combat of Tancredi and Clorinda), a setting of an episode in Tasso's Gerusalemme liberata, allows Monteverdi to exhibit his newly developed stile concitato (agitated style), in an interpretation of ancient Greek philosophical principles expressed by Plato.
	www.naxos.com /composerinfo/706.htm (712 words)

	Primer for Euridice (opera), Help.com (Site not responding. Last check: )
		Euridice (also Erudice or Eurydice) written October 6, 1600, is an opera written in Florence by Jacopo Peri, with additional music by Giulio Caccini.
		The libretto was written by Ottavio Rinuccini, based on Ovid's Metamorphoses.
		It was created for the marriage of Henry IV and Maria de Medici.
	www.help.com /wiki/Euridice_(opera) (344 words)

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