| |
| | [No title] |
 | | The comic novel, that is, the novel as a mask of the man who has gotten lost in his contradictions and continually falls into traps of his choosing, is for Marechal a pre-conceived form, while for Juan Emar it was a way of living day to day which never stopped surprising him. |
 | | It cannot be said that Marechal breaks open the novel, nor that he puts it into reverse (as happens in "Ayer"), but, instead, he converts it into mobile images of a satire and a romantic epic (cf. |
 | | "Paradiso" is an open novel in the sense in which a ball is open, that is, on the outside, floating in the universe that creates the words that sound, prolong themselves and remain in the man as things of a useless and beautiful time. |
| www.webshells.com /jdoug/LitRev9.htm (2555 words) |
|