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| | Landscapes of David Jones |
 | | Furthermore, it was only through his experiment with the verbal medium of In Parenthesis, and the development of an allegorical sensibility through the seventh and final part of the poem, that would lead him to the discovery of how to portray the ultimate communion and unity with nature through his works. |
 | | She is also first allegorical figure to spring to life in Jones' poetry or visual art, a breakthrough figure appearing at the end of a poem shot through with allusions and suggestions of the historical and mythical, but never before resurrecting the historical and the divine in the flesh. |
 | | The soldier, featureless, unadorned, an everyman archetype of war, is half-submerged, half-emerging from the chaotic background, the crucified position suggesting the loss of life, and immortality in memory of such a sacrifice, in much the same way as icons of Christ's sacrifice. |
| www.cwru.edu /artsci/engl/VSALM/mod/dresch/djpaper.html (5700 words) |
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