Paris (2003 musical)

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Topic: Paris (2003 musical)

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	Tom Cruise - Wikipedia, the free encyclopedia
		Because Cruise's religion maintains that vitamins, exercise and behavioral changes can play a part in overcoming depression and many other illnesses, in May 2005 Cruise publicly criticized actress Brooke Shields for using the drug Paxil, an anti-depressant, which Shields claims helped her recover from depression after the birth of her daughter in 2003.
		This short, yet very public love affair took a dramatic turn when Cruise and Holmes got engaged in Paris [13] while on a world publicity tour for their two most recent movies.
		In April 2005, he began dating Katie Holmes, before announcing on 17 June 2005 that he had proposed to her at the top of the Eiffel Tower in Paris, France [2].
	en.wikipedia.org /wiki/Tom_Cruise

	Amazon.com: Soulmates Never Die: Live in Paris 2003: DVD: Placebo
		When I heard about Placebo Soulmates Never Die Live in Paris, Placebo's first musical DVD, around the time of Easter 2004, I was absolutely pumped because in my opinion, Placebo is the greatest band to come out since the Pixies and Sonic Youth.
		The show it was pulled from, in Paris France, is an electric one, and a great one, where the band sounds better than they probably ever had.
		They let you see how life on the road is for these 5 (yes placebo is 5, not 3) guys live on the road from the Mexican masks, to the gay dancing, to the sheer brilliance of the live performance itself.
	www.amazon.com /exec/obidos/tg/detail/-/B0001LJC16?v=glance (2217 words)

	Open Directory - Arts: Music: Styles
		Music Classification by Genre: System Performance - Research project completed in 2003 by Mitali Banerjee at Rice University used automatic process to determine musical genre of audio samples.
		A Taxonomy of Musical Genres - Two French experts re-define genres to improve musical databases for electronic distribution, paper submitted to a conference in Paris in 2000.
		American Music Center: Musical Genres - Links to articles and representative artists of styles such as pop, rock, blues, folk, classical, theater, jazz, and world music.
	dmoz.org /Arts/Music/Styles (449 words)

	Amazon.com: DVD: 2003 Tour de France 12-hour DVD
		The 2003 Tour de France was the Centenary version, and it lived up to its title, producing the most exciting and dramatic Tour in over a decade, perhaps ever.
		Alessandro Petacchi dominated the first week of the Tour and in the process announced himself as the premier sprinter in the world, only to abandon in stage 7, and the competition for the green jersey came down to the final sprint down the cobblestone streets of Paris.
		It is certain that the 2003 Tour de France will go down in history as one of the most exciting and dramatic Tours ever.
	www.amazon.com /exec/obidos/tg/detail/-/097439310X?v=glance (449 words)

	Bowser and Blue, Canada's Number 1 musical comedy duo
		They have written and appeared in many full-length Theatre shows, most recently the musical 'The Paris of America,' which ran for seven sold-out weeks at Montreal's Centaur Theatre in 2003.
		Bowser and Blue provided the music for the NFB animated film “Scant Sanity,” by John Weldon, and for the TV show “Misguided Angels.” The instrumental guitar music for that show, “Red Guitars,” is what you hear in the auditorium between shows at BandB concerts.
		George plays guitars and bass, and can make recognisable musical sounds with many other instruments, including his mouth.
	www.bowserandblue.com /about.htm (449 words)

	Tufts Music - Faculty/Staff
		Her interests range from twelfth- and thirteenth-century songs of the trouvères, the music and poetry of Guillaume de Machaut, music and culture in the seventeenth century, the musical and artistic ferment of early 20th-century Paris to the open-ended electro-acoustic performance-based compositions of Pauline Oliveros.
		Jane Hershey, Director of the Early Music Ensemble, studied at The Hague conservatory with Sigiswald and Wieland Kuijken, and Frans Bruggen.
		She was Staff Conductor of the New Israeli Opera in Tel-Aviv and Music Director of the New Bach Ensemble of Frankfurt, Germany.
	www.tufts.edu /as/music/faculty.htm (3217 words)

	BBC - Easy & Soundtracks Review - Petula Clark, Live At The Paris Olympia
		Evergreen Petula Clark has no plans to retire and bearing in mind her records used to outsell Piaf’s in France, a return date at a famous Paris venue in September 2003 was quite a nostalgic event.
		PETULA CLARK-LIVE AT THE PARIS OLYMPIA (Silva Screen SILCD 1169) records her in stunning form performing an equal mix of songs in English and French, with the latter contained mainly in two well received medleys of her Gallic hits.
		To the yelps of an adoring audience and the flourishes of the kitschiest backing band you've ever heard, the evergreen chanteuse romps like a woman a quarter her age through an exuberant programme of pop and musical hits from her staggeringly long career.
	www.bbc.co.uk /music/easy/reviews/petulaclark_olympia.shtml (1477 words)

	Le calendrier des fêtes pour le glimmer gathering parisien 2003
		Paris Olympia Theater seems to be an exception as the tickets themselves have been sent to buyers -at least from the fanclub- and no instruction about wristbands were included with the tickets.
		Paris a une réputation que nous allons nous appliquer à défendre.
		A comfortable lounge will serve drinks in a musical ambiance by 2 or 3 in the morning, and nights clubs are in the surroundings for those who wants to spend the night out of their beds...
	parisglimmer.free.fr /en/fetes.htm (2430 words)

	Keyboard Instruments at the National Music Museum
		André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), pp.
		André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), p.
		Lit.: André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), p.
	www.usd.edu /smm/KEYBOARD.HTM (2430 words)

	Keyboard Instruments at the National Music Museum
		André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), pp.
		André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), p.
		Lit.: André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), p.
	www.usd.edu /smm/KEYBOARD.HTM (7052 words)

	Keyboard Instruments at the National Music Museum
		André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), pp.
		André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), p.
		Lit.: André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), p.
	www.usd.edu /smm/KEYBOARD.HTM (7052 words)

	Keyboard Instruments at the National Music Museum
		André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), pp.
		André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), p.
		Lit.: André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), p.
	www.usd.edu /smm/KEYBOARD.HTM (7052 words)

	Keyboard Instruments at the National Music Museum
		André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), pp.
		André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), p.
		Lit.: André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), p.
	www.usd.edu /smm/KEYBOARD.HTM (7052 words)

	Keyboard Instruments at the National Music Museum
		André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), pp.
		André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), p.
		Lit.: André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), p.
	www.usd.edu /smm/KEYBOARD.HTM (7052 words)

	Keyboard Instruments at the National Music Museum
		André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), pp.
		André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), p.
		Lit.: André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), p.
	www.usd.edu /smm/KEYBOARD.HTM (7052 words)

	Keyboard Instruments at the National Music Museum
		André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), pp.
		André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), p.
		Lit.: André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), p.
	www.usd.edu /smm/KEYBOARD.HTM (7220 words)

	Keyboard Instruments at the National Music Museum
		André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), pp.
		André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), p.
		Lit.: André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), p.
	www.usd.edu /smm/KEYBOARD.HTM (7052 words)

	Keyboard Instruments at the National Music Museum
		André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), pp.
		André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), p.
		Lit.: André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), p.
	www.usd.edu /smm/KEYBOARD.HTM (7052 words)

	Keyboard Instruments at the National Music Museum
		André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), pp.
		André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), p.
		Lit.: André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), p.
	www.usd.edu /smm/KEYBOARD.HTM (7052 words)

	Keyboard Instruments at the National Music Museum
		André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), pp.
		André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), p.
		Lit.: André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), p.
	www.usd.edu /smm/KEYBOARD.HTM (7052 words)

	Keyboard Instruments at the National Music Museum
		André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), pp.
		André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), p.
		Lit.: André P. Larson, Beethoven and Berlioz, Paris and Vienna: Musical Treasures from the Age of Revolution and Romance 1789-1848, with essay by John Koster, exhibition catalog, Washington Pavilion, Sioux Falls, South Dakota, September 12-November 2, 2003 (Vermillion: National Music Museum 2003), p.
	www.usd.edu /smm/KEYBOARD.HTM (7052 words)

	Boston.com / A&E / Theater/Arts / 'Jacques Brel' is livelier than ever
		It only seems that it took Jacques Brel's music longer to get from Gloucester to Boston in 2003 than it did to get from Paris to New York in the 1960s.
		Eric Blau, one of the original producers, had seen the Belgian-born Brel drive audiences wild in Paris and decided to fashion a musical revue based on his cabaret songs.
		But now that the great Gloucester Stage Company production of "Jacques Brel Is Alive and Well and Living in Paris" is ensconced at the new Stuart Street Playhouse/2nd Stage cabaret in the Radisson Hotel Boston (the former 57 Restaurant), you could say that the late Brel is twice as alive as he was in Gloucester.
	www.boston.com /ae/theater_arts/articles/2003/11/13/jacques_brel_is_livelier_than_ever (876 words)

	Brook, Peter on Encyclopedia.com
		Agence France Presse French 05-23-2003 Title: Le metteur en scne britannique Peter Brook, le 7 janvier Paris Le metteur en scne britannique Peter Brook, directeur.
		Le metteur en scène britannique Peter Brook, le 7 janvier à Paris Le metteur en scène britannique Peter Brook, directeur à.
		Le metteur en scne britannique Peter Brook, le 7 janvier Paris Le metteur en scne britannique Peter Brook, directeur Paris du
	www.encyclopedia.com /html/b/brook-p1e.asp (1209 words)

	Facts about topic: (The Selmer Company)
		The Selmer Company is a manufacturer of musical instruments (Any of various devices or contrivances that can be used to produce musical tones or sounds) started in Paris, France (additional info and facts about Paris, France) in the early 1900's and still producing instruments today.
		In 2003 the Selmer Company subsidiary (An assistant subject to the authority or control of another) was merged with the C.G. Conn (additional info and facts about C.G. Conn) company (makers of brass instruments (additional info and facts about brass instruments)) to form the Conn-Selmer (additional info and facts about Conn-Selmer) company.
		In 1995 the parent company Selmer Industries merged with Steinway Musical Instruments, the parent company of Steinway & Sons (additional info and facts about Steinway & Sons), the well-known piano (A stringed instrument that is played by depressing keys that cause hammers to strike tuned strings and produce sounds) maker.
	www.absoluteastronomy.com /encyclopedia/t/th/the_selmer_company.htm (1133 words)

	NovemberDecember2004-2004/NovDec04Part2
		Lossky, Nicolas.--Essai sur une théologie de la musique liturgique : perspective orthodoxe / Nicolas Lossky.--Paris : Cerf, 2003.--113 p.
		VII, Le cantus firmus hymnologique, lexicologique et pédagogique : [7e colloque itinéraires du cantus firmus, 22 et 23 avril 1998] / groupe de recherche sur le patrimoine musical ; études réunies et présentées par Edith Weber.--Paris : Presses de l'université de Paris-Sorbonne, 2004.--205 p.
		Part 2, Il quarto libro de' madrigali a cinque voci (Ferrara, 1594) and madrigals published only in anthologies, 1583-1604 / Luccasco Luzzaschi ; edited by Anthony Newcomb.--Madison, Wis. : A-R Editions, c2004.--1 score (xli p., 5 pages of plates, 163 p.) : facsims.
	www.library.nd.edu /colldev/acqlist/music/NovemberDecember2004-2004NovDec04Part2.shtml (5377 words)

	MoMA.org 2003 Film and Media Exhibitions An Evening with Tissa David, Master Animator
		Accompanied by clips from Bonjour Paris, 1953; Terror Faces Magoo, 1959; Eggs, 1970; Raggedy Ann and Andy: A Musical Adventure, 1977; and numerous television commercials and Sesame Street segments.
		Born in Transylvania in 1921, David escaped the Communist takeover of Hungary by moving to Paris in 1950 and then to the United States in 1955, where she collaborated with such formidable animators as Grim Natwick, John and Faith Hubley, and R. Blechman.
		Organized by Joshua Siegel, Assistant Curator, Department of Film and Media, and John Canemaker, author of The Art and Flair of Mary Blair (Disney Editions, Fall 2003).
	www.moma.org /exhibitions/film_media/2003/tissa_david.html (225 words)

	Messiaen, Olivier -- Britannica Student Encyclopedia
		June 5, 2003, Paris), championed modern composers, notably Jacques Offenbach, Igor Stravinsky, Olivier Messiaen, and Maurice Ravel,...
		One of the most original composers of the 20th century, Olivier Messiaen served as organist of the Church of the Trinity in Paris from 1931, the only major composer to do so since César Franck and Anton Bruckner.
		One of the most original composers of the 20th century, Olivier Messiaen served as organist of the Church of the Trinity in Paris from 1931, the only major composer to do so since César...
	www.britannica.com /ebi/article?tocId=9275802 (225 words)

	Offenbach, Jacques -- Encyclopædia Britannica
		June 5, 2003, Paris), championed modern composers, notably Jacques Offenbach, Igor Stravinsky, Olivier Messiaen, and Maurice Ravel, who took Rosenthal on as his third and last composition student in 1926 and who remained a close friend.
		The satirical, romantic operetta emerged primarily in Paris in the mid-19th century with the French composer Jacques Offenbach; two of his works are still widely staged: Orphée aux enfers (1858; Orpheus in the Underworld) and La Belle Hélène (1864; Beautiful Helen).
		The character of Offenbach's operettas established several musical precedents, including the burlesque of...
	www.britannica.com /eb/article?tocId=9056812 (225 words)

	Open Directory - Arts: Music: Styles
		Music Classification by Genre: System Performance - Research project completed in 2003 by Mitali Banerjee at Rice University used automatic process to determine musical genre of audio samples.
		A Taxonomy of Musical Genres - Two French experts re-define genres to improve musical databases for electronic distribution, paper submitted to a conference in Paris in 2000.
		Christian Music Place: Artists by Genre - About two dozen musical genres including blues, a capella, dance/techno, and Southern gospel, with as many as several hundred links to Christian music artists in each.
	dmoz.org /Arts/Music/Styles (449 words)

	WildLyfe Music Styles Guide
		A Taxonomy of Musical Genres - Two French experts re-define genres to improve musical databases for electronic distribution, paper submitted to a conference in Paris in 2000.
		Representing Musical Genre: A State of the Art - Journal of New Music Research article from 2003 discusses manual, prescriptive, and emergent approaches to genre classification for the European CUIDADO project, Content-Based Unified Interfaces and Descriptors for Audio/Music Databases Available Online.
		InfoUSA: Musical Genres - Links organized by genre such as blues and jazz, classical and opera, folk and country, and early American music.
	www.wildlyfe.com /Detail/147536 (449 words)

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