| | Paris Opera Ballet = Lifar - Marc Haegeman (Site not responding. Last check: 2007-10-15) |
 | | He was an influential dancer and a prolific choreographer, a notable dance theoretician and a tireless crusader for the values of neoclassical ballet, he had a keen eye for spotting talent, knew as none else how to bring out the personalities of his dancers and successfully reinvigorated the company’s repertory and its standard. |
 | | Yet for all that, the man is now more myth than reality, his ballets are often excused as passé, and unfortunately the public rarely ever comes to see anything substantial of his work outside of anniversaries or other special occasions. |
 | | With his first creation for the Paris Opera, “L’Envol d’Icare” set to the magnificent “Concert for Piano and Strings” by Alfred Schnittke, there was no question of doing Lifar over again, even if the title clearly refers to the old master’s famous “Icare”. |
| www.danceviewtimes.com /2006/Autumn/06/lifar.html (1289 words) |