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| | an introduction to poetry rhythm and rhythmic analysis (Site not responding. Last check: 2007-10-15) |
 | | Any particle can have a nucleus, plus optional margins, and these margins can have a variety of roles: setting, denouement, action, etc. Each particle belongs to a class of waves in a vertical relationship with superordinate and subordinate waves. |
 | | The first is the difficulty with all generative grammars, that well-formed examples are not objectively derived. |
 | | Chomsky’s grammar is vexed by the same questions, and they are not empty sophistry. |
| www.poetrymagic.co.uk /advanced/rhythm.html (7807 words) |
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