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| | LRB Michael Wood : Post-Paranoid |
 | | Throughout the novel, in a series of cross-referenced moments, the ball reappears, a collector's item passing through various hands, coveted mainly, it seems, for the least obvious of reasons. |
 | | The novels are full of concrete details, data, brand names, place names, slang, objects, furniture, roads and cars, and the characters talk as if they are supposed to be imitations of people who could be met outside fiction. |
 | | But where Pynchon's novel is a long, looping farewell to the idea of conspiracy, almost to the idea of narrative, DeLillo's explores conspiracy's legacy or, more precisely, a world bereft of conspiracy, in mourning for the scary, constricting sense the old secrets used to make. |
| www.lrb.co.uk /v20/n03/print/wood01_.html (2681 words) |
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