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| | Review | Pattern Recognition, by William Gibson |
 | | Recently, Neal Stephenson's Cryptomonicon, as fat as Pattern Recognition is lean, was largely treated as a science fiction novel by reviewers, bookdealers, and readers, even nominated for sf awards, though the main action involves the breaking of the Enigma code of World War II and isn't science fiction in the usual sense. |
 | | Over halfway through the novel, Cayce tells Bigend to "Shut up," something we've been dying to do for some pages, and then observes this: "It isn't a voice Cayce has often heard, but she knows when she hears it that it's her voice." Unfortunately, a page later, this strong voice is gone. |
 | | The novel wraps up as neatly and efficiently as a Shakespearean comedy, rushing right past the startling revelation of the maker's identity and her extraordinary story with less attention than they seem to deserve. |
| www.blackbird.vcu.edu /v2n1/nonfiction/danvers_d/gibson.htm (1689 words) |
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