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| | PAUL LEPPIN by LOUIS ARMAND |
 | | Our attention, in Severin's Journey, is continually drawn to the manifold topology of women; its constant shifting between virgins, society prostitutes, mothers, daughters, wives, phantasms, all of whom seem to coalesce as a paradigm for the desire of the subject, and yet who remain multiple, variegated, contradictory even. |
 | | Moreover, woman, and her "ultimate" association, in Leppin's text, with the spider and its "web", calls to the inner ear of the subject's will with a Circean allure ("half-articulated rhythms"); a call which Derrida situates in the "ever veiled promise of transcendence." |
 | | The subject, as Lacan repeatedly emphasised, is never resolved in its own relation to, and as, the ghost of the signifier. |
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