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| | Pedro Almodovar |
 | | However, unable to be taken seriously by the police, Angel decides to confess to a series of murders after viewing the crime scene photographs on the commissioner's (Eusebio Poncela) desk, and in the process, unwittingly unites the paths of the crippled, morbidly aroused Diego and the fatally seductive María. |
 | | Pedro Almodóvar creates a highly sensual, deliriously overripe, and stylistically audacious portrait of love, death, fate, and violence in Matador. |
 | | Almodóvar further uses environmental elements to underscore emotional state, from the idyllic clouds that precipitate Angel's consuming, morbid visions, to the portentous inclement weather that punctuates his encounter with Eva, to the total eclipse that materializes during the final encounter. |
| www.filmref.com /directors/dirpages/almodovar.html (578 words) |
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