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| | Marc Sabatella's Jazz Improvisation Primer: Basic Theory |
 | | Expanding by half steps, the remaining intervals are the minor third, major third, perfect fourth, tritone, perfect fifth, minor sixth, major sixth, minor seventh, major seventh, and finally, the octave. |
 | | For example, the tritone interval from C to F# is called an augmented fourth, because the interval from C to F is a perfect fourth. |
 | | The motion of roots in this progression is upwards by perfect fourth, or, equivalently, downward by perfect fifth. |
| www.outsideshore.com /primer/primer/ms-primer-4-1.html (2093 words) |
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