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Topic: Performance rights organisation

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	pro (Site not responding. Last check: 2007-10-18)
		A performance rights organisation exists to collect and distribute royalties on behalf of audio and video artists, for performances of their copyrighted works under copyright law.
		A PRO works by first signing up artists to become members, and then bargaining with the users of the artists' copyrights (directly or through the users' representatives) the royalty rate to be paid for such use.
		They have also been criticised for charging non-profit organisations for their use of the music, despite the fact it is not for any commercial or money-earning purpose.
	www.yourencyclopedia.net /PRO.html (411 words)

	Performance rights organisation - Wikipedia, the free encyclopedia
		Without a PRO, it would be necessary for each artist to contract with each user individually, which is practically impossible.
		PROs have also been accused of being "cartels".
		They have also been criticised for charging non-profit organisations for their use of copyrighted music in situations where the non-profit organization was not earning money from the use.
	en.wikipedia.org /wiki/Performance_rights_organisation (431 words)

	Copyright (Copyright Organisation), Decree, 28/09/1994, No. 311 (Site not responding. Last check: 2007-10-18)
		1. The Director of the Copyright Organisation is appointed by resolution of the Minister of Culture for a three-year term of office which may be renewed by proposal of the Board of the Copyright Organisation.
		Organisation of seminars for training and updating of judges, lawyers, administrative employees, authors, rightholders of related rights and students.
		The personnel of the Copyright Organisation is appointed by a private law contract for a definite or indefinite period of time, in accordance with the general provisions on appointment applicable each time.
	www.wipo.int /clea/docs_new/en/gr/gr004en.html (2960 words)

	Copyright (Copyright Organisation), Decree (Consolidation), 28/09/1994 (1997), No. 311 (No. 2557) (Site not responding. Last check: 2007-10-18)
		The Director of the Copyright Organisation is appointed by resolution of the Minister of Culture for a three-year term of office which may be renewed by proposal of the Board of the Copyright Organisation.
		The budget is an act of the Board of the Copyright Organisation which includes the foreseen income from ordinary and extraordinary funds of the Copyright Organisation as well as the foreseen expenses of the year along with their justification.
		Without prejudice to observing the procedures concerning the supplies of the Copyright Organisation, the payments for approved activities of the Copyright Organisation in with no restrictions as to the amount of the payable sum, provided that there is a written order of the Director of the Copyright Organisation in the framework of his powers.
	www.wipo.int /clea/docs_new/en/gr/gr216en.html (2962 words)

	Performing Rights Organisations Around The World
		With any music, including royalty free music, public performances must be notified to your local Performance Rights society.
		If you aren't sure what a "public performance" is, ask your local society - basically if the public can hear the music, then it usually counts as a "performance" but there are different interpretations around the world.
		Follow the link to your local Performance Rights Organisation to check their local terms if you are unsure.
	www.royalty-free.tv /rftv/performance_rights.htm (117 words)

	Questioning IMRO - National Arts and Media - Indymedia Ireland
		When you clear away all the legal jargon, and it’s difficult enough to clear away, the primary function of performing or performance rights, developed from copyright theory, is that they act as a justification for prescriptive control, making it legitimate for one person to prescribe the actions of another unless a fee is paid.
		Copyright is mentioned, and performing rights sort of have something to do with copyright, and something to do with “making a work available to the public”, but nowhere is this made clear, in legislation or in the relevant literature.
		Yet, the rhetoric of copyright and performing rights continues to guarantee financial turnover in the music industry, and the end, as ever, seems to justify the means.
	indymedia.ie /newswire.php?story_id=60464&PHPSESSID=8e79e9e3480a3a04... (1290 words)

	The High Performance Organisation - Terms
		The HPA reserves the right to terminate the contract immediately where the client fails to meet these terms and conditions or have acted in a way to bring the registration into disrepute.
		To maintain the integrity of the HPA Registered organisation service you are obliged to use the HPA Registered organisation mark in accordance with our Guidelines for using the HPA Registered organisation mark - Appendix 1 to this document.
		The HPA Registered organisation mark is available for organisations to use that have a current HPA registration for their management system.
	www.the-hpo.com /hpa/hpa_terms.php (1543 words)

	IFPI international webcasting agreement signs up US Soundexchange (Site not responding. Last check: 2007-10-18)
		IFPI has welcomed the US performance rights organisation Soundexchange as the latest signatory of its international webcasting agreement, the reciprocal licensing arrangements that allow internet webcasters to stream music programmes to consumers on the basis of a single "one-stop" licence.
		The webcasting agreement, which was announced in November 2003 allows webcasters to clear record producers' rights in a multitude of countries by entering into a licence in one participating country.
		SoundExchange is the first performance rights organisation in the United States to collect and distribute digital audio transmission royalties to featured artists, sound recording copyright owners.
	www.ifpi.org /site-content/press/20041018.html (445 words)

	Human Rights Defenders
		The Declaration on the Right and Responsibility of Individuals, Groups and Organs of Society to Promote and Protect Universally Recognized Human Rights and Fundamental Freedoms (the Declaration) was adopted, by consensus, by the General Assembly in resolution 53/144 on 9 December 1998.
		Concerning the impact of militarism on protection and promotion of human rights, the SRep noted that in areas of conflict or political tension, emergency or special laws are imposed, suspending fundamental freedoms and restricting recourse to civilian courts; at the same time, the military and paramilitary forces commit human rights violations, often with impunity.
		The General Assembly adopted by consensus a resolution (A/RES/56/163) on Declaration on the Right and Responsibility of Individuals, Groups and Organs of Society to Promote and Protect Universally Recognized Human Rights and Fundamental Freedoms (the Declaration) in which it reiterated the importance of the Declaration and its promotion and implementation.
	www.hri.ca /fortherecord2001/vol1/defenders.htm (1641 words)

	Human Rights Education Library: First Steps - Part Four: Older Children
		Because issues of rights and responsibilities are common in schools (for example the right to use equipment, and the responsibility not to damage it) this activity can be the basis for using the language of rights and responsibility in everyday situations.
		For example, your right to freedom of speech is limited by your responsibility not to say untrue things which will degrade another person and abuse their right to dignity and good reputation.
		Examples of negative rights are the right not to be killed or badly treated or to have your possessions stolen.
	www.hrea.org /erc/Library/First_Steps/part4_eng.html (14458 words)

	Notepad royalty free music licence
		As with all music, public performances must be notified with your local performing rights organisation - click here to find your nearest.
		If you aren't sure what a "public performance" is, ask your local society - if the public can hear the music, then it usually counts as a "performance" but there are different interpretations around the world.
		Follow the link to your local Performance Rights society to check their local terms if you are unsure.
	www.notepadmusic.com /licence.htm (235 words)

	COTT Management Staff Chief Executive Officer (Site not responding. Last check: 2007-10-18)
		In Trinidad and Tobago, COTT is the collective management organisation that protects, preserves and promotes the rights of composers, songwriters, lyricists and music publishers that are vested in the organisation.
		COTT administers the performing rights of musical compositions as, for example, in live performances, in broadcasts by radio or television, in background music in shops, offices, pubs, cafés, hotels, restaurants, shopping malls and the like, on public transportation, and in distribution by the Internet.
		To carry out its diverse functions properly, COTT must be diligent in ensuring the application of existing laws while, at the same time, maintaining an active interest and involvement in determining the course of future copyright law developments and revisions.
	www.cott.org.tt /org/manage (244 words)

	John Simson : Executive Director at US collection body, SoundExchange (Site not responding. Last check: 2007-10-18)
		Once a performance right was enacted, the copyright owners and artists needed a mechanism to collect these royalties.
		If you mean, is there a performance right for traditional broadcasting (via radio and television) the answer is no, they do not get paid.
		However, there is a new performance right in the United States for sound recording copyright owners, and for featured and non-featured artists, when their music is performed by means of digital audio transmissions (satellite subscription services, webcasting, etc.
	www.musicjournal.org /02johnsimson.htm (1591 words)

	Human Rights Watch: International Justice (Site not responding. Last check: 2007-10-18)
		Human Rights Watch condemns in the strongest terms yesterday’s kidnapping and killing of Saadoun Sughaiyer al-Janabi, a defense counsel in the Dujail case before the Supreme Iraqi Criminal Tribunal.
		Human Rights Watch urges the Government of Iraq to conduct a thorough investigation of the crime, and to prosecute those responsible.
		The Serbian government is failing to tackle a rising tide of violence against the country’s ethnic and religious minorities, Human Rights Watch said in a report released today as the European Union enlargement commissioner visits Belgrade.
	www.hrw.org /doc/?t=justice (1219 words)

	Articles By Monte Nordstrom
		One right under the Act is the author's control of the reproduction of their copyright material, such as playing a recording or staging a live public performance of a song.
		Their license fees are controlled by Copyright Board approved tariffs and cover all music performance usages and distribute these monies back to the authors of the music through a complex non-profit system that ultimately issues royalty cheques to song writers.
		Some may not have been approached by a performance rights organisation because their establishment has not yet come to the attention of the copyright watchdogs.
	www.montenordstrom.com /m_art10.htm (843 words)

	Aligning your organisation for business performance - Deloitte & Touche LLP
		Our Organisation & People Performance team helps you implement strategic business change by identifying and aligning the people-related factors that are critical to your organisation's performance.
		Typically, organisational structures represent the legacy of past personalities, preferences or relationships and have been changed with limited rationale and in isolation from initiatives elsewhere in the business.
		And, as organisational structure determines employees’ finite levels of accountability and performance it is inextricably linked to the delivery of business strategy.
	www.deloitte.com /dtt/section_node/0,2332,sid=18089,00.html (705 words)

	Basic information kit no.4 (Site not responding. Last check: 2007-10-18)
		I have made human rights education one of my highest priorities, not only in the context of fulfilling my mandate to coordinate the implementation of the Plan of Action, but also because I firmly believe in the fundamental role of human rights education in empowering individuals to defend their rights and those of others.
		This year, the question of human rights education is of particular importance since the international community is commemorating the 50th Anniversary of the Universal Declaration of Human Rights and promoting awareness of the significance of this document and of the legal instruments and action it has developed.
		In effect, everyone has the right to live and work in environments where known health risks are controlled, and as health is the full enjoyment of other human rights, so is enjoyment of all other human rights necessary for the realization of the highest attainable standard of health.
	www.unhchr.ch /html/50th/50kit4.htm (12249 words)

	Brainstorming performance rights: brainstorm business, inventing and creativity (Site not responding. Last check: 2007-10-18)
		While Copyright is the most common right you will come across, there are also many other different types of rights as well.
		Together, performance and mechanical rights ensure that the copyright owner(s) and publisher(s) are able to control when recordings, public performances, and broadcasts can take place or be duplicated.
		Obviously it will be very difficult to find out every time that performing rights are breached (in the same way that it can be difficult to discover Copyright theft, unless it is on a commercial scale).
	www.poptarget.com /inventingdream/brainstorming_performancerights.asp (735 words)

	CAMILA Home Page (Site not responding. Last check: 2007-10-18)
		We have on record many a FORGERY used by the legal professions in Court proceedings; the persons in judicial chairs ignoring The LAW and the police 'asserting' and relying on alleged 'sub-judice grounds' their FAILURES to challenge all who partake in such activities while the citizens are defrauded of their properties and assets.
		Through the 'organised modus operandi' its staff and officers are seen to be accomplices of intended denial of rights through contempt of the provisions of law referred to one and all.
		Individually citizens have nothing to support their complaints because that is how the system is organised and operates, institutionalised denials of rights by the promoters of crime, those who thrive along with it, as they determine.
	www.human-rights.demon.co.uk /camilahp.htm (3587 words)

	Human Rights Watch: Africa
		This 46-page report evaluates the conduct of the U.N.-backed court for war crimes in Sierra Leone during trials, which began in June 2005.The report details concerns regarding court operations that should be addressed to ensure that the court functions as fairly and effectively as possible.
		On November 8, Human Rights Watch will give its highest recognition to Beatrice Were, a leading advocate for the rights of people living with HIV/AIDS in Uganda.
		Finally, the individuals responsible for war crimes and crimes against humanity committed during Liberia’s armed conflicts must be kept out of the civil service, police and army and be held accountable for their crimes.
	hrw.org /africa/index.php (1085 words)

	CFP 2004 / Computer Freedom & Privacy Conference
		Her work at the ACLU focuses in large part on technology issues, with a particular emphasis on rights of free expression and privacy.
		She teaches, speaks and writes on the full spectrum of Internet law issues including computer crime and security, national security, constitutional rights, and electronic surveillance, areas in which her expertise is recognized nationally.
		As the leading consumer advocate for the privacy rights of travelers, he has been a consultant to numerous privacy organizations, and has briefed both Congressional and European Parliamentary staff on travel privacy issues.
	www.cfp2004.org /program/speakers.html (17893 words)

	Guitar Resources: Acoustic Guitar Music On Line
		Performing Rights Organizations (PROs) monitor public performance of musical (and other) works and collect fees, distributing them to the artists registered with them.
		The laws covering copyrights and performing rights appear complicated and subtle to non-lawyers (like the compilers of these web pages!); but the following online resources shed quite a bit of light on the issues of immediate relevance to songwriters and performing musicians.
		PRO issues of direct relevance to folk/acoustic musicians are regularly discussed on the folk_music and FolkBiz list servers.
	www.museweb.com /ag/music.html (3493 words)

	Royalty Free Music Information, Frequently Asked Questions, and Advice
		Composers are entitled to a performance fee from radio stations, television stations, theaters outside the U.S. for the right to publicly perform their songs as synchronized in a film, television production, advertisement or other medium.
		As with all copyrighted music, public performances must be notified to the local performing rights organisation.
		Check with your Local Performance Rights organization about their policy and rates for other Public Performances.
	www.notepadmusic.com /samplesfaq.htm (991 words)

	INTERNATIONAL OLYMPIC COMMITTEE - ORGANISATION - STRUCTURES
		The ANOC also makes recommendations to the IOC regarding the use of funds deriving from the television rights intended for the NOCs.
		NOCs are committed to the development of athletes and support the development of sport for all programs and high performance sport in their countries.
		Another objective of the National Olympic Committees is to ensure that athletes from their respective nations attend the Olympic Games.
	www.olympic.org /uk/organisation/noc/index_uk.asp (342 words)

	HFA Online
		We continually strive to add value and strength to the music rights industry.
		HFA’s websites will be unavailable on Saturday, September 10 from 10am EDT to 12 noon EDT, for necessary system maintenance.
		By using this website, you acknowledge and agree that you have reviewed and agree to be bound by HFA's Terms of Use.
	www.harryfox.com (236 words)

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