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Topic: Peter Suschitzky

	Peter Suschitzky - Wikipedia, the free encyclopedia
		Peter Suschitzky (born July 25, 1941) is a Polish-British cinematographer, born in Warsaw the son of fellow cinematographer Wolfgang Suschitzky.
		He is known primarily as the director of photography on Star Wars Episode V: The Empire Strikes Back and the later works of David Cronenberg, which the director had mostly departed from his horror-film days into more sedate works of literary adaptation.
		Suschitzky's work is near universally regarded as among the best cinematography in the world, praised for its sculptorly lighting, vibrant color coordination and rich camerawork.
	en.wikipedia.org /wiki/Peter_Suschitzky (193 words)

	Peter Suschitzky Biography :: Hollywood.com (Site not responding. Last check: 2007-10-13)
		Suschitzky began working in documentaries and commercials before entering features in the mid 1960s with "It Happened Here" (1966).
		Suschitzky began a fruitful association with horror maestro David Cronenberg shooting the unnerving psychological (and gynecological) character study "Dead Ringers", wherein he artfully conveyed the twin terrors of sterile surgical rooms and profoundly messy minds and lives.
		In the former, Suschitzky made the psychic delirium of heat and drugs in novel visually palpable.
	www.hollywood.com /celebs/fulldetail/id/191745 (397 words)

	Playback - Articles - Suschitzky, Cronenberg cast cinematic web in Spider
		Peter Suschitzky's list of credits is as varied as it is impressive.
		Suschitzky modestly suggests he is unsure how he ended up on the director's short list.
		Suschitzky is at the point in his career where he can choose which features to take on, and he says he would rather shoot commercials than commit to a film he is not wholeheartedly behind.
	www.playbackmag.com /articles/magazine/20011001/cine.html (531 words)

	Auto Erotic - page 1 (Site not responding. Last check: 2007-10-13)
		With AC editors Stephen Pizzello and David E. Williams in tow, a leisurely dinner followed, during which Daviau and Elmes posed questions regarding the picture's unique visual approach and the means by which Suschitzky tackled its controversial subject.
		Based on the 1973 novel of the same name by English author J.G. Ballard, Crash concerns television commercial producer James Ballard (James Spader) and his wife, Catherine (Debra Kara Unger), both of whom are engaging in kinky extramarital affairs.
		Peter Suschitzky's other credits include Where the Heart Is, Valentino, The Rocky Horror Picture Show, The Empire Strikes Back and Immortal Beloved.
	www.theasc.com /magazine/april97/crash1/pg1.htm (495 words)

	Privilege_PeterWatkins
		Filming: ‘Privilege’ was filmed in Birmingham and London in August and September 1966, with a mixed amateur and professional cast, including pop singer Paul Jones, and model Jean Shrimpton.
		Cinematographer Peter Suschitzky, sound recordist Ian Bruce, art director Bill Brodie, make-up artist Ann Brodie, costume Vanessa Clarke, and editor John Trumper made up the principal crew.
		For a recent retrospective of my work in Berlin, the BFI rented their copy of 'Privilege' for £400, and Universal granted the licence for slightly under $400.
	www.mnsi.net /~pwatkins/privilege.htm (1817 words)

	PETER SUSCHITZKY
		About his films with David Cronenberg: 'Stylistically, Peter chooses to operate the camera on every picture he creates with David.
		Menges; loc 2uc (d: Peter MacDonald): Geoff Glover; aph: Ron Goodman; spec vfx: Brian Johnson and Richard
		The 16mm footage was blown-up to 35mm and the remainder of the film was ph on 35mm during a 40-day period between July 1962 and April 1963 by 22-year old Peter Suschitzky, who already had considerable experience as a doc cameraman.
	www.cinematographers.nl /PaginasDoPh/suschitzky.htm (609 words)

	Amazon.com: Naked Lunch: Video: Peter Weller,Judy Davis,Ian Holm,Julian Sands,Roy Scheider,Monique Mercure,Nicholas ... (Site not responding. Last check: 2007-10-13)
		The movie is content to pay homage to the novel; Cronenberg's screenplay is an attempt to imagine where this bizarre, unaccountable work of genius might have come from, to get inside the mind of a writer caught in the unnatural act of making literature.
		The hero is a gaunt, ghostly-looking junkie called William Lee (Peter Weller)-a name Burroughs often used to designate his fictional alter ego.
		Bill is an ex-junkie, and is thrown back into drug addiction once he finds out that his wife is addicted to the bug powder that he uses on the job.
	www.amazon.com /Naked-Lunch-Peter-Weller/dp/6302390486 (2218 words)

	AMCTV.com SHOW - Naked Lunch
		Director David Cronenberg's surreal film fuses elements of Beat writer William S. Burroughs' novel of the same name with snippets of the writer's biography to form an unsettled and unsettling whole.
		Burroughs surrogate Bill Lee (Peter Weller) is a wannabe writer who works as an exterminator to pay the bills.
		His wife, Joan (Judy Davis), becomes addicted to his bug-killing dust; the couple are quickly caught up in the pursuit of unorthodox hallucinogens, and before long, giant beetles (very effectively contrived via special effects) are whipping up Bill's paranoia while his friends are sleeping with Joan.
	www.amctv.com /show/detail?CID=59053-1-MST (179 words)

	Fine Line Features \| Crash \| Production Notes
		Crash is Peter Suschitzky's fourth film for David Cronenberg, and the third for which he has been honored with a Genie Award for Best Cinematography.
		Suschitzky also won Genie Awards for his work on Dead Ringers and Naked Lunch, his first and second films for Cronenberg.
		Suschitzky has served as cinematographer on numerous feature films, including Immortal Beloved, The Empire Strikes Back, as well as John Boorman's Where The Heart Is and Leo the Last.
	www.finelinefeatures.com /crash/allnotes.htm (6806 words)

	A History of Violence - Preview-Online
		Many of the crew members - such as director of photography Peter Suschitzky, production designer Carol Spier and costume designer Denise Cronenberg (the director’s sister) - are regular Cronenberg collaborators.
		But it was the first time he had worked with either Ed Harris - who plays Fogarty, a mid-level Philadelphia hood - or William Hurt, who plays Richie Cusack, a cornerstone of the Philly mob (the ethnicity has been changed from the Italian of the original story to avoid Mafia associations).
		Prod: Chris Bender, JC Spink; Exec prod: Justic Greene, Roger E Kass, Josh Braun; Dir: David Cronenberg; Scr: Josh Olson, based on the graphic novel by John Wagner and Vincent Locke; Ph: Peter Suschitzky; Prod des: Carol Spier; Cost des: Denise Cronenberg; Ed: Ronald Sanders; Mus: Howard Shore.
	www.preview-online.com /w2005/feature_articles/violence/page3.html (495 words)

	Naked Lunch \| Cast & Crew \| MTV Movies (Site not responding. Last check: 2007-10-13)
		This cinematic/literary hybrid fuses motifs from Beat writer William S. Burroughs's novel of the same name with elements of the author's biography and plenty of the cerebral alienation and biomorphic special effects fans of creepy cult director David Cronenberg have come to expect.
		Bill Lee (Peter Weller) wants to write, but he exterminates bugs to pay the bills.
		Soon, monstrous beetles are whispering conspiracy theories in Bill's ears and his nebbish writer friends Hank (Nicholas Campbell) and Martin (Michael Zelniker) are sleeping with Joan under his nose.
	www.mtv.com /movies/movie/24324/castcrew.jhtml (298 words)

	Crash \| Cast & Crew \| MTV Movies (Site not responding. Last check: 2007-10-13)
		Characters like Vaughn, the charismatic group leader who stages recreations of celebrity car crashes, seem more like driven researchers than sexual renegades, which is undoubtedly part of the film's point.
		This impression is reinforced by the pristine cinematography by Peter Suschitzsky, which proves particularly haunting during a crucial accident scene, and Howard Shore's superb score.
		Far from exploitative, Crash in fact proves less transgressive than the original novel, but is still undoubtedly not for all tastes.
	www.mtv.com /movies/movie/94388/castcrew.jhtml (205 words)

	Wolfgang Suschitzky (Site not responding. Last check: 2007-10-13)
		He is the father of British cinematographer Peter Suschitzky.
		The Bespoke Overcoat (1956) (director of photography) (as W. Suschitzky)
		Discuss this person with other users on IMDb message board for Wolfgang Suschitzky
	www.imdb.com /name/nm0839807 (127 words)

	gladiators
		Peter Watkins' ("Punishment Park"/"Edvard Munch") experimental futuristic anti-war semi-faux-documentary plays as if it were current reality TV fare.
		It's about a pasta company sponsoring a weekly TV series (Saturday nights) based on the international "peace games" competition, which is supposed to stimulate nationalism without engaging in a real war by channeling the countries aggressive drives into the sporting nature of the games.
		It was the winner of the Grand Prix at the Trieste International Science Fiction Film Festival.
	www.sover.net /~ozus/gladiators.htm (750 words)

	About The Filmmakers (Site not responding. Last check: 2007-10-13)
		Michael Barrow is a long-time industry veteran, having served as a professional gaffer on such films as DIRTY DANCING, HOUSE OF GAMES and EXTREMITIES.
		He has also worked closely, as chief lighting technician, with acclaimed directors of photography including Robert Ellswit, David Watkins, Curtis Clark, Mike Fash, Peter Suschitzky, Haskell Wexler, Billy Williams, Kelvin Pike, Luciano Tavili, Alex Thomson and Tony Imi.
		Barrow was the Cinematographer on the final 36 episodes of HBO's "The Days and Nights of Molly Dodd," starring Blair Brown.
	www.sonypictures.com /classics/whatever/directors/mb.html (159 words)

	TSPDT - Peter Watkins
		Peter Suschitzky (Cinematographer), Odd-Geir Saether (Cinematographer), Michael Bradsell (Editor)
		[ IMDB ] [ All-Movie Guide ] [ Peter Watkins' Website ] [ BFI Screen Online Profile ] [ Harvard Film Archive ] [ Museum of Broadcast Communications Profile ] [
		[ The Illusion of Freedom: The Films of Peter Watkins ]
	www.theyshootpictures.com /watkinspeter.htm (169 words)

	Rolling Stone : Shopgirl : Review
		That's intuitive filmmaking, and director Anand Tucker (Hilary and Jackie) deserves credit for letting us catch Mirabelle in and out of Ray's pumpkin shell.
		If Ray's world seems hermetically sealed -- Peter Suschitzky's cinematography is cannily sleek -- that's because it's the source of his comfort and his sorrow.
		Even the film's missteps (the score, by Barrington Pheloung, is cringe-inducing) can't stop this meditation on love -- Martin calls it "Jane Austen for the twenty-first century" -- from melting into heartbreak.
	www.rollingstone.com /reviews/movie/6132832/shopgirl (416 words)

	[No title] (Site not responding. Last check: 2007-10-13)
		A Midsummer Night's Dream (1968, Peter Hall) :: Shakespeare in Performance
		Originally made for tv and nationally broadcast in the USA in 1969, this film combines the expressionism of a Reinhardt with the realism of the Italian movie makers.
		This site is supported by the University of Victoria and the Social Sciences and Humanities Research Council of Canada.
	ise.uvic.ca /Theater/sip/production/recorded/405/main.html (183 words)

	THE MAN IN THE IRON MASK movie review, In Film Australia
		THE MAN IN THE IRON MASK movie review, In Film Australia
		Leonardo DiCaprio, Jeremy Irons, John Malkovich, Gerard Depardieu, Gabriel Byrne, Anne Parillaud, Judith Godreche, Peter Sarsgaard, Hugh Laurie
		Randall Wallace based on the novel by Alexandre Dumas
	www.infilm.com.au /reviews/ironmask.htm (492 words)

	Naked Lunch (1991) - FilmAffinity
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		Peter Weller, Judy Davis, Ian Holm, Julian Sands, Roy Scheider, Nicholas Campbell, Monique Mercure, Michael Zelniker, Joseph Scorsiani, Robert A. Silverman, Mathilda May
		Your Movie Soulmates' Ratings (like-minded people with closest affinity to you):
	www.filmaffinity.com /en/film153093.html (153 words)

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