| |
| | Philip Pullman, His Dark Materials |
 | | Based on Romantic poet William Blake's interpretations of Milton, Pullman casts God as the oppressor, churches and clergy are the enemies of human free will, and the Fall itself (or rather, a second Fall involving Lyra as Eve) is presented as a chance for redemption. |
 | | Pullman's avowed atheism unfortunately gets in the way of this new mythology, because he is using Christianity as a basis for his tale, but in dispensing with Christianity he offers nothing as a replacement. |
 | | In one breath Pullman exalts freedom of choice, science, and material pragmatism, while at the same time attempting to convince the reader that two who are so deeply in love would be so non-pragmatic, so idealistic and full of love for humanity, that they would put others before themselves. |
| www.greenmanreview.com /book/book_pullman_darkmaterialsomni.html (1271 words) |
|