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Topic: Philippe Verdelot

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	Philippe Verdelot - Biocrawler (Site not responding. Last check: 2007-11-04)
		Philippe Verdelot was a French composer of the Renaissance, who spent most of his life in Italy.
		Verdelot, along with Costanzo Festa, is considered to be the father of the madrigal, an a cappella vocal form which emerged around 1530 from a convergence of several previous musical streams (including the frottola, the canzone, the laude, and also including some influence from the more serious style of the motet).
		Verdelot's style balances homophonic with imitative textures, rarely using word-painting, which was largely a later development (though a few interesting foreshadowings can be found).
	www.biocrawler.com /encyclopedia/Philippe_Verdelot (316 words)

	Linn Records - A Renaissance Songbook
		Verdelot was probably the first master of the Florentine madrigal, and certainly the greatest of his time.
		‘Verdelot' is a toponymic, the name of the commune near Paris where the composer was probably born around 1485.
		The date of his birth is based in large part on the study of a painting by Sebastiano del Piombo (c.1485-1547), formerly in the Kaiser-Friedrich Museum of Berlin, destroyed by fire in 1945 (a fl-and-white photograph remains) showing the composer with another man, and on Giorgio Vasari's history of the painting.
	www.linnrecords.com /recording-a-renaissance-songbook-hdcd.aspx (1796 words)

	Philippe Verdelot (Site not responding. Last check: 2007-11-04)
		Philippe Verdelot was a French composer of the Renaissance, who spent most of his life in Italy.
		Verdelot, along with Costanzo Festa, is considered to be the father of the madrigal, an a cappella vocal form which emerged around 1530 from a convergence of several previous musical streams (including the frottola, the canzone, the laude, and also including some influence from the more serious style of the motet).
		Verdelot's madrigals were hugely popular, as can be inferred from their frequency of reprinting and their wide dissemination throughout Europe in the 16th century.
	www.worldhistory.com /wiki/P/Philippe-Verdelot.htm (377 words)

	Jacob Heringman, lutenist - Reviews
		Verdelot was probably the first master of the Florentine madrigal, and certainly the greatest of his time.
		“Verdelot” is a toponymic, the name of the commune near Paris where the composer was probably born around 1485.
		The date of his birth is based in large part on the study of a painting by Sebastiano del Piombo (c.1485-1547), formerly in the Kaiser-Friedrich Museum of Berlin, destroyed by fire in 1945 (a fl-and-white photograph remains) showing the composer with another man, and on Giorgio Vasari's history of the painting.
	www.heringman.com /verdelot.htm (1839 words)

	Verdelot: Madrigals
		Philippe Verdelot (c.1485-c.1550) was born in France with the surname Deslouges.
		His madrigals, however, consisting of more than 100 appearing in various publications, form perhaps the most important early Renaissance output and the one on which the future development of the form was most clearly based.
		Verdelot is typical of composers of the period in moving from the Northern countries to Italy for employment.
	www.medieval.org /emfaq/cds/lin142.htm (351 words)

	Classics Today.com - Your Online Guide to Classical Music
		In spite of a long stint in Rome (he joined the Papal Choir the same day Michelangelo was commissioned to paint the Last Judgment!) Morales never gave up his true "Spanishness" in his music.
		His mass, written while in Rome, is a parody based on a motet by Philippe Verdelot.
		And based on the pathetic dearth of Morales (or Crecquillon or Verdelot) in the current CD catalog--most of it on discs with music by other composers--this new release takes on even greater value.
	www.classicstoday.com /review.asp?ReviewNum=2325 (633 words)

	Amazon.com: Philippe Verdelot: Madrigals (arranged for solo voice and lute by Willaert): Music: Pietro Paulo ... (Site not responding. Last check: 2007-11-04)
		Amazon.com: Philippe Verdelot: Madrigals (arranged for solo voice and lute by Willaert): Music: Pietro Paulo Borrono,Joan Ambrosio Dalza,Francesco Canova da Milano,P. da Milano,Philippe Verdelot,Alain Aubin,Jean-Michel Robert
		This item is not eligible for Amazon Prime, but over a million other items are.
		Philippe Verdelot: Madrigals (arranged for solo voice and lute by Willaert)
	www.amazon.com /Philippe-Verdelot-Madrigals-arranged-Willaert/dp/B000006P5X (834 words)

	Avondale Press (Site not responding. Last check: 2007-11-04)
		Verdelot, born in France in the late 15th century, lived and worked in Italy for many years.
		These early madrigals are 'fairly easy' and most rewarding to play as arranged for recorders by William Weldon.
		AvP26 Philippe Verdelot: Donna se fiera stella and Altro non e'l mio amor.
	www.recorderhomepage.net /avondale.html (749 words)

	Philippe Verdelot (Site not responding. Last check: 2007-11-04)
		According to The New Penguin Dictionary of Music, Philippe Verdelot was a Flemish composer who held church musical posts in Italy.
		Was one of the first madrigal composers and wrote also Masses, motets, etc.
		[§] Philippe Verdelot: Madrigals for Four and Five Voices by Jessie Ann Owens
	www.grainger.de /music/composers/verdelot.html (57 words)

	Search results for PHILIPPE VERDELOT in Music
		You are here: Coolshopping.com » Music » Search for "Philippe Verdelot"
		Verdelot: A Renaissance Songbook - The Complete Madrigal Book of 1536 /C King * C Daniels * Heringman
		Learn more about cat scratching posts, and kitty and cat condos.
	www.coolshopping.com /music.php?Mode=search&search_type=Artist&search_string=Philippe+Verdelot (228 words)

	HMV.co.uk: classical: Morales: Missa Si Bona Suscepimus: Verdelot: Crecquillon (2000) (Site not responding. Last check: 2007-11-04)
		HMV.co.uk: classical: Morales: Missa Si Bona Suscepimus: Verdelot: Crecquillon (2000)
		In the Tallis Scholar's first recording on Gimmell after the separation from Universal Classics, they present the première recording of the six-part Mass Si Bona Sucepimus by the Spanish High Renaissance composer Cristóbal de Morales.
		Alonside this glorious, yet challenging, work are works by Thomas Crecquillon and Philippe Verdelot.
	www.hmv.co.uk /hmvweb/displayProductDetails.do?ctx=12;-1;-1;-1&sku=807231 (120 words)

	Alexandra Amati-Camperi (Site not responding. Last check: 2007-11-04)
		Verdelot: la piu divina musica delli madrigali a sei voci, Introd.
		An Italian Genre in the Hands of a Frenchman: Philippe Verdelot as Madrigalist, With Special Emphasis on the Six-Voice Pieces (Ph.D. Dissertation, Harvard University, 1994)
		“Verdelot’s Libro primo a4”, liner notes for the CD by Jacob Heringman, lute, et al.
	www.usfca.edu /fpa/music/alexandra/Alex-cv.html (1179 words)

	Amazon.ca: Books: Philippe Verdelot: Madrigals for Four and Five Voices (Site not responding. Last check: 2007-11-04)
		Amazon.ca: Books: Philippe Verdelot: Madrigals for Four and Five Voices
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	www.amazon.ca /exec/obidos/ASIN/0824055306 (105 words)

	A 'Parody' on Josquin's Inviolata in Barcelona 1967: An Unknown Mass by Philippe Verdelot? -- Nelson 127 (2): 153 -- ...
		A 'Parody' on Josquin's Inviolata in Barcelona 1967: An Unknown Mass by Philippe Verdelot?
		in common with music attributed to Philippe Verdelot, especially
		This article draws upon several works by Verdelot
	jrma.oxfordjournals.org /cgi/content/abstract/127/2/153 (197 words)

	CD Spotlight. Intimate pleasures - Duo LiveOak's 'Piva', enjoyed by Malcolm Tattersall. '... an attractive selection of ...
		Performing together for thirty years, Nancy Knowles and Frank Wallace have explored the whole eight centuries.
		Piva is dedicated to Renaissance songs of Italy and Spain, by composers such as Juan del Encina, Francesco da Milano, Bartolomeo Tromboncino and Philippe Verdelot.
		Wallace plays lute and vihuela de mano (the most important member of the guitar family in sixteenth century Spain) to accompany his own and Knowles' singing.
	www.mvdaily.com /articles/2005/10/piva1.htm (213 words)

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