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| | Records International Catalogue October 2003 |
 | | Unlike Schoenberg, Hauer did not proceed from tone-rows in a fixed order although the compressed notes (or, possibly, their translation) makes it very difficult to understand what must be a very complex compositional method. |
 | | The concerto is quite approachable too, an 18-minute, three-movement piece whose headings suggest the dance also ("Entrée", "Pas de deux" and "Coda") and which, as the composer freely admits in the notes, was strongly influenced by Schoenberg's piano concerto and Survivor from Warsaw. |
 | | The Concerto Grosso is a lovely neo-classical work and both it and the Concertino have moments reminiscent of the great 20th century English string serenades (although the composer is Catalan, there is no marked Iberian presence in the music). |
| www.recordsinternational.com /RICatalogOct03.html (10782 words) |
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