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| | Tjako van Schie - pianist |
 | | Strauss' sonata is structured around simple motifs, and although being a work from his youth, this piece is surprisingly rich in musical contents and expression. |
 | | Liszt's sonata is diabolical, and incorporates all virtuoso elements of the late 19th century, like figured belcanto, octaves, passages, atmosphere-making, and is both lyrical and technical very demanding. |
 | | Where Chopin and Strauss both use a relatively 'classical' sonata form, with 4 separate movements in more or less the same sequence (fast-slow-scherzo-finale), the piece by Liszt is a bit more 'weird' in it's form, as all movements are conceived into one uninterrupted big work, where the theme returns in many disguises. |
| users.castel.nl /~schic02/sonatas.htm (208 words) |
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