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| | Mozart Piano Quartet, Dvorak: Piano Quartets - www.smh.com.au |
 | | His two Piano Quartets are signposts on this conservative turn, the first coming in 1875, after his Wagnerian period - what Dvorak called his "mad period" - the second 14 years later, when he was turning to looser forms and descriptive pieces. |
 | | These recordings by the Mozart Piano Quartet (comprising two Australians now working in Europe, pianist Tamara Cislowska and violinist Natalie Chee, together with Germans Hartmut Rohde and Peter Horr) are bright, coloured and spacious, with the feeling of air around the sound and room for chords to resonate. |
 | | The first quartet, Opus 23, dwells on Dvorak's characteristic mixture of major and minor, moving from geniality to wistfulness and unifying the whole with a classical interplay of motives so that, for example, the closing theme of the first movement is drawn from an inversion of the first. |
| www.smh.com.au /articles/2003/10/03/1064988398404.html?from=storyrhs (390 words) |
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