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| | The Pianola Institute - The Pianola Journal - Volumes 7 & 8 |
 | | Since any pianist will respond both to the instrument and the environment in which he is playing, then by their very nature, reproducing pianos and their recordings must be fundamentally flawed in their attempts to 're-enact the artist', the phrase used by Ampico in the 1920s. |
 | | Hitherto the player piano world has known very little about his life and work, which was surprisingly fertile, including nine operas, two masses, three string quartets, several symphonic works, and large quantities of music for military band. |
 | | This volume is not intended as an exposition of the art of interpreting player piano music; it deals with the intellectual, rather than the aesthetic, and concerns itself with the principles of expression only, in so far as they relate to the technical side of the subject. |
| www.pianola.org /journal/journal_vol7-8.cfm (1402 words) |
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