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| | CONTEXT: Linda Wagner-Martin, Reading William Carlos Williams |
 | | Most of the poems by William Carlos Williams that are anthologized today, most of the poems that people know, come from the first decade of Williams's writing--the years when he was not only unknown but, if known at all, considered some kind of wild man of American poetry. |
 | | Other ambitious United States poets were staking their claims to greatness on the fact that they were happily derivative of British speech and language patterns: highly educated, for the most part, such American poets as Conrad Aiken, Eliot, John Gould Fletcher, Dos Passos and e. |
 | | Williams, in contrast, wants anarchy: he creates the chaotic by misnumbering sections of his poem, inverting chapter markers, and juxtaposing the formal poems with the usually raucous prose, prose intentionally reasonless--exuberant, meandering, yet cohesive with the force of the writer's unfettered imagination. |
| www.centerforbookculture.org /context/no11/Wagner-Martin.html (2064 words) |
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