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	Piero Pollaiuolo - Wikipedia, the free encyclopedia
		Portrait of a Girl by Piero Pollaiuolo, at the Museo Poldi Pezzoli, Milan
		Piero Pollaiuolo (c.1441-1496), also known as Piero Benci, was an Italian painter during the Renaissance.
		His brother was the artist Antonio Pollaiuolo and the two frequently worked together.
	en.wikipedia.org /wiki/Piero_Pollaiuolo (131 words)

	Antonio Pollaiuolo - Wikipedia, the free encyclopedia
		Antonio di Jacopo Pollaiuolo (January 17, 1432/1433 – February 4, 1498, Rome), also known as Antonio del Pollaiolo or Antonio Pollaiolo, was an Italian painter, sculptor and goldsmith during the Renaissance, who also did valuable service in perfecting the art of enamelling.
		His brother was the artist Piero Pollaiuolo and the two frequently worked together.
		Some of Pollaiuolo's painting exhibits an excess of brutality, of which the characteristics can be studied in the Saint Sebastian, painted in 1473-1475 for the Pucci Chapel of the SS.
	en.wikipedia.org /wiki/Antonio_Pollaiuolo (545 words)

	Pollaiuolo: Free Encyclopedia Articles at Questia.com Online Library
		His son and pupil Antonio Pollaiuolo, 1429?â“1498, goldsmith, sculptor, painter, and engraver, became head of one of the foremost Florentine workshops, with many pupils and assistants.
		Piero Pollaiuolo, 1443â“96, a painter, was associated with his brother.
		In Pollaiuolo and Verrocchio, in Vecchietta and...216 POLLAIUOLO, ANTONIO Tomb...the late Gothic irrational style of Pollaiuolo and Verrocchio.
	www.questia.com /library/encyclopedia/pollaiuolo.jsp (1436 words)

	Painters Of Florence - Antonio Pollaiuolo
		Their father, Jacopo d'Antonio Benci, also surnamed del Pollaiuolo, was one of the goldsmiths employed by Lorenzo Ghiberti, and is said to have executed a wonderful quail in the ornamental work of one of the Baptistery gates.
		He probably received his first instruction in painting from Andrea del Castagno, whom Vasari mentions as Piero's teacher, and was strongly influenced by Donatello, while both brothers adopted the technique of Alessio Baldovinetti, and followed him in the use of new oil glazes and varnishes.
		Another characteristic work by Piero, the Annunciation, now at Berlin, is remarkable for its fine Renaissance architecture and variegated marbles, as well as for the profusion of pearls and gems which adorn the angel's robes and the Virgin's chair.
	www.oldandsold.com /articles36/florence-painters-15.shtml (918 words)

	[No title]
		It is difficult to know for certain which of the Pollaiuolo (or "del Pollaiolo") brothers painted this Portrait of a Lady (Ritratto di dama or Ritratto di gentildonna, in Italian).
		Antonio Pollaiuolo (1432-1498) was the more famous and more skilled, but this portrait is generally thought to be the masterpiece of his brother Piero (1441-1496).
		The Pollaiuolo brothers were successful Florentine artists working in the second-half of the fifteenth century with a large workshop in the city.
	web.tiscali.it /njross/pollaiuolo.htm (548 words)

	HighBeam Encyclopedia - Pollaiuolo (Site not responding. Last check: 2007-10-23)
		His son and pupil Antonio Pollaiuolo, 1429?-1498, goldsmith, sculptor, painter, and engraver, became head of one of the foremost Florentine workshops, with many pupils and assistants.
		Piero Pollaiuolo, 1443-96, a painter, was associated with his brother.
		More than mastery of the nude: David Ekserdjian reviews the first comprehensive account of the art of Antonio and Piero Pollaiuolo, which bravely tackles the challenging problems of attribution in the careers of two artists who worked with great skill in many media.(The Pollaiuilo Brothers: The Arts of Florence and Rome)(Book Review)
	www.encyclopedia.com /html/P/Pollaiuo.asp (525 words)

	artnet.com: Research Library Pollaiuolo (Site not responding. Last check: 2007-10-23)
		The brothers (1) Antonio Pollaiuolo and (2) Piero Pollaiuolo were the sons of Jacopo d’Antonio di Giovanni Benci, a Florentine poulterer (hence their nickname).
		Piero Pollaiuolo worked primarily as a panel painter and developed new skills in handling the medium of oil paint, particularly in landscape representation.
		It seems clear that Antonio was the leader of the workshop and was primarily a draughtsman and a sculptor in metal, whereas paintings produced by the workshop were executed largely by Piero Pollaiuolo.
	www.artnet.de /library/06/0684/T068457.asp (377 words)

	Piero Pollaiolo Online
		Piero Pollaiolo at the Metropolitan Museum of Art, New York City
		Piero Pollaiolo at the National Gallery, London, UK The Martyrdom of Saint Sebastian
		All images and text on this Piero Pollaiolo page are copyright 1999-2005 by John Malyon/Artcyclopedia, unless otherwise noted.
	www.artcyclopedia.com /artists/pollaiolo_piero.html (133 words)

	Portrait of Galeazzo Maria Sforza by POLLAIUOLO, Piero del
		Portrait of Galeazzo Maria Sforza by POLLAIUOLO, Piero del
		Piero Pollaiuolo painted the portrait from the design of his brother, Antonio on the occasion of the visit of Sforza to Florence.
		The painting, its rather dark colours unenlivened by any landscape views, plays on the changing colour tones of the materials and on the characteristic physiognomy of its striking protagonist.
	www.wga.hu /html/p/pollaiol/piero/g_sforza.html (92 words)

	Amazon.ca: The Pollaiuolo Brothers : The Arts of Florence and Rome: Books (Site not responding. Last check: 2007-10-23)
		Famous for their new treatment of heroic, antique subjects and the depiction of the male nude in action, Antonio and Piero del Pollaiuolo ran one of the most successful and advanced workshops in fifteenth-century Florence.
		Art historian Alison Wright draws on new evidence to reassess the Pollaiuolo brothers’ activities as painters, sculptors, and designers and to set their work in the context of the changing social, political, and cultural life of both Florence and Rome.
		The book provides the definitive account of the Pollaiuolo brothers and their practices, a comprehensive list of their works (including some newly attributed), and a fully updated chronology.
	www.amazon.ca /exec/obidos/ASIN/0300106254 (312 words)

	Antonio And Piero Pollaiuolo: Complete Edition With A Critical Catalogue. - ETTLINGER, LEOPOLD D. (Site not responding. Last check: 2007-10-23)
		Antonio And Piero Pollaiuolo: Complete Edition With A Critical Catalogue.
		The first full-scale monograph in English for over 70 years on the work of Antonio and his brother Piero Pollaiuolo, containing a historical and stylistic appraisal of their work within Florentine Quattrocentro art.
		The critical catalogue reconsiders the extent of the brothers' works, dealing with the documented or securely attributed examples in the various media practised in their workshop, including lost works.
	www.antiqbook.com /boox/pou/24968.shtml (166 words)

	Biography (Site not responding. Last check: 2007-10-23)
		Pollaiuolo, surname of two Italian artists of the Renaissance, who, as brothers, shared a busy workshop in Florence.
		Antonio Pollaiuolo (1431?-1498) A painter, sculptor, goldsmith, and engraver, his real name was Antonio di Jacopo d'Antonio Benci.
		Piero Pollaiuolo (1443-1496) A painter, Piero did three of the paintings known as the Seven Virtues (1469-1470, Uffizi, Florence), and probably collaborated with Antonio on three others.
	keptar.demasz.hu /arthp/bio/p/pollaiol/biograph.htm (195 words)

	Art Poster Metal Framed Print - Woman in Green and Crimson - Artist: Piero del Pollaiuolo- Poster Size: 16 X 20 - ...
		Art Poster Metal Framed Print - Woman in Green and Crimson - Artist: Piero del Pollaiuolo- Poster Size: 16 X 20
		Piero del Pollaiuolo:Woman in Green and Crimson16 X 20 inches.
		All other designated trademarks, copyrights and brands are the property of their respective owners.
	www.shop.com /op/aprod-p39211898 (228 words)

	Antonio Pollaiuolo (1432 - 1498) Artwork Images, Exhibitions, Reviews
		Portrait of a Woman Piero del Pollaiuolo (Piero di Jacopo Benci) (Italian, Florentine, born about
		Antonio Pollaiuolo - Battle of the Nudes c.
		Antonio Pollaiuolo, Italian, 1431-1498 The Battle of the Nudes 1470-75 Engraving Platemark: 40.4 x 60.7
	wwar.com /masters/p/pollaiuolo-antonio.html (733 words)

	Table of contents for Library of Congress control number 2004004100
		Table of contents for The Pollaiuolo brothers : the arts of Florence and Rome / Alison Wright.
		Contents may have variations from the printed book or be incomplete or contain other coding.
		Library of Congress Subject Headings for this publication: Pollaiuolo family Criticism and interpretation, Pollaiolo, Antonio, 1426?-1498 Criticism and interpretation, Pollaiolo, Piero, ca, 1443-1496 Criticism and interpretation
	www.loc.gov /catdir/toc/ecip0415/2004004100.html (96 words)

	Find in a Library: Antonio and Piero Pollaiuolo : complete edition with a critical catalogue
		Find in a Library: Antonio and Piero Pollaiuolo : complete edition with a critical catalogue
		Antonio and Piero Pollaiuolo : complete edition with a critical catalogue
		WorldCat is provided by OCLC Online Computer Library Center, Inc. on behalf of its member libraries.
	www.worldcatlibraries.org /wcpa/ow/d8d98332930fcf06.html (71 words)

	Pollaiuolo - ENCYCLOPEDIA - The History Channel UK
		Pollaiuolo - ENCYCLOPEDIA - The History Channel UK or LOGIN
		Our search facility includes over 50,000 fully cross-referenced historical entries.
		THE HISTORY CHANNEL and BIOGRAPHY are trademarks of AandE Television Networks used under license ©2004 AandE Television Networks.
	www.thehistorychannel.co.uk /staging/search/search.php?word=Pollaiuo (506 words)

	Piero Pollaiuolo on artnet
		Find works of art, auction results & sale prices of artist Piero Pollaiuolo at galleries and auctions worldwide.
		sample: Here are the top 3 of 4 past sale results for Piero Pollaiuolo:
		Portrait of a nobleman wearing a red hat, 1801-1899
	www.artnet.com /artist/585234/piero-pollaiuolo.html (143 words)

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