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	Pierre Cartellier - Wikipedia, the free encyclopedia (Site not responding. Last check: 2007-10-17)
		Cartellier sculpted the bronze statue of Dominique Vivant, baron Denon (1747-1825), that adorns his tomb at the Père Lachaise Cemetery in Paris.
		Cartellier was made a member of Institut de France and taught at the École des Beaux-Arts in Paris.
		Pierre Cartellier died in Paris in 1831 and was interred there in the Père Lachaise Cemetery with his wife and daughter.
	www.butte-silverbow.us /project/wikipedia/index.php/Pierre_Cartellier (352 words)

	French Art - Sculpture Of The Nineteenth Century
		This was made evident in the excellent teaching his pupils received in his justly popular atelier ; and in the fine bas relief of the "Capitulation of Ulm" on the Arc du Carrousel, and that of the "Char de la Gloire " above the Colonnade of the Louvre.
		But of far greater importance was the fact that he became a pupil of Cartellier, in whose studio the most promising young artists gathered while about the same time he entered the École des Beaux Arts.
		Cartellier's advice to the new-comer was worthy of master and pupil alike.
	www.oldandsold.com /articles27n/french-art-23.shtml (5308 words)

	Vergniaud, Pierre-Victurnien -- Encyclopædia Britannica
		Pierre Drevet the Elder was one of the best French engravers of the late 17th and early 18th centuries.
		French-born U.S. orchestra conductor Pierre Monteux led premieres of compositions by Igor Stravinsky, Maurice Ravel, and Claude Debussy.
		Accuses Pierre of stereotyping and "ghettoizing" this genre and of poor journalism.
	www.britannica.com /eb/article-9075101 (692 words)

	Pierre Cartellier Online
		Pierre Cartellier in the Louvre Museum Database, Paris (only available in French)
		Pierre Cartellier in the Web Gallery of Art
		All images and text on this Pierre Cartellier page are copyright 1999-2005 by John Malyon/Artcyclopedia, unless otherwise noted.
	www.artcyclopedia.com /artists/cartellier_pierre.html (106 words)

	Baron Vivant Denon by CARTELLIER, Pierre
		The portrait became one of the most abiding elements of the work.
		One of the first life-size statues put up in a cemetery was the one made by Cartellier for Vivant Denon.
		Denon is portrayed in such a natural attitude, so supple and lifelike that he might seem almost to have been a visitor sketching a picturesque corner of the cemetery.
	www.wga.hu /html/c/cartelli/denon.html (116 words)

	Beauharnais, Joséphine de (1763-1814) (Site not responding. Last check: 2007-10-17)
		When she died in 1814 she was buried not far from there, at the St. Pierre and St. Paul church in Rueil.
		The monument in marmer for Joséphine de Beauharnais by Pierre Cartellier at the St. Pierre-St. Paul church, Rueil.
		It was sculpted in marmer by Pierre Cartellier.
	www.androom.com /biography/p006186.htm (258 words)

	Pierre Cartellier ( - ) Artwork Images, Exhibitions, Reviews
		Pierre Vallet, Portrait of Pierre Vallet, (Self-Portrait), 1608
		Pierre Drevet, Pierre Pallot Parisien Historiogr du Roy et Genealog du Duche de Bourgogne, 1698
		Pierre Aveline le jeune, Bacchus and Ariadne, prob.
	wwar.com /masters/c/cartellier-pierre.html (154 words)

	Art Bulletin, The: 19th century AD
		Pierre Cartellier to Antoine-Denis Chaudet, letter of May 7, 1804, in H. Jouin, "Lettres inedits d'artistes francais du XIX siecle," Nouvelles Archives' de l'Art Francais, 3d ser., 16, (1900): 7-8.
		1, 85-88; and also the account by Aime Martin in Pierre de Nolhac, Madame Vigge-Lebrun: Peintre de Marie-Antoinette (Paris: Goupil, 1912), 129-35; this event is briefly mentioned by Mary Sheriff, The Exceptional Woman: Elisabeth Vigge-Lebrun and the Cultural Politics of Art (Chicago: University of Chicago Press, 1996), 47-48.
		The women, artists and wives of artists, were self-consciously performing history painting, citing and enacting antique precedents celebrated, for instance, in Nicolas-Guy Brenet's painting Piety and Generosity of Roman Women; Brenet's tableau hung next to David's painting of masculine martial sacrifice, Oath of the Horatii, in the Salon of 1785.
	www.findarticles.com /p/articles/mi_m0422/is_2_80/ai_54073986/pg_13 (770 words)

	Tomb of Empress Joséphine (detail) by CARTELLIER, Pierre
		When Joséphine de Beauharnais ((Marie Josèphe Rose, Tascher de la Pagerie) died on May 29th 1814, her children decided to pay her a tribute by building a tomb deserving her and her legendary generosity.
		After eleven years of delay - explained by political background, opposition of State officials and hesitations from the commissioners - on September 28th 1825, however, the mortal remains of the Empress were put down in a white-marble tomb due to Louis Berthault, architect, and Pierre Cartellier, sculptor.
		The kneeling figure of the praying Empress surmounts her tomb.
	www.wga.hu /html/c/cartelli/tomb_jos.html (99 words)

	artnet.de: Resource Library: Depaulis, Alexis-Joseph (Site not responding. Last check: 2007-10-17)
		He entered the Ecole des Beaux-Arts, Paris, in 1813 and trained there under Bertrand Andrieu, for medal making, and Pierre Cartellier, for sculpture.
		Early in his career he contributed to the medallic history of Napoleon I’s reign (Conquest of Illyria; French Academy at Rome; Orphanage of the Legion of Honour) and to James Mudie’s National Medals (George III; Return of Napoleon; British Army in the Netherlands; Charge of the British at Waterloo).
		He was responsible for a number of the portraits in the Galerie métallique des grands hommes français, including those of Antoine Arnaud (1817), Pierre Jolyot de Crébillon, Jacques Amyot (1819), Abbé Suger and Bayard (1822), also for Martin Luther (1821), among others, in the Series numismatica universalis virorum illustrium by Amédée Pierre Durand (1789–1873).
	www.artnet.de /library/02/0222/T022265.asp (260 words)

	ART / 4 / 2DAY
		In 1806 he produced a series of drawings (Paris, Louvre) for bas-reliefs and sculptures to ornament the Arc de Triomphe du Carrousel, Paris, the monumental entrance to the Tuileries that was built to celebrate Napoleon’s victories of 1805.
		The arch was designed by Pierre-François Léonard Fontaine and Charles Percier, and Meynier’s designs were sculpted by a team that included Pierre Cartellier, Clodion, Louis-Pierre Deseine, Jacques Philippe Le Sueur (1757—1830) and Claude Ramey.
		In 1808 he painted Marshal Ney and the Soldiers of the 76th Regiment Retrieving their Flags from the Arsenal of Inspruck [sic], one of 18 works commissioned in 1806 to illustrate Napoleon’s German campaign.
	www.safran-arts.com /42day/art/art4sep/art0906.html (5368 words)

	The Pygmalion Syndrome Art Gallery: Cupid and the Butterfly by Antoine-Denis Chaudet
		Chaudet exhibited a plaster model of his Cupid at the Paris Salon of 1802.
		The sculptor died in 1810, and it was not until 1817 that the life-size marble statue was completed from the original model by Pierre Cartellier.
		The butterfly may represent the human soul tormented by love.
	www.p-synd.com /chaudet.htm (401 words)

	Pierre Cartellier Artworks and Fine Art at arthistorynet.com
		Pierre Cartellier Artworks and Fine Art at arthistorynet.com
		CHAUDET Antoine Denis ; CARTELLIER Pierre ; DUPATY Louis MariePréc.
		Last updated and links verified on: Aug 19, 2002
	www.absolutearts.com /masters/c/cartellier-pierre.html (70 words)

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