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Pierre Mignard |
 | | The reputation of "Mignard the Roman", as he was called, to distinguish him from his brother "Mignard of Avignon", had spread to France, where Louis XIV was beginning his personal reign, inaugurating that system which relied upon the glory of the arts no less than the glory of arms for the exaltation of the monarchy. |
 | | In this way Mignard's cupola took on the character of a national victory, as Molière said in his famous poem "La Gloire du Val de Grâce"; thus this very mediocre, though ambitious, piece of painting was honoured at its birth by the most popular and "national" of French writers. |
 | | At last, Le Brun having died (1691), Mignard, at the age of eighty, succeeded to all his offices, was solemnly received into the Academy, and in one session elected to all its degrees, including that of president. |
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