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Topic: Pierre de La Rue

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	Pierre de La Rue: Two Masses (Site not responding. Last check: 2007-10-10)
		Missa de Septem Doloribus beatissime marie virginis a 5; Pater de caelis, Deus a 6; Missa Pascale a 5; Vexilla Regis / Passio Domini a 4.
		De La Rue was born in Tournai and became attached to the Habsburg court.
		His last patron was Archduke Karl, known to history as Charles V. De La Rue was reknowned in his own time for the richness and intricacy of his counterpoint and for his use of sharply differentiated upper and lower registers (such as the opening of the Sanctus in the Missa Pascale).
	www.msu.edu /user/gualtie3/DeLaRue.html (343 words)

	Pierre de La Rue - A discography
		Pierre de La Rue (c.1452-1518) was the leading composer at the court of Burgundy during the golden age of Franco-Flemish polyphony, and arguably the last great exponent of the medieval aesthetic in music.
		La Rue's mass cycles in the fully developed post-Obrecht style dwarf Josquin's in number, and while the priorities of text-setting and simpler expression in Josquin's late output became the rallying cry of the high Renaissance, it was La Rue whose output punctuated the end of the medieval era.
		La Rue was probably born in Tournai, and a recently discovered reference to him as a professional singer in Brussels in 1469/70 suggests a date of birth closer to 1452 than the traditionally ascribed 1460.
	www.medieval.org /emfaq/composers/larue.html (2099 words)

	[No title]
		Although de la Rue follows a traditional cantus firmus structure in the bass voice, he also employs a variety of both canon and imitation such that the cantus firmus appears in the other voices as well.
		De la Rue did not write out the tenor voice because it is in perfect canon with the bass voice; the tenor voice is simply the bass voice, but in perfect tempus (3-2, not 2-2).
		De la Rue controls the canon so that it sounds like pleasing counterpoint during most of the movement, yet also works to do unusual things, such as sound like a repeat.
	www-scf.usc.edu /~marinaha/MUHL/MUHLDirk1.doc (2115 words)

	Pierre de La Rue - Wikipedia, the free encyclopedia
		La Rue wrote masses, motets, Magnificats, settings of the Lamentations, and chansons, and overall showed more diversity than almost any of the other composers of his generation, except perhaps for Josquin.
		La Rue wrote one of the earliest polyphonic Requiem masses to survive, and it is one of his most famous works.
		La Rue's motets are mostly for four voices; they use pervasive imitation, though not usually at the outset (unlike the style of Josquin).
	en.wikipedia.org /wiki/Pierre_de_La_Rue (1022 words)

	Pierre de la Rue: Missa de Sancta Anna by Schola Discantus at Audio Lunchbox (Site not responding. Last check: 2007-10-10)
		3: Pierre de la Rue: Missa de Sancta Anna - Lamentatione Jeremiae - Jerusalem, Jerusalem
		6: Pierre de la Rue: Missa de Sancta Anna - Responsorium 1
		Pierre de la Rue: Missa de Sancta Anna
	www.audiolunchbox.com /album?a=45567 (354 words)

	Pierre de La Rue (vers 1450-1518)
		Il est certainement né à Tournai (en Picardie Flamande des ducs de Bourgogne) et formé musicalement à la cathédrale de la ville.
		Avant 1478, il est à la Onze Lieve Vrouwkerk de Nieuwpoort, et, jusqu'en 1489, à; Saint-Ode, une institution non identifiée à Cologne.
		—, In Praise of Spurious Saints: the Missae Floruit Egregiis by Pipelare and La Rue.
	www.musicologie.org /Biographies/pierre_de_la_rue.html (1045 words)

	La Rue: Requiem / Missa de Beata Virgine
		La Rue's position within the composers of his generation is still somewhat contested, but he was a major contemporary figure whose music sometimes requires repeated exposure to appreciate.
		La Rue's Requiem is one of the most admired examples of the genre, and (unsually for the masters of the period, other than Josquin) there are multiple recordings of this piece.
		La Rue: Requiem / Josquin: Missa Hercules Dux Ferrariae
	www.medieval.org /emfaq/cds/chr77268.htm (282 words)

	PIERRE DE LA RUE, Biography, Discography
		RUE, PIERRE DE LA (c.1460 - 1518).La Rue was a Franco-Flemish master of vocal polyphony, and a highly regarded composer in his native Flanders.
		La Rue spent some years in Italy, before returning to Flanders in order to begin his main compositional output.
		La Rue's output consists entirely of vocal music: masses, motets and chansons.
	www.goldbergweb.com /en/history/composers/11978.php (136 words)

	HOASM: Pierre de la Rue (Site not responding. Last check: 2007-10-10)
		In 1501 he was a canon at the church of Notre Dame in Courtrai; he retired there from his court position in 1516.
		One of Josquin Desprez' leading contemporaries, Pierre de la Rue wrote some 31 Masses, seven Mass sections, 37 motets and 37 chansons.
		He was not so much affected by his visits to Italy as were other northerners of his generation, preferring a rigorously contrapuntal style with individuality of melodic line to the chordal, declamatory manner, and making quite frequent use of canon and ostinato.
	www.hoasm.org /IVA/delaRue.html (175 words)

	Pierra de la Rue: Missa de Feria, Missa Sancta Dei Genitrix (Site not responding. Last check: 2007-10-10)
		While most of us might regard Pierre de la Rue as a composer of 'early' music, for Dr Page and his Gothic Voices this is bordering on the avant garde: this recording represents a leap forward a century from the group's more accustomed repertoire, and the results are impressive to say the least.
		De la Rue was remarkably prolific; at least twenty-nine Masses can be ascribed to him with confidence, and the Missa de Feria and Missa Sancta Dei genitrix are among the finest.
		In addition to the two Masses, this disc includes the large-scale Pater de celis Deus, arguably the grandest of de la Rue's motets and a work full of counterpoint in its three-part, six-voice canon, and three other motets performed as lute intabulations in editions specially prepared for this recording by Christopher Wilson.
	www.hyperion-records.co.uk /details/67010.asp (254 words)

	De La RUE(1460?-1518) ISAAC (ca. 1450-1517) Masses [KM]: Classical Reviews- August 2001 MusicWeb(UK) (Site not responding. Last check: 2007-10-10)
		This recording includes two works by Flemish composers of the 15th and 16th centuries, Pierre de la Rue and Heinrich Isaac, contemporaries of the great Flemish composer Josquin des Prez.
		Pierre de la Rue also travelled, to the court of Burgundy, where he was exposed to Spanish music, and where he met Josquin des Prez.
		In addition, the basses are much too present in the mix - in the de la Rue requiem, they are the "lead" voices.
	www.musicweb-international.com /classrev/2001/Aug01/delarue.htm (367 words)

	La Rue, Pierre de (1452-1518) Classical Compositions and Pierre de La Rue (1452-1518) classical music sheets. (Site not responding. Last check: 2007-10-10)
		La Rue, Pierre de (1452-1518) Classical Compositions and Pierre de La Rue (1452-1518) classical music sheets.
		LA RUE, PIERRE DE Pierre de La Rue was Flemish and born around 1460, though the actual year is uncertain.
		LA RUE: Mass of the Seven Sorrows of the Blessed Virgin / Missa Pascale
	www.naxos.com /composerinfo/585.htm (234 words)

	Pierre de la Rue
		La Rue served in the Hapsburg-Burgundian courts of Maximilian I, Philip the Fair, and Margaret of Austria from 1492 until his death, a period of over 25 years.
		It is thought he came to composition relatively late in his career, after spending his early years as a singer in various cities like Brussels, Ghent, and 's-Hertogenbosch where records consistently identify him as a tenor.
		His works were disseminated in a series of lavish illuminated manuscripts that originated in the workshops of Petrus Alamire, copyist for the Hapsburg-Burgundian courts.
	www.ndceditions.com /Composer/LaRue.html (140 words)

	De La Rue - Wikipedia, the free encyclopedia
		De La Rue is a British commercial printer and paper maker headquartered in Basingstoke, Hampshire.
		The company was founded in London in 1821 by Thomas de la Rue (b.
		Thomas de la Rue's designs for playing cards are the basis for the modern standard design.
	en.wikipedia.org /wiki/De_La_Rue (267 words)

	La Folia -- Really Old Music
		My favorite is Pierre de la Rue; he stayed closer to home, but was highly regarded.
		Roland de Lassus (1532-1594) spent his youth in Italy, but served the Bavarian court in Munich for decades.
		Pierre Herreweghe made a beautiful rendition (on Harmonia Mundi) for the 400th anniversary of Lassus’ death.
	www.lafolia.com /archive/walt/walt200004oldmusic.html (682 words)

	Program: Piffaro, The Renaissance Band
		The La my la sol of Heinrich Isaac, who spent the better part of his career in Florence, and the J'ay pris amours of Jakob Obrecht, who was in Ferrara for a period of time, exemplify this practice well.
		His fantasies on this borrowed tune, heard in the second half of our concert, are a tour de force of inventive instrumental writing around the tune, which is heard straightforwardly in the top line in three of the settings, and passed around the other voices in the remaining two.
		Modeled after the official civic, chapel and court bands that were the premier professional ensembles from the 14th into the early 17th centuries, Piffaro has nevertheless pursued the instruments and music of the peasantry and of rustic life as well, combining the two milieu to dramatic effect when appropriate.
	www.houstonearlymusic.org /hemarchive/archive/9697/piffaro.htm (2255 words)

	Amazon.fr : Les Contes de la rue Broca: DVD: Pierre Gripari (Site not responding. Last check: 2007-10-10)
		Contes de la rue Broca de Pierre Gripari
		Dans la boutique de Papa Said, Nadia et Bachir écoutent attentivement les histoires que leur raconte Monsieur Pierre, un grand habitué de la boutique.
		Des contes aux personnages bien classiques : des fées, des rois, des princes, des diables ; et pourtant terriblement modernes !
	www.amazon.fr /Contes-rue-Broca-Pierre-Gripari/dp/B000063EIX (767 words)

	Oxford University Press: Pierre de la Rue and Musical Life at the Habsburg-Burgundian Court: Honey Meconi (Site not responding. Last check: 2007-10-10)
		Pierre de la Rue and Musical Life at the Habsburg-Burgundian Court
		Serving successive rulers Maximilian I, Philip the Fair, Juana of Castile, Marguerite of Austria, and the future Charles V, La Rue surpassed a dozen composer colleagues in his creation of polyphony to meet the needs of the court and its extravagant liturgy.
		This study, the first ever in English, traces La Rue's life and career, explores aspects of his compositional output, and recounts the reawakening of modern scholarship to his unique contributions.
	www.us.oup.com /us/catalog/24335/subject/HistoryofMusic/?view=usa&ci=9780198165545 (315 words)

	Pierre de la Rue Sheet Music (Site not responding. Last check: 2007-10-10)
		Pierre de la Rue: Autant en emporte le Vent (Choral-Mixed a cappella)
		Pierre de la Rue: Wir danken dir, o Gottes Lamm (Choral-Mixed a cappella)
		Pierre de la Rue sheet music, results: 3
	www.charlespiano.com /sheet_music/artist/Rue,%20Pierre%20de%20la (33 words)

	De La Rue, Pierre (c. 1460-1518) (Site not responding. Last check: 2007-10-10)
		Pierre de La Rue was Flemish and born around 1460, though the actual year is uncertain.
		We are equally unaware of his period of education, but he was obviously a well-travelled young man, his name turning up in France, Italy and Spain.
		He retired from all appointments in 1516 and died two years later.
	www.naxos.com /composer/DeLaRue.htm (155 words)

	Pierre de La Rue and Musical Life at the Habsburg-Burgundian Court - Wal-Mart
		Pierre de La Rue and Musical Life at the Habsburg-Burgundian Court - Wal-Mart
		the future Charles V, La Rue surpassed a dozen composer colleagues in his creation of polyphony to meet the needs of the court and its extravagant liturgy.
		This study, the first ever in English, traces La Rue's life and career, explores aspects of his compositional output, and recounts the
	www.walmart.com /catalog/product.gsp?product_id=1947941 (612 words)

	Pierre de la Rue - Classical music composer
		Page views for de la Rue: 96 each month.
		Pierre De LA Rue and Musical Life at the Habsburg-Burgundian Court: Beginnings
		Pierre de la Rue and Musical Life at the Habsburg-Burgundian Court.(Early Music)(Book Review) : An article from: Notes
	www.classical-composers.org /comp/rue (694 words)

	Pierre de la Rue: Missa L'Homme arm?; Requiem - SHOP.COM
		Pierre de la Rue: Missa L'Homme arm?; Requiem - SHOP.COM
		Pierre de la Rue: Missa "L'Homme arm?"; Requiem
		All other designated trademarks, copyrights and brands are the property of their respective owners.
	www.shop.com /op/aprod-p41301729 (224 words)

	Pierre De La Rue Artist Profile (Site not responding. Last check: 2007-10-10)
		Pierre De La Rue, The Clerks' Group - Missa De Sancta Cruce
		At Cross Rhythms we are constantly working on our artist and music database to make it as complete and comprehensive as possible.
		If you think that there is a problem with this entry, please help us by emailing admin@crossrhythms.co.uk.
	www.crossrhythms.co.uk /artists/Pierre_De_La_Rue/12389 (153 words)

	Find in a Library: Pierre de La Rue (circa 1460-1518) Een bio-bibliographische studie.
		Find in a Library: Pierre de La Rue (circa 1460-1518) Een bio-bibliographische studie.
		Pierre de La Rue (circa 1460-1518) Een bio-bibliographische studie.
		WorldCat is provided by OCLC Online Computer Library Center, Inc. on behalf of its member libraries.
	www.worldcatlibraries.org /wcpa/ow/9863fec0e015b45f.html (66 words)

	De La Rue ( - ) Artwork Images, Exhibitions, Reviews
		De La Rue (-) Artwork Images, Exhibitions, Reviews
		Click the artwork titles below to see actual examples of artwork by de La Rue.
		5th edition (Paris: SociÈtÈ gÈnÈrale de Librairie, 1855), 1855 Gustave DorÈ, La rue Chaulde ý Tours, illustration no. 266 on page 339 in the book Les contes drolatiques by HonorÈ de Balzac.
	www.wwar.com /masters/l/la_rue-de.html (92 words)

	Rue, Pierre de la
		Missa De Septem Doloribus Beatissime Marie Virginis A 5: Credo
		Missa De Septem Doloribus Beatissime Marie Virginis A 5: Sanctus
		Missa De Septem Doloribus Beatissime Marie Virginis A 5: Agnus Dei
	www.eine-gute-cd.de /Musik/Klassik/Komponisten/MittelalterundRenaissance/RuePierredela/seite1.htm (2397 words)

	Ensemble de la Rue - Recordings
		Ensemble de la Rue’s most recent recording opens with John Taverner's magnificent Ave Dei Patris Filia, and marks the completion of a significant milestone in the group’s performance and recording of original editions of all three of this composer’s surviving large scale Votive Antiphons.
		Other Renaissance works on this recording are two more of the motets of Pierre de la Rue, as well as Josquin des Prez’ great Planxit autem David.
		The CD was recorded on the Arktos label and features Renaissance Masterpieces including those by our namesake Pierre de la Rue as well as Clare McLean's hauntingly beautiful Christ the King.
	www.arts.ualberta.ca /~larue/recordingsR.html (242 words)

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