| |
| | Early pigments |
 | | In cave paintings, the pigments (often carbon fl or ochre) stick to the wall partially because the pigment gets trapped in the porous wall, and partially because the binding media (the spit or fat) dries, adhering the pigment to the wall. |
 | | The pigment was made into a paste with various binders, including water, vegetable juices, urine, animal fat, bone marrow, blood and albumen. |
 | | Iron oxide pigments, unaffected by alkalies, remain the basic palette of fresco painters, from the Minoans to the present. |
| webexhibits.org /pigments/intro/early.html (1115 words) |
|