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Topic: Play (Squeeze album)

	Squeeze - Music Downloads - Online
		Squeeze never came close to matching the popularity of the Beatles, but the reason for that is part of their charm.
		Squeeze began playing the thriving pub rock circuit, although their songs were quirkier and more pop-oriented than many of their peers.
		Squeeze released their debut EP, Packet of Three, on Deptford Fun City Records, in the summer of 1977 and soon arranged an international contract with A&M Records, becoming the label's first new wave act since their disastrous signing of the Sex Pistols.
	musicstore.connect.com /artist/275/Squeeze/1035987.html (1749 words)

	Squeeze - Free Music Downloads, Videos, Lyrics, CDs, MP3s, Bio, Merchandise and Links
		Squeeze released a live album, A Round and a Bout, on I.R.S. in the spring of 1990.
		The resulting album, Play, was released in the fall of 1991 to little attention, partially because it received no support from the label.
		Squeeze resigned from A&M Records in early 1993 and recorded their new album, Some Fantastic Place, with Thomas on drums and Paul Carrack on keyboards.
	www.artistdirect.com /nad/music/artist/bio/0,,496372,00.html (1807 words)

	Barnes & Noble.com - Artist Bio
		Inspired heavily by the Beatles and the Kinks, Squeeze was the vehicle for the songwriting of Chris Difford and Glenn Tilbrook, who were hailed as the heirs to Lennon and McCartney's throne during their heyday in the early '80s.
		In America, the band and album had to change their name to UK Squeeze, in order to avoid confusion with an American band called Tight Squeeze; by the end of the year, they had reverted back to Squeeze in the U.S..
		Initially, the album was to be produced by Dave Edmunds, but the group scrapped those sessions to work with Elvis Costello and Roger Bechirian.
	music.barnesandnoble.com /search/artistbio.asp?CTR=69416 (1718 words)

	Chris Difford: Squeeze Play
		Although the first single, "This Summer," went on to become Squeeze's first Top 40 hit in the UK in eight years, clear reception was still at a loss with the public.
		Since IRS Records, Squeeze's current company, closed their doors July 11, Difford seems more determined to deal with the financial aspects of the current U.S. tour and focus on honing his songwriting skills rather than contend with media commentary on the band's popularity.
		Squeeze then embarked on an exhaustive tour including a sold-out performance at Madison Square Garden and an appearance on "Saturday Night Live," followed by a series of record company shifts.
	www.squeezefan.com /Articles/diffplay.htm (951 words)

	Squeeze play - Wikipedia, the free encyclopedia
		Squeeze Play (pricing game), a pricing game on the American television game show The Price Is Right.
		Play (Squeeze album) A 1991 record, Play, by the band Squeeze.
		"Squeeze play" is a song by Snoop Dogg from his album Snoop Dogg Presents...Doggy Style Allstars Vol.
	en.wikipedia.org /wiki/Squeeze_play (108 words)

	Squeeze, MP3 Music Download at eMusic (Site not responding. Last check: 2007-10-03)
		Inspired heavily by the Beatles and the Kinks, Squeeze was the vehicle for the songwriting of Chris Difford and Glenn Tilbrook, who were hailed as the heirs to Lennon and McCartney...
		Though it was the group's highest-charting U.S. album, reaching number 32 shortly after its spring release, Sweets From a Stranger was uneven.
		Released in the September of 1993, the album became a moderate British hit, debuting at number 26; it was ignored in the U.S..
	www.emusic.com /artist/11584/11584307.html (1856 words)

	USATODAY.com - Downloading squeezes the art out of the album (Site not responding. Last check: 2007-10-03)
		The album, music's dominant creative framework for the past 40 years, is dying under the wheels of an accelerating revolution.
		Album sales last year fell to $12.6 billion and this year are down 5.2% from 2002.
		The album's doom may be a boon not for singles but for the concert circuit.
	www.usatoday.com /life/music/news/2003-12-04-album-main_x.htm (2277 words)

	Squeeze - Naked! (Site not responding. Last check: 2007-10-03)
		The British act (called UK Squeeze on early stateside releases) are back on American shores this fall with the full musical entourage - bassist Keith Wilkinson, drummer Gilson Lavis and keyboardist Don Snow - in tow.
		Play, Squeeze's most cohesive and engaging work in recent years, delivers the same lyrical drama and twisting, lilting melodies that brought previous albums Argybargy (1980), East Side Story (1981) and Sweets From a Stranger (1982) critical acclaim - although the pace is less frantic, and the tone more poignant than before.
		Play marks Squeeze's first release on Reprise/Warner - all previous efforts were on AandM - and this fresh start eventually led them to producer Tony Berg (Michael Penn, The New Bohemians).
	www.squeezefan.com /Articles/naked.htm (499 words)

	Squeeze
		I have everything Squeeze ever released on CD other than a live album and a couple of greatest hits packages, but I'm planning to review them slowly, so don't be too taken aback by the glib one-liners I offer in several places.
		With remarkable serendipity, Squeeze got off to a start with a disco novelty song that turned into a moderate hit single: "Take Me I'm Yours," which is driven by a really annoying, robotic synth line that would have been worthy of the Cars.
		The record's oddest aspect is Difford's near-absence; he doesn't play a note on several tracks and he takes none of the lead vocals, although he's audible enough as a backing vocalist that you won't notice.
	www.warr.org /squeeze.html (2901 words)

	Glenn Tilbrook: record label revolt
		Sadly, just as Squeeze seemed to be hitting their stride and had gotten all of the kinks worked out, they were losing their backing in a major way.
		Play is something of a departure for the band: Difford and Tilbrook's cheeky East London songs are conspicuous by their absence.
		They released 10 albums in the 90s, but six of them were either compilations of their previous work or live albums.
	www.babylonandon.com /glenn/bio/revolt.html (1247 words)

	Play - Squeeze - Song Listings
		One of Squeeze's most mature and thoughtful albums, 1991's Play might be a bit pretentious in spots -- the liner notes are written out as a theatre script, with the songs laid out as dialogue -- but it's probably Squeeze's best post-reunion album.
		Shorn of the misguided experiments of Cosi Fan Tutti Frutti and the naked chart ambitions of Babylon and On and Frank, Play is a simple and low-key collection of songs charting (loosely; this is less of a concept album than many reviews claimed at the time) the dissolution of a love affair.
		Producer Tony Berg, unfortunately, occasionally obscures that character by drowning the songs in strings and mass backing vocals (including special appearances by Michael Penn, Wendie Colter, and Spinal Tap's Michael McKean and Christopher Guest!), but the Difford/Tilbrook songs are mostly strong enough to withstand the onslaught.
	www.mp3.com /albums/15165/summary.html (505 words)

	Toddlers Today — Play Safe Preventing Playground Injuries
		In a sadly ironic twist, more than 200,000 children ages 14 years and younger visit U.S. emergency departments each year as a result of accidents that occur at destinations intended for fun: playgrounds at home, at school and in public areas.
		Sirbaugh recommends careful selection of play components in a pattern that provides ample space to enter and exit the equipment.
		Arrange play components in a pattern that provides ample space for entering and exiting equipment.
	toddlerstoday.com /resources/articles/playsafe.htm (695 words)

	Play (disambiguation) - Wikipedia, the free encyclopedia
		Play, a common literary form generally designed for performance in a theatre
		Play (activity), an amusing interaction with people, animals, or things, often in the context of learning
		Play (play), title of a play written by Samuel Beckett
	en.wikipedia.org /wiki/Play_(album) (225 words)

	Maria Muldaur: Meet Me Where They Play The Blues
		Twenty-five years after she sent her camel to bed in "Midnight at the Oasis," Muldaur delivers a soulful package of late night blues gems bolstered by a top-notch supporting cast.
		The arrangements work to complement her delivery, with David Matthews' piano especially important in filling the space where Brown would have resided, and a three-piece horn section figuring prominently on several tracks.
		Perhaps the theme song of Meet Me Where They Play the Blues is really "He Don't Have the Blues Anymore," for on this recording, Muldaur delivers a surefire cure for even the most intractable case of the blues.
	theband.hiof.no /albums/meet_me_where_they_play_the_blues.html (324 words)

	CD Baby: EINSTEIN'S SISTER: Learning Curves
		What a difference a solid album made, combined with the abilities of great bandmates, two talented co-producer/engineers, wonderful guest musicians (including members of the Quad-City Symphony) and a low-interest credit card (the ultimate D.I.Y. resource).
		It is a beautiful power pop album featuring the complex and stirring vocal harmonies and tight, impressive musicianship we have come to expect of Einstein's Sister.
		Squeeze and, X.T.C. Should be so lucky to be in the company of Einstein's Sister.
	www.cdbaby.com /cd/einsteinss99 (433 words)

	Amazon.com: Play: Music: Squeeze (Site not responding. Last check: 2007-10-03)
		But play it first time for your friends, and they'll probably say "what the hell kind of song is that?" I give 4 stars because the songs are musically interesting and surprising, which is more than you get from most bands.
		So I don't think the Beatles have any real competition from Squeeze, but I think this album should be heard, and that Squeeze should get the credit it deserves as one of the most innovative bands of the 80's.
		From the perfect melodic interplay of "House of Love" and "Satisfied" to the deep lyrical starkness of the pop-country tinged "The Truth" and the McCartney-like "Gone to the Dog's" this CD is a throwback to the day's when Beatles fans waited with intense longing for the next masterpiece from merrie old England.
	www.amazon.com /Play-Squeeze/dp/B000007428 (1117 words)

	Play: Reviews, Discography, Audio Clips, and more \|\|\| Music.com
		One of Squeeze 's most mature and thoughtful albums, 1991's Play might be a bit pretentious in spots -- the liner notes are written out as a theatre script, with the songs laid out as dialogue -- but it's probably Squeeze 's best post-reunion album.
		Reduced to a quartet by Jools Holland 's departure for a career as a BBC television presenter (the group's South London homeboy Steve Nieve, tour keyboardist Matt Irving, and more implausibly, Bruce Hornsby provide the keyboards), the group play with a loose, RandB-inflected casualness.
		Producer Tony Berg, unfortunately, occasionally obscures that character by drowning the songs in strings and mass backing vocals (including special appearances by Michael Penn, Wendie Colter, and Spinal Tap 's Michael McKean and Christopher Guest !), but the Difford/Tilbrook songs are mostly strong enough to withstand the onslaught.
	www.music.com /release/play/1 (386 words)

	Glenn Tilbrook: the late 90's
		The pub gigs were a tricky thing for Glenn to do at first, considering that all the Squeeze lyrics he sang were written by Chris, but he took care to thank Chris at every gig and explain to the audience that the band had not broken up; he was "just having a laugh".
		Earlier, when the album was still in the planning stages, he told The Bristol Evening Post, "I've been wanting to make a record on my own for quite a while, but while Squeeze has been together, that is where my interest has laid.
		He recorded the album with a full band rather than acoustically, but they will not be billed as Squeeze.
	www.babylonandon.com /glenn/bio/90s.html (1212 words)

	The Magic Magicians by The Magic Magicians at Audio Lunchbox (Site not responding. Last check: 2007-10-03)
		It's as if they were able to make this album without having to worry about what people would think of it...
		They play lo-fi indie / garage rock that is very loose, but catchy in all the right places.
		It sounds like it was a fun record to make, and luckily that has translated in to a fun album to listen to.
	www.audiolunchbox.com /album?a=7307 (253 words)

	The Who By Numbers
		This album has to be the Who's most underrated.
		This LP was not suppose to be a concept album, and it's not considered one, yet the songs all do tell a story about where the Who were at this point of their career.
		Overall, it might not be their best album, but it has stood the test of time nicely.
	www.keno.org /classic_rock/album_reviews/the_who_by_numbers.htm (300 words)

	Ground and Sky review - Sunn O))) - White1
		Sunn O)))'s music plays out at a glacial pace, layers of guitar and bass feedback that would be crushingly heavy if they weren't so stretched out in time.
		This is heavy metal music played by humans with tremendously decelerated metabolisms, humans whose lifespans play out over centuries rather than decades.
		The latter is a bit too abstract for me; I am reminded of the frequent criticism of Univers Zero's Heresie: the band makes a bit too much of a musical sacrifice in favor of evoking an evil atmosphere, and they lose my attention halfway through.
	www.progreviews.com /reviews/display.php?rev=sunn-w1 (360 words)

	Squeeze - Play
		"There Is A Voice", closes the album without providing any answers, only suggesting that a voice from the dark side in all of us is heard and heeded now and again, most usually resulting in chaos or great life changes.
		The liner notes read like a script from a play; it's a challenge to find and decipher the lyrics from the rest of the" stage cues".
		Making a smooth transition to a new label and producer, Squeeze have added to an already strong foundation of well crafted music without resting on their laurels.
	home.gwi.net /~drrknrl/reviews/sqzplay.html (663 words)

	www.myspace.com/glenntilbrook
		As one half of the songwriting behind the beloved band Squeeze and now a successful solo artist, Tilbrook has perfected a signature style marked by brilliant melodic invention, cheeky humor and slice-of-life pathos, all wrapped up with unshakable hooks and his golden boy tenor.
		I seen you playing in Motherwell recently and have to say that you were exceptional.
		Acoustic Disco hear a Squeeze track and we're instantly taken back to our youth, when times were easier, the information super highway was called a library and smoking was cool....but not for cats....maybe Beagles....
	www.myspace.com /glenntilbrook (1161 words)

	Playlist: Review: iPod nano
		In tests where I’d fully charged a 6GB mini, selected the first song in the mini’s Songs screen, and pressed Play, the mini was able to squeeze out over 26 hours of play time even though Apple rated the mini’s battery charge at 18 hours.
		My first audio play test fell short by just over an hour, with the nano giving up the ghost after 12 hours and 52 minutes.
		To begin with, a photo album’s screen, where you view thumbnails of your images, offers a 4 x 3 grid of thumbnails versus the 5 x 5 grid you find on the larger color iPods.
	playlistmag.com /reviews/2005/09/nanoreview/index.php/?lsrc=mcweek-0916 (2053 words)

	Hello, MP3 Album Music Download at eMusic
		Here are the names of bands that flitted through the mind of a music critic while listening to the Capes' debut album, Hello: the Buzzcocks, Wire, Oasis, the Beatles, the Kinks, the Beach Boys, Squeeze, the Beatles (again), the Jam, the Kinks (again), the Beach Boys (again).
		That is august company, of course, and it is also indicative of the Capes' music, which is catchy, guitar-based pop/rock that edges toward punk/new wave rock, but also boasts enough keyboard blips to show greater musical sophistication, along with occasional harmonies to sweeten things and often clever lyrics declaimed in clear British accents.
		In the 2000s, they can admittedly sound somewhat retro at times, but the Capes manage to reinvent their influences for their own purposes and play with enough conviction to make this infectious music their own.
	www.emusic.com /album/10902/10902836.html (414 words)

	Amazon.com: Transatlantic Ping Pong: Music: Glenn Tilbrook (Site not responding. Last check: 2007-10-03)
		That said, when compared to prior output -perhaps I'm thinking of Squeeze more than his first solo album- what becomes apparent is that "high compositional skill" and "songwriting genius" are not, conclusively, the same thing.
		Lastly if what you are looking for is some of that Squeeze magic, you may be more gratified with Chris Difford?s solo album, released a couple of years ago.
		If you are already a Squeeze fan you will be elated, if you are an ingenue then you are in for a first class treat from one of the very best singer/songwriters around.
	www.amazon.com /Transatlantic-Ping-Pong-Glenn-Tilbrook/dp/B00026WVGS (1433 words)

	Detailed info on Parlet's _The Best of Parlet_ (Site not responding. Last check: 2007-10-03)
		This is an excellent collection of songs that manages to squeeze all but seven of Parlet's songs onto one CD.
		Four tracks each are taken from the other two albums.
		No new, live or unreleased tracks are here, but I'd still recommend it to collectors for the good sound and liner notes.
	www.duke.edu /~tmc/motherpage/albums_spinoffs/alb-parlet_bestof.html (183 words)

	stereogum: Just Can't Get Enough New Wave Hits Of The '80s: The Commercials
		I was raised on Squeeze and the Beatles, with a sprinkling of Queen.
		I remember when I was like 10, being on the way to a Squeeze show with my parents, and seeing Tilbrook on the street, and most recently running into him at the Knitting Factory at a Morningwood show, of all places.
		I still think the underrated pop album of the 90s is Barenaked Ladies "Maybe You Should Drive," but given their career trajectory since then, I should probably shut up about that...
	www.stereogum.com /archives/001280.html (1153 words)

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