| | "Rhetoric" and Poetic Drama. Eliot, T. S. 1920. The Sacred Wood |
 | | Examination of the development of Elizabethan drama shows this progress in adaptation, a development from monotony to variety, a progressive refinement in the perception of the variations of feeling, and a progressive elaboration of the means of expressing these variations. |
 | | This drama is admitted to have grown away from the rhetorical expression, the bombast speeches, of Kyd and Marlowe to the subtle and dispersed utterance of Shakespeare and Webster. |
 | | In sentimental drama it appears in a degraded form, when we are evidently intended to accept the character's sentimental interpretation of himself. |
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