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Topic: Poetics


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  Poetics - Wikipedia, the free encyclopedia   (Site not responding. Last check: 2007-10-07)
Poetics was not influential in its time, and was generally understood to coincide with the more famous Rhetoric.
Averroes’ commentary attempts to harmonize his assessment of the Poetics with al-Farabi’s, but he is ultimately unable to reconcile his ascription of moral purpose to poetry with al-Farabi’s logical interpretation.
However, Averroes' interpretation of the Poetics was accepted by the West because of its relevance to their humanistic viewpoints, and at times, the philosophers of the Middle Ages even preferred Averroes’ commentary over Aristotle's actual meaning.
en.wikipedia.org /wiki/Poetics   (889 words)

  
 Poetics Info - Encyclopedia WikiWhat.com   (Site not responding. Last check: 2007-10-07)
"On Poetics" by Aristotle aims to give an account of poetry.
Aristotle does this by attempting to explain poetry through first principles (1447a13), and by classifying poetry into its different genres and component parts.
This occurs in Chapter 6 of "On Poetics:"
www.wikiwhat.com /encyclopedia/p/po/poetics.html   (83 words)

  
 David Bordwell - Historical Poetics of Cinema   (Site not responding. Last check: 2007-10-07)
The poetics of any medium studies the finished work as the result of a process of construction--a process which includes a craft component (e.g., rules of thumb), the more general principles according to which the work is composed, and its functions, effects, and uses.
Poetics does not put at the forefront of its activities phenomena such as the economic patterns of film distribution, the growth of the teenage audience, or the ideology of private property.
Insofar as a poetics seeks to explain historically existing works, whatever its ontology or epistemology or discovery procedures, it requires an appeal to intersubjectively accepted data which are in principle amenable to alternative explanation.
www.geocities.com /david_bordwell/historicalpoet.htm   (7673 words)

  
 INTRODUCTION TO AN ESSAY ABOUT THE POETICS WHICH IS IN THE FORM OF LINER NOTES FOR A CD REISSUE BOX SET
For Documenta, the plan in to build a three-tiered structure: the top level is a stage with drum set, microphone stand and PA system; the second level is a listening room; and the ground floor is an exhibition of period graphics, photos, and multi screen and television presentations of the various video segments.
As far as I know, the Poetics were the first of the "Art Bands " to emerge from Cal Arts (not counting the Weirdos, considered to be the first Los Angeles Punk band, who had ties to the art school but formed outside of it).
The first incarnation of the Poetics was called Polka Dot and the Spots and was inspired by a group of killer Little Wally singles found at the swap meet.
www.mikekelley.com /poeticintro.html   (3789 words)

  
 [No title]   (Site not responding. Last check: 2007-10-07)
On the same principle, even if a writer in his poetic imitation were to combine all meters, as Chaeremon did in his Centaur, which is a medley composed of meters of all kinds, we should bring him too under the general term poet.
Part XXIII As to that poetic imitation which is narrative in form and employs a single meter, the plot manifestly ought, as in a tragedy, to be constructed on dramatic principles.
Now, in the first place, this censure attaches not to the poetic but to the histrionic art; for gesticulation may be equally overdone in epic recitation, as by Sosistratus, or in lyrical competition, as by Mnasitheus the Opuntian.
classics.mit.edu /Aristotle/poetics.mb.txt   (13064 words)

  
 Poetics: the systematic study of literature: narrative poetics - the study of how stories are told.
Poetics: the systematic study of literature: narrative poetics - the study of how stories are told.
The name "poetics" comes from the pioneer work of the great Greek philosopher/scientist Aristotle.
Since it is the "heart" which matters rather than the appearance, biblical poetics is consistent with biblical theology in telling us more about thoughts and feelings than about the appearance of characters.
www.bible.gen.nz /0/poetics.htm   (3593 words)

  
 jane dark's sugarhigh!: Poetics   (Site not responding. Last check: 2007-10-07)
5.4 Marxist analysis of poetics, thus, is not primarily interested in the political views expressed in a poem,...
6.3 Though dominant poetics may first appear as the poetics of the present, insofar as “the present” is the time of its domination, it is in fact not committed to the present but an interminable non-time.
7.3 Much of the reluctance about politics in emergent poetics (and this reluctance too is part of history) comes from the knowledge that, unlike the cases of dominant and residual poetics, the relation to politics must be negotiated, and cannot be refused.
sugarhigh.abstractdynamics.org /archives/006391.html   (2078 words)

  
 Tsur, Aspects of Cognitive Poetics
The actual objects of poetics are the particular regularities that occur in literary texts and that determine the specific effects of poetry; in the final analysis--the human ability to produce poetic structures and understand their effect--that is, something which one might call poetic competence (Bierwisch, 1970: 98-99).
The cognitive correlates of poetic processes must be described, then, in three respects: the normal cognitive processes; some kind of modification or disturbance of these processes; and their reorganisation according to different principles.
Given the fact that despite its complexity, poetic language is, in principle, interpretable, what are the general (i.e., non-specific to the poetic use of language) cognitive constraints, the adherence to which, guarantees the interpretability of poetic language.
www2.bc.edu /~richarad/lcb/fea/tsur/cogpoetics.html   (11959 words)

  
 The Poetics List   (Site not responding. Last check: 2007-10-07)
The Poetics List exists to support and encourage divergent points of view on innovative forms of modern and contemporary poetry and poetics, and we are committed to do what is necessary to preserve this space for such dialog.
Copyright for all material posted on Poetics remains with the author; material from this list and its archive may not be reproduced without the author's permission, beyond the standard rights accorded by "fair use" of published materials.
All material on the Poetics List remains the property of the authors; before you reproduce this material, in whole or in part, we ask that you get permission (by email is fine) from the authors.
epc.buffalo.edu /poetics/welcome.html   (1612 words)

  
 Recombinant Poetics:   (Site not responding. Last check: 2007-10-07)
Recombinant Poetics is concerned with the combination and recombination of media-elements in the service of generating emergent meaning through interactivity.
I am exploring a contemporary application of the word "poetics." The definition needs to be seen in terms of an art practice in which "imaginative" and evocative relationships are explored through the interactive experience of media-elements of language, image and music/sound within a computer-based, digital environment.
Recombinant Poetics is not primarily a logocentric poetics.
faculty.risd.edu /faculty/bseamanweb/web/webreadytexts/digvideo.html   (7299 words)

  
 North American Centre for Interdisciplinary Poetics - Parapoetics: a Soft Manifesto for the Nomad Cortex   (Site not responding. Last check: 2007-10-07)
Let me argue for a poetics on the move and formulated from my own thinking in transit, without finality and without the suffocating safeguard of certainty; a sort of broad experiment in negative capability projected along a hypothetical trajectory: from the end of poetics to a beginning from poetics.
Rather than serving exclusively as the critical mode of poetics (as a species of self-policing and of external probing of the domain of the poem), it signals a shift in critical desire away from the poem-as-such towards other disciplines and discourses.
The greatest threat to poetics is the poem itself, especially in the latter's claim to specific focus.
www.nacip.net /modules.php?name=News&file=article&sid=50&mode=&order=0&thold=0   (1356 words)

  
 Recombinant Poetics   (Site not responding. Last check: 2007-10-07)
Recombinant Poetics is a contemporary poetics that enables an exploration of this active relation between ongoing experience, thought and memory.
Central to this contemporary poetics is a sensual mutable multi-modal layering, enfolding a vast set of poly-valent media-elements exploring relations between text, image and music/sound.
Recombinant Poetics is a conglomerate-media poetics, drawing from a trans-disciplinary array of authored media-elements as a primary material for the interactive construction of a new poetics – a contemporary poetics exploring media combinatorics.
faculty.risd.edu /faculty/bseamanweb/web/webreadytexts/recombinant.html   (4223 words)

  
 New College of California - Poetics Program
Deep study of poetics—and thus of the vast accumulated potentials of poetic language—is essential to sustained achievement in the art.
Such study is also essential to developing poetic language adequate to the times we live in.
Both poetic and critical texts are approached from the standpoint of the thoughtful maker, in which the poem itself is central and irreducible.
www.newcollege.edu /poetics   (507 words)

  
 UChicago - Poetics - Events
The workshop is primarily interested in investigating questions of poetics from a variety of different disciplinary perspectives, and in poetry from a range of time periods and languages.
Successive waves of theory have worn the sharp edges from most attempts to delineate the genre of lyric, to distinguish poetic from ordinary language, or to describe poetry as a special place where the structure and operation of language reveal themselves.
This one-day conference will focus on the ways in which French literary texts in the 20th and 21st centuries are shaped by distinctive formalist projects or by contemporary critical debates on the problem of form.
poetics.uchicago.edu /events.html   (1798 words)

  
 Aristotle -- Poetics [Internet Encyclopedia of Philosophy]   (Site not responding. Last check: 2007-10-07)
Strangely, though, the Poetics itself is rarely read with the kind of sensitivity its critics claim to possess, and the thing criticized is not the book Aristotle wrote but a caricature of it.
The poetic imagination is limited only by its skill, and can turn any object into a focus for any feeling.
Within our small group of exemplary poetic works, there are two that do not have the tragic form, and hence do not concentrate all their power into putting us in a state of wonder, but also depict the state of wonder among their characters and contain speeches that reflect on it.
www.utm.edu /research/iep/a/aris-poe.htm   (6935 words)

  
 Aristotle On Poetics
Aristotle's much-translated On Poetics is the earliest and arguably the best treatment that we possess of tragedy as a literary form.
As On Poetics is about how tragedy ought to be composed, it should not be surprising that it turns out to be a rather artful piece of literature in its own right.
By following the connections Aristotle plots between On Poetics and his other works, readers will be in a position to appreciate the centrality of this little book for his thought on the whole.
www.staugustine.net /AristotleonPoetics.html   (177 words)

  
 Aristotle -- Poetics [Internet Encyclopedia of Philosophy]   (Site not responding. Last check: 2007-10-07)
He reduces the drama to its language, people say, and the language itself to its least poetic element, the story, and then he encourages insensitive readers like himself to subject stories to crudely moralistic readings, that reduce tragedies to the childish proportions of Aesop-fables.
Aristotle is often thought of as a logician, but he regularly uses the adverb logikôs, logically, as a term of reproach contrasted with phusikôs, naturally or appropriately, to describe arguments made by others, or preliminary and inadequate arguments of his own.
The first scandal in the Poetics is the initial marking out of dramatic poetry as a form of imitation.
www.iep.utm.edu /a/aris-poe.htm   (6935 words)

  
 Amazon.com: Aristotle's Poetics (Dramabook,): Books: Francis Fergusson,S. H. Butcher   (Site not responding. Last check: 2007-10-07)
This useful book, an extended study of the Poetics, treats such subjects as Aristotle's general aesthetic views; mimesis; pity, fear, and katharsis; recognition, reversal, and hamartia; tragic misfortune; the nontragic genres; and the historical influence of the work.
The Poetics, short as it is, is the most fundamental study we have of the art of drama.
Basically Aristotle's poetics is his outline for how literature should look and what purpose each section, metaphor, sentence, word, and even letter should have.
www.amazon.com /exec/obidos/tg/detail/-/0809005271?v=glance   (1317 words)

  
 Scoplaw: More Politics and Poetry - Airy Poetics (Part Seven)   (Site not responding. Last check: 2007-10-07)
Poetics and politics are to a degree linked and both are inescapable when considering a) any specific poem, b) the main thrust of a poet’s work (or any discrete subsection of the poet’s overall work).
Or, if we were to draw ven diagrams for the majority of “issues” that poetics address, weighing those poetics for their relative popularity, we would select the combination of characteristics that capture the centerpoint in a variety of issues.
So, with the conception of multiple audiences, it does not always follow that politically and socially conservative writers will hew to trite subjects in established forms, or that liberal activist writers will attempt to challenge society by producing consciousness-shifting works, *although* that may seem to be the case from the centerpoint.
scoplaw.blogs.com /scoplaw/2006/01/more_politics_a.html   (2284 words)

  
 Poetics - Chapter I   (Site not responding. Last check: 2007-10-07)
People do, indeed, add the word 'maker' or 'poet' to the name of the metre, and speak of elegiac poets, or epic (that is, hexameter) poets, as if it were not the imitation that makes the poet, but the verse that entitles them all indiscriminately to the name.
Even when a treatise on medicine or natural science is brought out in verse, the name of poet is by custom given to the author; and yet Homer and Empedocles have nothing in common but the metre, so that it would be right to call the one poet, the other physicist rather than poet.
On the same principle, even if a writer in his poetic imitation were to combine all metres, as Chaeremon did in his Centaur, which is a medley composed of metres of all kinds, we should bring him too under the general term poet.
www.worldwideschool.org /library/books/lit/literarystudies/Poetics/Chap1.html   (490 words)

  
 Poetics   (Site not responding. Last check: 2007-10-07)
In our own projects, we are also led in various, sometimes strange directions through means that we might not initially be aware of using pieces of evidence not normally thought of as such.
One might even argue that the very identification and attachment to them is most vital, for the reflectivity and connection it provides has the capacity to call into question and challenge dominant discourses and ideologies of one's specific position, location, and time.
The mystory requires first that we try to define a repeated pattern in the relays provided so that a recipe of poetics can be develop--so that, in other words, we can design the rules for our research.
web.nwe.ufl.edu /~ajdavis/poetics.html   (1788 words)

  
 Scoplaw: Poetics   (Site not responding. Last check: 2007-10-07)
And yet one finds to one's dismay that the poetic imagination resists being made the tool of causes, even the noblest of causes.
But some basic themes: there’s a disconnect between how many poets are taught (at least via the university and university-orbit publications) to view their poetics’ genealogies and the actual patterns/waves/cross-currents of influence, primary, secondary, and tertiary.
Some of it can be found in the Airy Poetics posts, but the basic idea is that the individual acts aggregate into the profession/discipline, etc. It would be helpful to examine those individual acts and streamline both what we do and the dialogue we have about it.
scoplaw.blogs.com /scoplaw/poetics   (13183 words)

  
 [No title]
An embodied poetics would start by acknowledging that both poets & readers are responding to effects & powers originating in language & nowhere else; that these effects can be symbolized by analogy to the body or the reactions poetry creates, but that if we are talking poetics perhaps we should focus on specifically poetic effects.
Subject: word leading the idea Joshua referred to Barthes' "One might call "poetic" (without value judgment) any discourse in which the word leads the idea." I like this idea, but wonder whether it's the word _leading_ the idea, or the words conducting a discourse/dance that is separate from the idea.
From: Joe Amato Subject: Re: Writing Threw the Brain wrt this question of the body, and ward tietz's intriguing response to jondi keane's intriguing elaboration: i too have found mind vs. body controversies to be reflected in the mind/brain couple, esp. given that many cogsci researchers see the 90s as the "decade of the brain"...
wings.buffalo.edu /epc/poetics/early_archive/logs/1996/9605   (15878 words)

  
 Elsevier.com - Poetics   (Site not responding. Last check: 2007-10-07)
Poetics is an interdisciplinary journal for articles in the field of theoretical and empirical research on culture, the media and the arts.
Particularly welcome are papers that make an original contribution to the major disciplines — psychology, sociology, and economics — within which promising lines of research on art and culture have been developed.
Poetics publishes not only advanced research reports but also overview articles.
www.elsevier.com /locate/poetic   (386 words)

  
 Aristotle, The Poetics   (Site not responding. Last check: 2007-10-07)
Supplementary texts relevant to the Poetics, compiled by Malcom Heath, from his Resources for the Poetics.
A comprehensive Poetics bibliography, compiled by Malcom Heath for his Resources for the Poetics.
Averroes' Middle Commentary on Aristotle's Poetics by Ibn Rushd Averroes, translated by Charles E. Butterworth.
www.isidore-of-seville.com /small/4.html   (303 words)

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