| |
| | Central Europe Review - Music: Krzyzstof Penderecki |
 | | During the post-war decade, access to modern music had been severely restricted, as Polish composers were "encouraged," with varying degrees of success, to embrace and express the ambiguously defined tenets of socialist realism, or socrealizm. |
 | | Some composers, Penderecki stated, had "forgotten about music" and were composing "notes only," while he wanted to compose "music with a human face" and distance himself from his peers and imitators. |
 | | Messiaen, was the composer's thoughtful answer, primarily for his mysticism and use of orchestral colour. |
| www.ce-review.org /99/21/best21_reyland.html (1484 words) |
|