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| | Editing as Entertainment Constructing The Self-Evidence of Profit |
 | | Such deconstruction of the self-evidence of “meaning”, however, is simply a decoy for securing the legitimacy of the self-evidence of “profit." This clerical deconstruction, in other words, is merely a diversionist strategy—to turn the focus away from the economic to the textual/cultural (which is then represented as the truly “political"). |
 | | Self-reflexivity is, in short, an apparatus of class politics: it suspends partisan critique in the name of learning about “both sides of the story” and thus represents the conditions for the production of profit as the self-evident of human societies. |
 | | His politics, like Davidson's, are all those practices that enhance the existing power by new interpretations, new twists of phrases and innovative ways; as a result, the writer who opposes this power becomes for such an editor the writer of self-aggrandizing interjections. |
| www.etext.org /Politics/AlternativeOrange/5/v5n1_mc3.html (2894 words) |
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