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| | Pythagorean Tuning and Medieval Polyphony - Table of Contents |
 | | This FAQ article is intended to explain the system of tuning in perfect fifths commonly known as "Pythagorean intonation," its interaction with the stylistic traits of medieval polyphony, and its relationship to other systems of tuning. |
 | | Remaining the standard theoretical approach in the High Gothic era of the 13th century, Pythagorean tuning seems very congenial to the complex polyphony and subtle harmonic continuum of composers such as Perotin, Adam de la Halle, and Petrus de Cruce. |
 | | Section 3, on stylistic considerations, is linked in many ways to a companion article on 13th-century polyphony, and owes a special debt of gratitude to studies by Vincent Corrigan on the Notre Dame conductus repertory, and by Mark Lindley on the later 13th and 14th centuries, although any flaws or infelicities are of course mine. |
| www.medieval.org /emfaq/harmony/pyth.html (766 words) |
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