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	Pompeo Batoni (1708 - 1787) Artwork Images, Exhibitions, Reviews
		Pompeo Batoni studied in Rome under the encouragement of his goldsmith father.
		Batoni was given the position as curator for the papal collections and was a member of Rome’s intellectual and social elite.
		Pompeo Batoni - The Fall of Simon Magus c.
	wwar.com /masters/b/batoni-pompeo.html (742 words)

	Pompeo Batoni (Getty Museum)
		A goldsmith's son, Batoni studied in Rome, basing his style in part on Raphael and on the art of antiquity.
		Batoni's sensibility was joyful and elegant, mirroring the carefree attitude of eighteenth-century society as a whole.
		Batoni became curator of the papal collections, and his home was a meeting place for Rome's intellectual and social elite.
	www.getty.edu /art/gettyguide/artMakerDetails?maker=808&page=1 (201 words)

	Pompeo Girolamo Batoni
		Pompeo Girolamo Batoni (1708-1787), Italian painter, was born at Lucca.
		He was regarded in Italy as a great painter in the 18th century, and unquestionably did much to rescue the art from the intense mannerism into which it had fallen during the preceding century.
		His best production is thought to be his group of "Peace and War." Batoni painted an unusual number of pictures, and was also celebrated for his portraits.
	www.ebroadcast.com.au /lookup/encyclopedia/po/Pompeo_Girolamo_Batoni.html (101 words)

	Pompeo Batoni - Wikipedia, the free encyclopedia
		Pompeo Girolamo Batoni or Battoni was a highly influential Italian painter whose style incorporated elements of the French Rococo, Bolognese classicism and nascent Neoclassicism.
		Batoni was born the son of a goldsmith, Paolino Battoni.
		Batoni became a highly-fashionable painter in the Rome, particularly after his rival, Anton Raphael Mengs, departed for Spain in 1761.
	en.wikipedia.org /wiki/Pompeo_Batoni (326 words)

	Pompeo Mariani ( - ) Artwork Images, Exhibitions, Reviews
		Pompeo Girolamo Batoni - The 7th Earl of Northampton n.d.
		Pompeo Batoni - The Fall of Simon Magus c.
		Pompeo Girolamo Batoni - Pope Benedict XIV presenting the Encyclical 'Ex Omnibus' to the Comte de Stainville, later Duc de Choiseul 1757 oil on canvas Minneapolis Institute of Arts Italian
	www.wwar.com /masters/m/mariani-pompeo.html (617 words)

	POMPEO GIROLAMO BATONI - SAMSON AND DELILAH
		Batoni, like most illustrators of the theme, has shown Delilah herself holding the scissors and summoning the Philistines outside her chamber.
		Batoni produced few history paintings during the decade of the 1760s, and these were generally large and extremely expensive.
		Each canvas represented a major effort on Batoni's part, and normally at this stage of his career such pictures were commissioned exclusively by the Church, European sovereigns and visiting nobility, and the occasional British Grand Tourist.
	www.europeanpaintings.com /exhibits/xviiicent/batonsam.htm (779 words)

	Batoni Reproductions – Art Reproductions
		Pompeo Girolamo Batoni was born in Lucca, the son of a goldsmith.
		Batoni became the most fashionable painter in the city, particularly after his most serious rival - Anton Raphael Mengs - departed for Spain in 1761.
		Batoni befriended Winckelmann and, like him, preferred Raphael and Poussin to the Venetian artists then in vogue.
	www.topofart.com /artists/Pompeo_Girolamo_Batoni/biography (290 words)

	Batoni_Wodehouse Portrait
		Pompeo Batoni, the leading portraitist in Rome during the eighteenth century, earned an international reputation by creating elegant commemorative likenesses of and for foreign travelers.
		Pompeo Batoni was born in Lucca in 1708, and trained as a goldsmith with his father Paolino.
		By the 1750s Batoni had become "the" portrait painter in Rome: the sophisticated elegance of his likenesses, enveloped by settings evocative of classical Rome, assured the artist's popularity among foreign--especially English--sitters desiring a souvenir of their Italian journey.
	www.oberlin.edu /amam/Batoni_WodehousePortrait.htm (1176 words)

	Portrait of Pius VI
		This was subsequently altered to the painter from Lucca, Pompeo Batoni.
		Important personages of his time wished to be portrayed by him and among these was of course Pius VI (pontiff from 1775 to 1799), who contacted Batoni immediately after his papal election.
		The Vatican painting which is in a preliminary state is considered to be a study, quite likely from life, for the official portrait of the Pope (now in the Museum of Rome).
	mv.vatican.va /3_EN/pages/x-Schede/PINs/PINs_Sala15_02_058.html (173 words)

	POMPEO GIROLAMO BATONI - BIOGRAPHY (Site not responding. Last check: )
		The son of a distinguished Lucchese goldsmith, Pompeo Batoni left his native city at the age of nineteen to study painting in Rome.
		Batoni's study of classical antiquity was particularly important for his artistic formation, and, in fact, the excellence of his drawings after the antique brought him his earliest reputation in Rome.
		The acclaim for Batoni's first public work in Rome, an altarpiece for S.Gregorio al Celio of 1732-3, immediately brought commissions for churches and palaces in Rome and elsewhere in Italy.
	www.europeanpaintings.com /exhibits/xviiicent/batonbio.htm (211 words)

	Pompeo Batoni Online
		Pompeo Batoni at the National Gallery, London, UK Portrait of John Scott of Banks Fee
		Pompeo Batoni in the Los Angeles County Museum of Art Database
		All images and text on this Pompeo Batoni page are copyright 2007 by John Malyon/Artcyclopedia, unless otherwise noted.
	www.artcyclopedia.com /artists/batoni_pompeo.html (546 words)

	Pompeo Girolamo Batoni (1708-1787) : Library of Congress Citations (Site not responding. Last check: )
		Author: Clark, Anthony M. Title: Pompeo Batoni : a complete catalogue of his works with an introductory text / Anthony M. Clark ; edited and prepared for publication by Edgar Peters Bowron.
		Title: Mostra di Pompeo Batoni / promossa dall'Amministrazione provinciale di Lucca, luglio-settembre 1967 ; catalogo a cura di Isa Belli Barsali.
		References: nnaa Batoni, Pompeo Girolamo, 1708-1787 Notes: Clark, A.M. Pompeo Batoni, 1985: -- CIP data sheet (1708-87; painter in 18th century Rome) LCCN 74-397844: His Pompeo Batoni, 1967 -- (hdg.: Batoni, Pompeo Girolamo, 1708-1787)
	www.mala.bc.ca /~mcneil/cit/citlcbatoni1.htm (155 words)

	Covent Garden Events
		In his day, Pompeo Batoni was the most celebrated painter in Rome.
		For nearly half a century, Batoni recorded international travellers' visits to Italy on the Grand Tour in portraits that remain among the most memorable artistic accomplishments of the period.
		Batoni’s status as Rome’s most sought-after painter for both portraits and history paintings will be demonstrated by works never previously publicly exhibited, as well as newly discovered and recently restored works.
	www.coventgardenlife.com /events/events_covent_garden.htm (2083 words)

	Pompeo Girolamo Batoni / Pope Benedict XIV presenting the Encyclical 'Ex Omnibus' to the Comte de Stainville, later Duc ...
		Pompeo Girolamo Batoni / Pope Benedict XIV presenting the Encyclical 'Ex Omnibus' to the Comte de Stainville, later Duc de Choiseul / 1757
		In his portrayal of this actual historical event, Pompeo Batoni combined factual and allegorical details.
		Although Batoni correctly depicted Choiseul's heavily embroidered court dress, he did not attempt a true likeness of the count.
	www.davidrumsey.com /amico/amico164544-99684.html (453 words)

	Collection Details
		In his lifetime, Pompeo Batoni was the most sought-after portraitist in Rome.
		An established painter of mythological, historical, and religious subjects, Batoni derived his grand manner from studying Raphael, the late Baroque masters, and the world of antiquity.
		The Portrait of Philip Livingston is unusual for Batoni in several respects: it lacks the usual formal trappings that symbolize the sitter's status, and it is the only known portrait by Batoni of an American.
	www.umfa.utah.edu /index.php?id=MjE&collection_id=33 (172 words)

	The Ecstasy of St Catherine of Siena by BATONI, Pompeo
		Pompeo Batoni was a very cultured man who gained international fame at an early age.
		With the work of his rival Anton Raphael Mengs, Batoni's art marked the first beginnings of Neo-Classicism, in an urbane, highly polished, if very derivative manner.
		If we compare works on similar subjects (for example The Ecstasy of St. Francis by Piazzetta), we can measure the cultural change that Batoni was proposing.The great sense of movement contained in compositions by artists in the first half of the century could also be seen in the speed with which they painted.
	gallery.euroweb.hu /html/b/batoni/extasy.html (259 words)

	Pompeo Batoni (Site not responding. Last check: )
		The sitter, Robert Clements was most likely painted in the early 1750's and he is shown, standing by a bust of Homer, as an erudite and confident young man. After completing his Grand Tour, he would go on to enjoy an illustrious career in the Irish Parliament, followed by an Earldom in 1795.
		The style and handling of this commanding Portrait of Robert Clements, shows Batoni at the very height of his powers.
		The elegantly drawn hands, the vividly rendered attire and sensitively wrought face would become trademarks for this artist's accomplishments as the Grand Tour portrait painter of choice in eighteenth century Rome.
	www.hallandknight.com /sales/pompeo.html (147 words)

	POMPEO GIROLAMO BATONI... - Online Information article about POMPEO GIROLAMO BATONI...
		- Online Information article about POMPEO GIROLAMO BATONI...
		Search over 40,000 articles from the original, classic Encyclopedia Britannica, 11th Edition.
		Batoni painted an unusual number of pictures, and was also celebrated for his portraits.
	encyclopedia.jrank.org /BAR_BEC/BATONI_POMPEO_GIROLAMO_1708_178.html (213 words)

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