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Encyclopedia of Organ Stops (Site not responding. Last check: 2007-11-03) |
 | | The English Post Horn was originally designed by Hope-Jones as a 16' Reed in his reconstructed Swell division which, with its weighty flue-work (Diapason Phonon and Tibia Clausa), required something really startling in its Reed chorus by way of contrast. |
 | | This function was admirably fulfilled by his Double English Horn (to give it its original name), which at the time it was introduced, represent the extreme limit of brassy, strident Reed tone, the quality of which is most aptly described by Wedgwood as a “thin blare”. |
 | | Strony calls the English Post Horn “the king of theatre organ chorus reeds”, and reports that it typically appears at 8' pitch, and at 16' in the manuals to tenor C, but is sometimes extended down to 16' for use in the pedal. |
| www.organstops.org /p/PostHorn.html (407 words) |
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