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| | Music, Power, and Politics - Introduction |
 | | None of the essays makes a claim for the power of music itself to persuade, coerce, resist, or suppress; rather, the authors address the uses to which music is put, the controls placed on it, and discursive treatments of it. |
 | | Laudan Nooshin’s “Subversion and Countersubversion: Power, Control and Meaning in the New Iranian Pop Music,” a discussion of western-style pop music in a context of contemporary middle eastern religious fundamentalism, is the only essay to address music and religion explicitly. |
 | | Laudan Nooshin, the principal organizer of the BFE meeting and head of the program committee is owed a huge debt of gratitude for her vision in coordinating this extremely stimulating conference. |
| musicpowerpolitics.com /intro.html (854 words) |
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