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| | Selecting Mic Preamps |
 | | You need to determine whether the microphone under worst-case conditions is going to overload the preamp input stage and whether the preamp is going to materially degrade the noise performance of the microphone. |
 | | Final selection details involve checking that the preamp's gain range is enough for your use, that there are overload indicators or metering to help in set up, that the plumbing is compatible with your wiring needs, and that the color doesn't clash with your tour jacket. |
 | | For example, if the mic's output noise translates into -120 dBu, and the preamp you are interested in has an EIN of -127 dBu, then the difference between the mic and the preamp is -7 dB, that is, the preamp is 7 dB quieter than the microphone. |
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