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| | Charles Olson, Projective Verse 1950 |
 | | I want to do two things: first, try to show what projective or OPEN verse is, what it involves, in its act of composition, how, in distinction from the non-projective, it is accomplished; and II, suggest a few ideas about what that stance does, both to the poet and to his reader. |
 | | Each of these lines is a progressing of both meaning and the breathing forward, and then a backing up, without a progress or any kind of movement outside the unit of time local to the idea. |
 | | The dimension of his line itself changes, not to speak of the change in his conceiving, of the matter he will turn to, of the scale in which he imagines that matter’s use. |
| www.angelfire.com /poetry/jarnot/olson.html (3119 words) |
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