| |
| | Giving Up the Ghost |
 | |
prosopopoeia as the “fiction of the voice from-beyond-the-grave,” Paul de Man writes: “It is the figure of prosopopoeia, the fiction of an apostrophe to an absent, deceased, or voiceless entity, which posits the possibility of the latter’s reply, and confers upon it the power of speech. |
 | | Prosopopoeia is the trope of autobiography, by which one’s name, as in the Milton poem, is made as intelligible and memorable as a face
|
 | | Since apostrophe and prosopopoeia so often involve a sensation of loss
in the post-Enlightenment lyric as observed by commentators like de Man, Culler, and Hartman
in the elegiac tradition and the epitaphic texts of the Renaissance
|
| phoenixandturtle.net /excerptmill/garber2.htm (2871 words) |
|