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| | THE PYTHAGOREAN PERSPECTIVE: The Arts and Sociobiology |
 | | One might attempt to indicate precursor behaviors in other animals which have some structural resemblance to the elaborated forms of the human arts: the numerical and pattern-forming abilities of many animals; the "aesthetic" of peacocks, bowerbirds etc.; the "architectural" capabilities of beavers, bees, termites, birds; the "music appreciation" of gibbons, wolves, whales, and so on. |
 | | From its precincts flow the belief in the kinship of all beings; the principles of the brotherhood, of loyalty, modesty, self-discipline, piety and abstinence; a higher view of womanhood, community of property, the parallel between the macrocosm and the microcosm ; the cosmos as an organism; the brain as the locus of the soul. |
 | | These techniques would extend to the age-old mysteries of Pythagorean harmonics, to the expressive music of color, to the orchestration of visual rhythms, and, indeed, to every effective and affecting aspect of a work of art. |
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