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| | Sombrero Grande's Movie Mesa |
 | | On its own, RKO 281 is possibly--as Mil Peliculas might put it--an “extremely okay” film, but the fact that it bases its structure on none other than that of Citizen Kane, widely regarded and easily arguable as the best film ever made, does much more to hurt the film than help it. |
 | | RKO 281’s right-out-of-the-gate disappointment is that, while the idea of starting out a dramatization of the making of Citizen Kane with the same kind of opening that Citizen Kane itself had is “cute,” it completely pulled me out of the experience. |
 | | Oh sure, RKO 281's newsreel has all the same jump cuts and overexposures of its Citizen Kane counterpart, but while the physical characteristics were remade, the awe, the energy, the sheer filmmaking joy were not. |
| sombrerogrande.blogspot.com /2004_08_26_sombrerogrande_archive.html (892 words) |
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