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| | François Rabelais |
 | | Rabelais wrote a panegyrical memoir of Guillaume, which is lost, and the year before saw the publication of an edition of Gargantua and Pantagruel, book I, together (both had been repeatedly reprinted separately), in which some dangerous expressions were cut away. |
 | | According to some expositors, including Fleury, Rabelais is a sober reformer, an apostle of earnest work, of sound education, of rational if not dogmatic religion, who wraps up his morals in a farcical envelope partly to make them go down with the vulgar and partly to shield himself from the consequences of his reforming zeal. |
 | | Rabelais is the incarnation of the "esprit Gaulois", a jovial, careless soul, not destitute of common sense or even acute intellectual power, but first of all a good fellow, rather preferring a broad jest to a fine-pointed one, and rollicking through life like a good-natured undergraduate. |
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